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Keep This Manual For Future Reference. Keep This Manual For Future Reference. Owner’s Manual Owner’s Manual...
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300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
Page 3: Important Information

Before installing any cards, check the Yamaha web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may cause electrical shock, ﬁre, or damage to the unit.
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This unit is heavy. Use two or more people to carry it. • When you transport or move the DM2000 with the MB2000 attached, do not permit impact or stress on the cable connector that connects the MB2000 to the DM2000. Other- wise, malfunction may occur. •...
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DM2000 Exclusion of Certain Responsibility Manufacturer, importer, or dealer shall not be liable for any incidental damages including personal injury or any other damages caused by improper use or operation of the DM2000. Trademarks ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg- istered trademarks of Alesis Corporation.
Page 6: Yamaha Web Site

Important Information Copyright No part of the DM2000, its software, or this Owner’s Manual may be reproduced or distrib- uted in any form or by any means without the prior written authorization of Yamaha Cor- poration. © 2003 Yamaha Corporation. All rights reserved.
Page 7: Input Channels

New Functions in DM2000 Version 2 The following functions have been added to the DM2000 as part of the upgrade of the ﬁrm- ware from version 1.2 to version 2.0.
Page 8: Scene Memory

• Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and General DAW. This enables you to control these devices using the DM2000’s SELECTED CHANNEL section. (Controllable functions vary depending on the DAW software and ver- sion you are using.) You can now assign any of 214 functions to the USER DEFINED KEYS.
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Stereo Bus is linked. → page 276 COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : Digital Production Console Model Name : DM2000 This device complies with Part 15 of the FCC Rules.
Page 10: Table Of Contents

Turning On & Off the DM2000 ........
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Naming the Stereo Out ..........106 Contents DM2000 Version 2—Owner’s Manual...
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Naming Aux Send Masters ..........120 DM2000 Version 2—Owner’s Manual...
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Using Talkback & Slate ..........163 Contents DM2000 Version 2—Owner’s Manual...
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Editing Events Offline ..........209 DM2000 Version 2—Owner’s Manual...
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Saving DM2000 Data to SmartMedia ........
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Initializing the DM2000 ........
Page 17: Welcome

1 Welcome Thank you for choosing the Yamaha DM2000 Digital Production Console. Designed with production in mind, the DM2000 Digital Production Console offers 24-bit/96 kHz digital audio processing without compromise, comprehensive surround mixing and monitoring, including bass management and down mixing, and hands-on con- trol of popular DAW (Digital Audio Workstation) systems.
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• Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters • Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes • Ofﬂine event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert DM2000 Version 2—Owner’s Manual...
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• Surround monitor library with 32 user memories Remote Control • Control and manage your DM2000 from your Mac or PC by using the bundled Studio Manager software • Remote Layers for external equipment control, including predeﬁned targets for controlling DAW systems, and user deﬁned targets for controlling MIDI equipment, with Learn func-...
Page 20: Control Surface & Rear Panel

Chapter 2—Control Surface & Rear Panel 2 Control Surface & Rear Panel Control Surface DM2000 Version 2—Owner’s Manual...
Page 21: Ad Input Section

Long channel names. See “Channel Names” on page 57 for more information. The [SEL] buttons can also be used to pair channels, and to add and remove channels to and from the EQ, Comp, Fader, and Mute groups. Control Surface DM2000 Version 2—Owner’s Manual...
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This CARD slot is for use with SmartMedia (3.3 V), which can be used to store DM2000 data, including Setups, Scenes, Automixes, Libraries, and so on. See “Saving DM2000 Data to SmartMedia” on page 271 for more information. MATRIX SELECT...
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Input Channel Layer is selected. When the Master Layer is selected, Encoders 1–20 function as Matrix Send level controls. See “Selecting Encoder Modes” on page 61. Control Surface AUX SELECT DISPLAY ENCODER MODE DISPLAY AUX/ MTRX SEND LEVEL ASSIGN ASSIGN ASSIGN ASSIGN INPUT OUTPUT SEND ASSIGN INSERT DM2000 Version 2—Owner’s Manual...
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DISPLAY ACCESS DATA button This button is used to select the Save, Load, and File pages, which are used to save and load DM2000 data to SmartMedia. See “Saving DM2000 Data to SmartMedia” on page 271 for more information. DIO button This button is used to select the following pages: Word Clock Select, Dither, Cascade In, Cascade Out, Sampling Rate Converter, and Higher Sample Rate Data Transfer Format.
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This button is used to select the following pages: Slot Output Patch, Omni Out Patch, Out- put Insert In Patch, Input Channel Direct Out Destination, 2TR Out Digital Patch, Graphic Equalizer Insert, Output Channel Name, and Output Patch Library. See “Output Patching” on page 79 for more information. Control Surface DM2000 Version 2—Owner’s Manual...
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Up to 16 parameters can be displayed at a time. If more are available, an up or down arrow is displayed. See “Editing Effects” on page 177 and “Editing Plug-Ins” on page 181 for more information. DM2000 Version 2—Owner’s Manual PLUG INS CHANNEL...
Page 27: Display Section

