UDO AUDIO SUPER 6 Owner's Manual page 45

NAVIGATION
IMPORTANT SAFETY
INSTRUCTIONS
ACKNOWLEDGEMENTS
INTRODUCTION
OVERVIEW
QUICK START
UPDATING THE FIRMWARE
CONNECTIONS
SOUND DESIGN &
PROGRAMMING
EFFECTS
PERFORMANCE CONTROL
SECTION (KEYBOARD
MODEL)
ADDITIONAL CONTROLS &
PARAMETERS (DESKTOP
MODEL)
USING THE MODULATION
MATRIX
VOICE ASSIGN
ARPEGGIATOR &
SEQUENCER
GLOBAL SETTINGS
MPE SUPPORT
FILE MANAGEMENT
HOW-TO GUIDE
CHEAT SHEET
MIDI SPECIFICATIONS
GLOSSARY
SUPPORT INFORMATION
• Upper position: With this setting, the second of the fixed envelopes
acts as the modulation source. Its attack and decay stages have no
duration, but it does feature a release stage. Use this envelope when
you want to free up envelope 2 for other modulation tasks, but prefer
your sound to fade out after playing a note.
The DYNAMICS toggle switch allows you to determine whether and to
what extent the VCA level and the low-pass filter will respond to keyboard
velocity:
• OFF: With this setting, the VCA level and the low-pass filter remain
unaffected by keyboard velocity.
• 1/2: With this setting, the VCA level and the low-pass filter respond
to keyboard velocity with half intensity. The harder you hit a key, the
louder and brighter the sound becomes. Use this setting when you
want the velocity effect to be subtle.
• ON: With this setting, the VCA level and the low-pass filter respond to
keyboard velocity with full intensity. The harder you hit a key, the louder
and brighter the sound becomes. Use this setting when you want
velocity to have a significant impact, for example if you wish to emulate
the behaviour of acoustic stringed instruments.
Depending on the level of signals fed into the VCA section, high
ENV LEVEL settings may cause the amplified output signal to be
clipped or distorted regardless of the MASTER VOLUME setting.
Simply reduce the ENV LEVEL settings to avoid unwanted clipping
artifacts and to ensure a clean signal at the end of the signal chain.
UDO Super 6 — Owner's Manual 45