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REC and MIX Busses
In addition to the CHOP, the channel's main fader can feed the record and/or mix bus.
These are selected using the
Channel which light up to indicate the presence of routing. This routing is also indicated
by the lighting of the
the channel (shown left). You will notice that throughout the desk, references to the
1
2
REC
10
11
bus are green.
The signal level being sent to the record and mix busses is controlled by the fader at the bottom of the channel. The channel's
feed to the record and mix busses is panned using the pan pot towards the bottom of the routing section of the channel strip
(shown below), which includes a Total Recall LED. The pot is indented in the middle, where the signal is feeding both the left and
right busses equally.
DAW Monitor Mode
When
DAW MONITOR
button, located below the channel strip's pan pot (shown left) and configures the channel
for recording following the classic in-line style of previous generation SSL consoles. The
signal received from the input is routed through any processing applied via the Insert
Matrix and then to the DAW via the channel output.
With
the CHANNEL OUT (post-gain) output (the DAW send) and the DAW RTN input (pre-gain).
Both the Master Channel's
mode is active. The colour of the
yellow for channel out.
Bass
When the
DAW MONITOR
button above it.
AUTO MON
source on any channels in
11
-
When the transport is idle the monitoring source for these channels will be the channel output.
-
When the transport is in Play the monitoring source will be the DAW return.
-
When the DAW (and the DAW track associated with the channel) is in record, the monitor source flips back to the
Bass
channel output in conjunction with the SuperCue monitor function (see Page 34).
Note that for the
10
10
track output must be sending to the Matrix channel which is feeding its input.
5
5
Note also that in order to use
0
0
source must not be post-fader.
5
5
10
10
Cut and Solo
Above the fader, there is a
which mutes all other channels, leaving that channel as the only signal reaching the monitors.
2
3
20
20
30
Bass
30
40
40
50
50
10
10
1
2
5
5
0
0
5
5
10
10
REC
REC
and
3
bus are red, references to the
12
13
INPUT
has been selected as the channel source, pressing the
button in the Master Channel (shown right) enables the
DAW MONITOR
mode active, pressing
DAW MONITOR
button and the channel strip's
TRK
button also indicates which monitoring source is selected: green for DAW return and
mode is active, full zero latency drop in and Record monitoring is available via the
allows the desk to take control of the
DAW MONITOR
mode depending on the status of the DAW transport and track record tally:
12
13
DAW MONITOR
function to switch between corresponding DAW sends and returns, each DAW
10
5
DAW MONITOR
0
5
10
CUT
4
5
20
See Pages 42 and 44 for details of the different solo and cut modes available on Matrix.
30
40
50
10
10
3
4
5
5
0
0
5
5
10
10
and
MIX
bus buttons at the bottom of the Master
MIX
symbols at the bottom of the meter section above
4
5
MIX
bus are yellow, and references to the
14
TRK
switches the monitoring source for that channel between
TRK
14
15
10
10
5
5
mode, the channel input must be set to INPUT, and the
0
0
5
5
10
10
switch which immediately mutes the channel's output, and a
6
20
20
30
30
40
40
50
50
10
10
5
5
5
0
0
5
5
10
10
Chapter 3 - Analogue Signal Flow
6
7
MON
15
16
TRK
TRK
button light up to indicate that DAW Monitor
buttons, automatically switching the monitoring
16
10
10
5
5
0
0
5
5
10
10
7
8
20
20
30
30
40
40
50
50
10
6
7
Matrix Owner's Manual
5
0
5
10
LEFT
8
AUTO MON
MASTER/FOCUS
0
10
5
5
CHOP
10
0
15
5
20
10
SOLO
button
9
30
20
40
30
50
40
60
50
10
10
8
5
33
0
5
10
10
MI
DIM
DIM
10
9
5
0
5
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