Table of Contents
Advertisement
5 Use the "Pattern Parameter" utility to specify the
number of measures in the pattern and its time sig-
nature.
When you have finished making these settings,
press the [F8] ("OK") key.
6 Use " (Tempo)" to specify the recording tempo.
7 Use "Resolution" to specify the recording resolu-
tion. ("Realtime quantize "Resolution"")
Metronome settings
8 Set "Metronome Sound," "Precount," "Level," and
"Bus Select."
These settings specify how the metronome will
sound during recording and playback. ( PG p.61)
Recording
9 Press the [F4] ("REC") key.
You will enter recording standby mode.
0 Press the [F5] ("START") key.
Pattern recording will begin. Play the keyboard of a
connected MIDI instrument or operate controllers
such as the REALTIME CONTROLS to record the
desired performance.
When you record to the end of the pattern, you will
return to the beginning of the pattern, and recording
will continue.
The newly recorded data will be added to the data
that was previously recorded in the pattern.
A You can erase specific data during pattern record-
ing.
While still in pattern recording, you can press the
[F4] ("REC") key to erase all the data that is played
while you continue holding down the key.
Alternatively, if you check the "Remove Data" check
box and hold down a key on a connected MIDI
instrument, that note (note number) will be deleted
from the data that is played back while you continue
holding the key.
Similarly, the corresponding controller data will be
deleted while you operate one of the following con-
trollers. Ribbon controller (CC#16) data will be
deleted while the data value is other than 64 (cen-
ter), and other controller data will be deleted while
the data value is other than 0 (zero).
Modulation 1 (CC#01), modulation 2 (CC#02),
damper (CC#64), ribbon controller (CC#16), after-
touch, bender change
If you wish to add data to the pattern, uncheck this
box.
B To stop pattern recording, press the [F5] ("STOP")
key.
Realtime quantize "Resolution"
The TRITON-Rack provides a realtime quantize "Res-
olution" setting (step 7) that lets you correct the tim-
ing of performance data recorded using realtime
recording.
For example, suppose that during realtime recording
you intended to play eighth notes, but that the rhythm
was slightly inaccurate, as shown in figure 1 below. In
such cases, you could set "Reso" (resolution) to , so
that when you realtime-record, the notes will automati-
cally be adjusted to the correct timing as shown in fig-
ure 2.
Recording the performance of the arpeggiator
The performance of the arpeggiator can be recorded
into a pattern.
If arpeggiator A or B is assigned to the track selected as
the "Control Track," and the arpeggiator is set to run,
the notes generated by the arpeggiator can be recorded.
Preset template multis and preset patterns
A drum category program is specified for track 1 of all
sixteen preset template multis. (For preset template
multis P02, P04, P08 and P15, drum category programs
are specified for more than one track.)
The pattern names of the 150 preset patterns indicate
the musical genre and part of the program name of the
most suitable drum category. ( Lower diagram on fol-
lowing page)
For example in the case of P00: Pop&Balad 1/Std,
"Pop&Balad 1" indicates the musical genre, and "Std"
is part of the program name of the most suitable drum
category.
You can use this as a guideline when making RPPR set-
tings with preset template multis and preset patterns.
Loading SMF (Standard MIDI File) performance
data into a user pattern
By using the "Load Selected" utility in the Load page
of Disk mode, you can load SMF data (filename exten-
sion .MID) into a user pattern. You can also save a user
pattern on external media as SMF data.
61
Advertisement
Table of Contents
