Yamaha DM2000 Owner's Manual page 326

Digital production console version 2
Hide thumbs Also See for DM2000:
Table of Contents

Advertisement

326
Appendix A: Parameter Lists
ST REVERB
Two input, two output stereo reverb.
Parameter
REV TIME
REV TYPE
INI. DLY
HI. RATIO
LO. RATIO
DIFF.
DENSITY
E/R BAL.
HPF
LPF
REVERB 5.1
One input, six output reverb for 5.1 surround, with surround panning.
Parameter
REV TIME
REV TYPE
HI. RATIO
DIFF.
DENSITY
HPF
LPF
DIV.
ROOMSIZE
POS L/R
POS F/R
POS CTRL
ER L/R
ER F/R
ER LVL
ER CTRL
REV L/R
REV F/R
REV LVL
REV CTRL
POS RAD.
ER RAD.
REV RAD.
1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL PAN/SUR-
ROUND [EFFECT] button's indicator is on. When set to INV, the Joystick will work inversely. When set to OFF,
Joystick control is off. The CTRL button on the Effect Edit page works the same as the [EFFECT] button.
DM2000—Owner's Manual
Range
0.3–99.0 s
Reverb time
Hall, Room, Stage, Plate
Reverb type
0.0–100.0 ms
Initial delay before reverb begins
0.1–1.0
High-frequency reverb time ratio
0.1–2.4
Low-frequency reverb time ratio
0–10
Reverb diffusion (left–right reverb spread)
0–100%
Reverb density
Balance of early reflections and reverb
0–100%
(0% = all reverb, 100% = all early reflections)
THRU, 21.2 Hz–8.00 kHz
High-pass filter cutoff frequency
50.0 Hz–16.0 kHz, THRU
Low-pass filter cutoff frequency
Range
0.3–99.0 s
Reverb time
Hall, Room, Stage, Plate
Reverb type
0.1–1.0
High-frequency reverb time ratio
0–10
Reverb diffusion (left–right reverb spread)
0–100%
Reverb density
THRU, 21.2 Hz–8.00 kHz
High-pass filter cutoff frequency
50.0 Hz–16.0 kHz, THRU
Low-pass filter cutoff frequency
Divergence determines how the front center signal is fed to the
Left, Right, and Center channels. When set to 0%, it's fed only to
0–100%
the Left and Right channels (i.e., Phantom Center). When set to
50%, it's fed equally to the Left, Right, and Center channels. When
set to 100%, it's fed to only the Center channel (i.e., Real Center).
0.1–20.0
Size of simulated room's reverb
L63–R63
Left/right listening position
F63–R63
Front/rear listening position
1
OFF, NORMAL, INVERT
L63–R63
Left/right early reflections position
F63–R63
Front/rear early reflections position
0–100%
Early reflections level
OFF, NORMAL, INVERT
1
L63–R63
Left/right reverb position
F63–R63
Front/rear reverb position
0–100%
Reverb level
OFF, NORMAL, INVERT
1
0–63
Radius of the panning track at the listening position
0–63
Radius of the panning track for early reflections
0–63
Radius of the panning track for reverb
Description
Description

Advertisement

Table of Contents
loading

Table of Contents