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shows an example of a velocity switched combination
in velocity will switch between timbres 1 and 2 to play
different programs. Such combinations are created by
setting the velocity zone.
Timbre 1
Brass
Timbre 2
Strings
As an example, we will explain how to create a combi-
nation like the one shown above.
1 In 1.1: Play or 2.1: Ed-Prog/Mix, select the pro-
grams that timbres 1–2 will use.
Select a brass program for timbre 1.
Select a strings program for timbre 2.
2 In the MIDI page of 3.1: Ed-Param1, set "Status" to
INT for all the timbres that you wish to use, and
set "MIDI Channel" to either Gch or to match the
global MIDI channel (a "G" will be displayed
after the channel number).
3 In 3.4: Ed–Vel Zone Vel page, set the "Top Veloc-
ity" and "Bottom Velocity."
Set timbre 1 to a "Top Velocity" of 127 and a "Bot-
tom Velocity" of 64.
Set timbre 2 to a "Top Velocity" of 63 and a "Bottom
Velocity" of 1.
You can also enter these values by holding down the
[ENTER] key and playing a note on a connected
MIDI instrument.
Slope page
Here you can specify the range of values over which
the original volume will be reached, starting from the
top velocity and bottom velocity.
In the case of the above example, you could set the
velocity zones of the two timbres so that they partially
overlap, and set "Top Slope" and "Bottom Slope" so
that the sound changes gradually, instead of changing
suddenly between velocity values of 63 and 64.
MIDI filter settings
4.1: Ed–MIDI Filter1–4.4: Ed–MIDI Filter4
For each MIDI Filter item, you can specify whether or
not the corresponding MIDI message will be transmit-
ted and received. The checked items will be transmit-
ted and received.
The MIDI Filter settings do not switch the corre-
sponding function on/off, but merely specify
whether or not that MIDI message is transmitted
and received. Some of the MIDI filters apply only
to reception. ( PG p.41)
For example if you selected a bass program for timbre 1
and a piano program for timbre 2 to create a split-type
combination, you could make the following settings so
that pressing the damper pedal of a connected MIDI
keyboard would apply the damper effect only to the
127
64
Velocity
piano program of timbre 2.
63
switch
1
Set "Damper CC#64" in 4.1: Ed-MIDI Filter1,
MIDI 1-2 page.
Timbre 1 "Damper CC#64": unchecked
Timbre 2 "Damper CC#64": checked
Arpeggiator settings
6.1: Ed–Arp.
Indicates settings for the arpeggiator ( p.87).
Bus settings
7.1: Ed–BUS
Specifies the routing for each timbre (i.e., how it is sent
to the insert effects, master effects, and individual out-
puts). ( p.96)
Insert Effect settings
7.2: Ed–InsertFX
Selects insert effects, and make settings for them.
( p.95, p.97).
Master Effect settings
7.3: Ed–MasterFX
Selects master effects, and make settings for them. Here
you can also make master EQ settings ( p.96, p.97).
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