This button, which is active only when the right Tab Scroll arrow is displayed, is used to dis- play the tabs of pages available to the right of the currently selected page. See “Selecting Dis- play Pages” on page 53 for more information. Control Surface DM2000 Version 2—Owner’s Manual...
Page 28

This button is used to route the currently selected Input Channel to its Direct Out. Its indi- cator lights up when it’s pressed. See “Routing Input Channels” on page 93 for more infor- mation. DM2000 Version 2—Owner’s Manual SELECTED CHANNEL ROUTING...
Page 29: Phase Button

(MIX). The rotary control is used to set the Feedback Gain or Feedback Mix, as selected by the push switch. See “Delaying Channel Signals” on page 141 for more information. Control Surface PHASE / INSERT DISPLAY INSERT ON DELAY DISPLAY TIME 2 3 4 5 DM2000 Version 2—Owner’s Manual...
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This button is used to select the following pages: Gate Edit, Gate Library, Comp Edit, and Comp Library. See “Gating Input Channels” on page 85 and “Compressing Channels” on page 137 for more information. DM2000 Version 2—Owner’s Manual AUX / MATRIX SEND DISPLAY...
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This 10-segment display indicates the pan position of the currently selected Input Channel. When pan is set to center, the center two segments light up. When a Matrix Send or the Ste- reo Out is selected, it displays the balance. Control Surface EVEN LINK GRAB EFFECT DM2000 Version 2—Owner’s Manual...
Page 32: Pan Control

When the [EFFECT] button indicator is off but the [GRAB] button and [LINK] button indicators are both on, the Joystick can be used for normal panning in uni- son with the PAN control. See “Panning Input Channels” on page 95 for more information. DM2000 Version 2—Owner’s Manual...
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This button is used to paste the settings in the Copy buffer to the speciﬁed channel. See “Copying Channel Settings” on page 155 for more information. Control Surface LOW MID HIGH MID FREQUENCY FREQUENCY FREQUENCY GAIN GAIN GAIN 1.00 4.00 CHANNEL COPY PASTE DM2000 Version 2—Owner’s Manual HIGH FREQUENCY GAIN 10.0...
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STEREO Touch Sense Select” on page 60, or to punch the Stereo Out in and out during Automix recording. See “Punching In & Out Individual Parameters” on page 207 for more information. DM2000 Version 2—Owner’s Manual LAYER 1 24 REMOTE...
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This indicates that the current mix settings no longer match those of the Scene that was recalled last. See “Edit Buffer & Edit Indicator” on page 185 for more information. Control Surface TRACK ARMING DISPLAY ALL CLEAR MASTER TRACK ARMING GROUP SCENE MEMORY DISPLAY STORE RECALL 23 4 DM2000 Version 2—Owner’s Manual...
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This button is used to set the Automix Fader Edit mode. It works in unison with the FADER EDIT buttons on the Automix Main page. See “FADER EDIT” on page 196 for more infor- mation. DM2000 Version 2—Owner’s Manual 2 3 4 5 6 7 8 AUTOMIX...
Page 37: Audition Button

See “Using the Locator” on page 258 for more information. Control Surface USER DEFINED KEYS DISPLAY 2 3 4 LOCATOR LOCATE MEMORY DISPLAY AUDITION POST RETURN ONLINE LOOP QUICK ROLL REHEARSAL MASTER TO ZERO PUNCH BACK J K L M N O P Q DM2000 Version 2—Owner’s Manual...
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This button is used to roll back (i.e., rewind) the target machine (MMC or P2) from the cur- rent position by a predeﬁned amount. Its indicator lights up momentarily when it’s pressed. See “Using the Locator” on page 258 for more information. DM2000 Version 2—Owner’s Manual...
Page 39

This button is used to set the Parameter wheel to Shuttle mode for machine control (DAW, MMC or P2). Its indicator lights up when Shuttle mode is on. See “Using Shuttle & Scrub” on page 258 for more information. Control Surface STOP PLAY FORWARD ENTER DM2000 Version 2—Owner’s Manual...
Page 40

