Editing Conventions; Introduction To Editing; What's An Object - Kurzweil K2661 Musician's Manual

Chapter 5

Editing Conventions

Introduction to Editing

Programming (editing) the K2661 always involves three basic operations: mode selection,
navigation, and data entry.
First, select the mode that relates to the object you want to edit—a program, a setup, etc. Then
select the object you want to edit, and press the Edit button to enter the editor within that mode.
An editor contains all the parameters that define the object you're programming.
Next, you navigate around the editor's page(s) with the soft buttons, and select parameters with
the cursor (arrow) buttons. When you've selected a parameter (its value is highlighted by the
cursor), you can change its value with one of the data entry methods. When you change a value,
you'll normally hear its effect on the object you're editing. The K2661 doesn't actually write your
editing changes to memory until you save the object you're working on. It then allows you to
choose between writing over the original object, or storing the newly edited version in a new
memory location.

What's an Object?

If you've been wondering what we mean by the term "object," it's an expression we use for
anything that can be named, saved, deleted, or edited. Here's a list of all the types of objects:
Samples
Keymaps
Programs
Setups
Songs
Studios
FX presets
Quick Access banks Factory-preset or user-programmed banks of ten entries each, that store
Velocity maps
Digital recordings of instrumental sounds or waveforms. Samples
actually have two separate parts: the actual sample data and the sample
header information, which contains start, alternative start, loop, and end
points, as well as other information like tuning and volume.
Collections of samples assigned to specific velocity ranges and/or keys.
Factory-preset or user-programmed sounds stored in ROM or RAM.
A program is one or more layers of sound, with programmable DSP
functions applied to the keymaps within each layer.
Factory-preset or user-programmed MIDI performance presets consisting
of up to eight zones, each with its own program, MIDI channel, and
controller assignments, and (optionally) arpeggiation specifications.
Sequence files loaded into RAM, or MIDI data recorded in Song mode.
Factory-preset or user-programmed configurations of the K2661's
onboard digital audio effects processor.
Factory-preset or user-programmed data—including effects algorithms,
levels and balance—that define the nature of studios.
programs and setups for single-button access in Quick Access mode.
Factory-preset or user-programmed curves that affect the K2661's
response to, and MIDI transmission of, attack velocity values.
Editing Conventions
Introduction to Editing
5-1