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000: FEVER will be displayed.
3 Make sure that the RPPR check box is checked.
Checked: The selected RPPR (the setting of 5.1:
RPPR, RPPR Setup) will operate.
Unchecked: RPPR will not operate. This is the nor-
mal state of Multi mode.
4 Set the "Control Track" MIDI channel and the
channel of the transmitting MIDI device to the
same setting.
In the illustration above, track 1 is the control track.
Since track 1 of 000: FEVER is set to MIDI channel 1,
set the transmitting MIDI device to MIDI channel 1.
5 Start playing patterns via RPPR.
For example if the transmitting MIDI device is a
MIDI keyboard, pressing any key C#2 or above will
start the pattern that is assigned to that key.
Sometimes the pattern will continue playing even
after you release the key, but in such cases you can
stop the pattern by playing the same key once again
or by playing C2 or a lower key.
Shutdown Keys *:
When you play a key in the range of C–1 – C2, the cur-
rently-playing pattern will stop.
Pattern Assignable **:
A pattern and track can be assigned to each of the 72
keys in the range of C#2–C8. If you do not assign a key,
it can be used to play as usual.
As in the example shown in the following diagram,
you can make one key play a drums pattern, another
key a bass phrase, and yet another key play guitar
chords, all by specifying a different pattern and track
for each key.
C-1
Shutdown Keys *
C-1 ... C2
Pattern P000 Track01 (Drums Program)
Pattern U000 Track02 (Bass Program)
Pattern P001 Track01 (Drums Program)
Pattern U001 Track02 (Bass Program)
Pattern U002 Track03 (Guitar Program)
26
88 keys (TRITON proX)
76 keys (TRITON pro)
61 keys (TRITON)
Pattern Assignable **
C#2 ... C 8
Simple program editing
Program sounds can be modified and created in PROG
2.1: Ed-Basic–7.3: Ed-MasterFx. However, you can also
use the "Performance Editor" to perform simple edit-
ing in PROG 1.1: Play Perform. Edit page as well.
You can also use REALTIME CONTROLS [1]–[4] knobs
to modify the sound.
Program editing refers to the process of modifying the
parameters that make up a program, in order to mod-
ify the sound or change the controller or effect settings.
The sound that you edit using the Performance
Editor or using REALTIME CONTROLS knobs
[1]–[4] in A-mode (or B-mode if CC#70–79 are
assigned) can be saved by writing the program.
The edits you make will be lost if you select
another program or turn off the power. If you wish
to keep your edited data, you must write it into
memory. ( p.37)
Performance Edit
1 Press the [PROG] key (LED lit) to enter Program
mode.
2 Press the [F2] ("P.Edit") key.
The Perform. Edit page will appear.
3 Use the Performance Editor to adjust the sound.
Use the [
desired performance editor slider, and use the
[VALUE] dial or the [INC], [DEC] keys to adjust the
setting.
By using the eight sliders of the Performance Editor,
you can make overall adjustments to the sound.
When you move a slider, multiple program parame-
ters are adjusted simultaneously.
Depending on the settings of the program parame-
ters, the result may not be noticeable.
G9
Octave
Adjust the octave.
Pitch Stretch
Simultaneously adjust the transpose and tune settings
of the oscillator. This allows you to produce a variety
of tonal changes without losing the character of the
original sound.
This Performance Edit function cannot be used on
bank I–F.
Performance Editor
], [
], [
], [
] keys to select the
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