Yamaha DM2000 Owner's Manual page 138

Digital production console version 2
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138
Chapter 12—Common Channel Functions
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11 A. Dr. OverTop
12 E. B. Finger
13 E. B. Slap
14 Syn. Bass
15 Piano1
16 Piano2
17 E. Guitar
18 A. Guitar
19 Strings1
20 Strings2
21 Strings3
22 BrassSection
23 Syn. Pad
24 SamplingPerc
25 Sampling BD
26 Sampling SN
27 Hip Comp
28 Solo Vocal1
29 Solo Vocal2
30 Chorus
31 Click Erase
32 Announcer
33 Limiter1
34 Limiter2
35 Total Comp1
36 Total Comp2
DM2000 Version 2—Owner's Manual
Preset Name
Type
COMPAND-S
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMPAND-S
COMP
COMP
COMPAND-S
COMP
COMP
COMP
EXPAND
COMPAND-H
COMPAND-S
COMP
COMP
COMP
Description
Soft-kneed compander for emphasizing the attack and
ambience of cymbals recorded with overhead mics. It
automatically reduces the volume when the cymbals are
not played, improving mic separation.
Compressor for leveling the attack and volume of a fin-
ger-picked electric bass guitar.
Compressor for leveling the attack and volume of a
slapped electric bass guitar.
Compressor for controlling or emphasizing the level of a
synth bass.
Compressor for brightening the tonal color of a piano.
A variation on preset 15, using a deep threshold to change
the overall attack and level.
Compressor for electric guitar "cutting" or arpeggio-style
backing. The sound color can be varied by playing differ-
ent styles.
Compressor for acoustic guitar "stroke" or arpeggio-style
backing.
Compressor for use with strings.
A variation on preset 19, intended for violas or cellos.
A variation on preset 20, intended for string instruments
with a very low range, such as cellos or contrabass.
Compressor for brass sounds with a fast and strong attack.
Compressor for synth pad, intended to prevent diffusion
of the sound.
Compressor for making sampled percussion sound like real
acoustic percussion.
A variation on preset 24, intended for sampled bass drum
sounds.
A variation on preset 25, intended for sampled snare drum
sounds.
A variation on preset 26, intended for sampled loops and
phrases.
Compressor for use with main vocals.
A variation on preset 28.
A variation on preset 28, intended for choruses.
Expander for removing a click track that may bleed
through from a musicians headphones.
Hard-kneed compander for reducing the level of the music
when an announcer speaks.
A soft-kneed compander with a slow release.
A "peak-stop" compressor.
Compressor for reducing the overall volume level. Use it
on the stereo output during mixdown, or with paired
Input or Output Channels.
A variation on preset 35, but with more compression.

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