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NAVIGATION
IMPORTANT SAFETY
INSTRUCTIONS
ACKNOWLEDGEMENTS
INTRODUCTION
OVERVIEW
QUICK START
UPDATING THE FIRMWARE
CONNECTIONS
SOUND DESIGN &
PROGRAMMING
EFFECTS
PERFORMANCE CONTROL
SECTION (KEYBOARD
MODEL)
ADDITIONAL CONTROLS &
PARAMETERS (DESKTOP
MODEL)
USING THE MODULATION
MATRIX
VOICE ASSIGN
ARPEGGIATOR &
SEQUENCER
GLOBAL SETTINGS
MPE SUPPORT
FILE MANAGEMENT
HOW-TO GUIDE
CHEAT SHEET
MIDI SPECIFICATIONS
GLOSSARY
SUPPORT INFORMATION
D(ECAY) H(OLD): In shift mode, you can use the DECAY fader to adjust
the time it takes for the decay stage to begin after the attack stage
reached its peak. The decay hold stage can be as long as 10 seconds. At
its minimum setting this parameter has no effect, i.e. the envelope then
behaves as if it had only four or five stages (attack, decay, sustain and
release or attack hold, attack, decay, sustain and release).
D(ECAY): This fader determines the duration of the envelope's decay
stage. The higher the setting, the longer it takes for the envelope to travel
from its maximum level to the level determined by the sustain fader. The
decay stage can be as short as 1 millisecond or as long as 10 seconds.
S(USTAIN): This fader determines what level the envelope will be held
at when you hold a note past the decay stage. This is the only envelope
parameter that is not tied to a duration but to a level. The duration of the
sustain stage always depends on how long you hold a note.
R(ELEASE): This fader determines the duration of the envelope's release
stage. The higher the setting, the slower the release time and the longer
it takes for the envelope to fade out after you release a key. The release
stage can be as short as 1 millisecond or as long as 10 seconds.
The KEYTRACK toggle switch allows you to determine whether and to
what extent envelope 1's decay and release stages respond relative to the
pitch of the notes played on the keyboard:
• OFF: With this setting, the duration of the envelope's decay and
release stages is unaffected by the pitch of the notes played on the
keyboard.
• 1/2: With this setting, the time it takes for the envelope to cycle through
its decay and release stages decreases in quarter tone steps as you
move up the keyboard.
• ON: With this setting, the time it takes for the envelope to cycle
through its decay and release stages decreases in semitones as you
move up the keyboard.
If you don't notice any noticeable key tracking effect when envelope
1 is set to inverted mode, consider that the effect the inverted
envelope has on its modulation destination is the opposite of
envelope 1 set to default mode.
The upper toggle switch (on the desktop model the lower one) allows you
to choose between three types of envelope behaviours:
• Lower position: With this setting, envelope 1 is in default mode.
UDO Super 6 — Owner's Manual
48
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