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CHAPTER4:
OPERATlONSGUlDE
I.
Locate the tape to a point a few seconds before the point you want recording to
start from.
2. Press the REC FUNCTION switch of the punch-in track so the associated
LED
blinks to show that the track is in Record Ready mode,
3. Press INSERT so its LED lights.
4. Press
RHSL so
its LED starts blinking to show that the selected machine
is in
Rchcarsal Setting mode.
5. Press PLAY to start playing.
6. When the desired punch-in point is reached, hit REC.
That point on the tape is stored into memory defined as the punch-in point,
DA-88 : Since you are in Rehearsal Setting mode, the monitor does not switch
from tape to source (input).
DA-38 : The monitor switches from tape to source the instant you hit REC.
1.
8.
9
When the point where you want to punch out is reached, hit PLAY,
That point on the tape is stored into memory defined as the punch-out point,
The RHSL LED that was blinking will turn on solid to show that the machine is
switched from Rehearsal Setting mode to Rehearsal mode.
After a 3.second postroll, the tape will rewind, stopping at a point 5 seconds prior
to the punch-in point just set.
0
The preroll time defaults to 5 seconds, and the postroll time to 3 seconds,
Both we optionally adjustable, as explained later.
Note, the Locate Preroll Time (p.4 * 7) has nothing to do with the punch-in preroll
time.
Press PLAY to check the punch-in and out points for accuracy.
The monitor will switch from tape to source (input) when the punch-in point is
reached, and back to tape at the punch- out point.
If tbc monitor does not switch exactly at the desired points, either repeat steps 4.8
or recall the punch-in/out
point into the LOCATE TIME window by pressing
IN/OUT, and fine tune it with the increment UP and DOWN keys.
Practice the performance until you are sure that you will get it right when actually
recording,
Remember,
once you punch in "vu
existing material,
that original
signal is permanently erased.
4.12
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