These buttons are used to move the cursor around the display pages, selecting parameters and options. The cursor appears as a ﬂashing box, making it easy to see which parameter or option is currently selected. Holding down a cursor button moves the cursor continuously in the respective direction. DM2000 Version 2—Owner’s Manual...
Page 41

This control is used to set the level of the built-in talkback microphone. See “Using Talkback & Slate” on page 163 for more information. TALKBACK LEVEL PHONES STUDIO PHONES LEVEL LEVEL 1/4" TRS phone plug DM2000 Version 2—Owner’s Manual Control Surface Tip (left) Ring (right) Sleeve (ground)
Page 42: Monitor Section

CONTROL ROOM source. It has no effect on soloed Output Channels. See “Soloing Channels” on page 142 for more information. CLEAR button This button can be used to unsolo all soloed Channels. See “Soloing Channels” on page 142 for more information. DM2000 Version 2—Owner’s Manual MONITOR DISPLAY STUDIO CONTROL...
Page 43: Control Room

Its indicator lights up when this source is selected. See “Surround Monitoring” on page 160 for more information. SURROUND MONITOR LEVEL control This control is used to adjust the level of the Surround Monitor signals. See “Surround Monitoring” on page 160 for more information. Control Surface DM2000 Version 2—Owner’s Manual...
Page 44

This button turns on the Talkback function, which distributes the Talkback mic signal to the Studio Monitor Outs, any Slot and Omni Outputs speciﬁed on the Talkback Setup page. See “Using Talkback & Slate” on page 163 for more information. DM2000 Version 2—Owner’s Manual TALKBACK SLATE...
Page 45: Rear Panel

Rear Panel Rear Panel DM2000 Version 2—Owner’s Manual...
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Aux Send #11, Aux Send #12, the Stereo Out, or Control Room. The output level is controlled by the STUDIO LEVEL control. See “Studio Monitoring” on page 159 for more information. DM2000 Version 2—Owner’s Manual 1 (ground) 1/4" TRS phone plug...
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2 (hot) Female XLR plug 2 (hot) Female XLR plug 1/4" TRS phone plug Phono plug Phono plug 1/4" TRS phone plug DM2000 Version 2—Owner’s Manual 3 (cold) 1 (ground) 3 (cold) 1 (ground) 3 (cold) 1 (ground) Tip (hot)
Page 48

See “MIDI I/O” on page 215 for more information. WORD CLOCK OUT 2 connector This BNC connector outputs a wordclock signal at half the clock rate of the DM2000 when using 88.2 kHz or 96 kHz. See “Wordclock Connections” on page 66 for more information.
Page 49

AD Converter, providing remote and recallable control of its head amp settings. Machines that support the Sony P2 protocol can also be controlled from the DM2000 via this port. A straight cable should be used to connect a P2 device; a reversed cable for an AD8HR/AD824.
Page 50

Chapter 2—Control Surface & Rear Panel Power Section POWER ON/OFF switch This switch is used to turn on the power to the DM2000. See “Turning On & Off the DM2000” on page 51 for more information. Grounding screw For electrical safety reasons, and correct operation of the touch-sensitive faders, it’s impor- tant that the DM2000 is grounded properly.
Page 51: Operating Basics

3 Operating Basics Connecting the Power Cord Warning: Turn off all equipment connected to the DM2000 before making any power connec- tions. Connect the socket-end of the supplied power cord to the AC IN on the rear panel of the DM2000. Connect the plug-end to a suit- able AC wall outlet, one that conforms to the power supply requirements stated on the DM2000’s rear panel.
Page 52: About The Display

187 for more information. If the selected Scene is write-protected, a padlock icon appears. See “Using the Scene Memory Page” on page 188 for more information. MIDI indicator: This indicator appears when the DM2000 is receiving MIDI data via the MIDI IN port, USB TO HOST port, or SERIAL TO HOST port.
Page 53: Selecting Display Pages

The Display History function works like the history function on a Web browser, and allows you to return quickly to up to eight recently displayed pages. Each time you view a page for more than ﬁve sec- onds, it’s added to the Display History buffer. DM2000 Version 2—Owner’s Manual...
Page 54: Display Page Controls

If the Auto Display preference for the adjusted parameter is on, the page containing that parameter appears instead of this parameter window. Conﬁrmation Messages For certain functions, the DM2000 prompts you for conﬁrmation before executing them, as shown here. Press YES to execute the function, or press NO to can- cel.
Page 55: Using A Keyboard

Characters, including letters, numbers, and punctuation marks, supported by the DM2000 can be entered. Characters appear directly in the Title Edit window, the same as when they are entered on the DM2000. The following table shows how other keys correspond to Title Edit window functions.
Page 56

On/Off & Pre/Post Parameters EQ On/Off, Phase On/Off, Insert On/Off, EQ Type, Gate On/Off, Comp On/Off, Aux Send Pre/Post. Scene Fade Time Parameters (Off when Fade Time is minimum) DM2000 Version 2—Owner’s Manual Other position Other position Other position Other position Negative value 0%, ±0 dB...
Page 57: Other Parameters

Encoders, the Encoder displays show Port IDs. See “Patching with the Encoders” on page 83 for more information. Channel Strip Displays Other position Other position A C O U S T I C G U I T A R Long Name DM2000 Version 2—Owner’s Manual Maximum...
Page 58: Selecting Layers

The exact function of each channel strip fader and Encoder also depends on the currently selected Fader mode and Encoder mode respectively. See “Selecting Fader Modes” on page 60 and “Selecting Encoder Modes” on page 61 for more information. DM2000 Version 2—Owner’s Manual Input Channels [1–24] Input Channels [25–48] Input Channels [49–72]...
Page 59: Selecting Channels

Input Channels 1–24 Input Channels 25–48 Input Channels 49–72 Input Channels 73–96 Aux Sends 1–12 Operation depends on the selected target. See “About Remote Layers” on page 253 for more information. Selecting Channels 17–20 21–24 Matrix Sends 1–4 DM2000 Version 2—Owner’s Manual...
Page 60: Selecting Fader Modes

73–96 Aux/Mtrx Fader Master Aux/Mtrx Fader Remote 1–4 Aux/Mtrx DM2000 Version 2—Owner’s Manual Fader Mode 1–8 9–16 CH 1–24: Aux Send level CH 25–48: Aux Send level CH 49–72: Aux Send level CH 73–96: Aux Send level Bus Out 1–8: Aux Send 1–12: master level...
Page 61: Selecting Encoder Modes

Matrix Send level Bus Out 1–8: Aux Send 1–12: assigned parameter assigned parameter Operation depends on the selected target. See “About Remote Layers” on page 253 for more information. DM2000 Version 2—Owner’s Manual ENCODER MODE AUX/ MTRX SEND LEVEL ASSIGN ASSIGN ASSIGN...
Page 62: Assigning Parameters To The Encoder Mode Assign Buttons

Encoders are inactive. For example, if the assigned Encoder parameter is “Phase,” and the Master Layer is selected, the Encoders are inactive, because the Bus Outs, Aux Sends, and Matrix Sends do not feature Phase parameters. DM2000 Version 2—Owner’s Manual...
Page 63

Push Switch Operation — Conﬁrm or execute patch selection. Conﬁrm or execute patch selection. Conﬁrm or execute patch selection. Conﬁrm or execute patch selection. Indicate values on the channel strip displays. DM2000 Version 2—Owner’s Manual — — — — — —...
Page 64: Analog I/o & The Ad Input Section

4 Analog I/O & the AD Input Section AD Input Section The DM2000 features 24 AD Inputs for connecting microphone and line-level sources. AD Inputs can be patched to Input Channels or Input Channel Insert Ins (see page 77). They can also be patched to Output Channel Insert Ins (see page 80).
Page 65: Stereo Out

See page 159 for information on the Studio Monitor outputs. Omni Outs The DM2000 features assignable Omni Outs on balanced 1/4-inch TRS phone jacks. Omni Outs can be patched to Bus Outs, Aux Sends, Matrix Sends, the Stereo Out, Input or Output Channel Insert Outs, or Surround Monitor Channels (see page 80).
Page 66: Digital I/o & Cascading

DM2000 when using 88.2 kHz or 96 kHz, so if the DM2000 is running at 96 kHz, a wordclock signal at 48 kHz is output here. DM2000 Version 2—Owner’s Manual...
Page 67: Selecting The Wordclock Source

A usable wordclock signal is present at this input. No wordclock signal is present at this input. A wordclock signal is present, but it’s out of sync with the current DM2000 clock. This is the currently selected wordclock source. This input was selected as the wordclock source, but no usable signal was received.
Page 68: 2tr Digital Outs

(see page 81). They can also be patched to Direct Outs (see page 81). These outputs can output digital audio signals at sampling rates other than the current DM2000 rate by using the internal sampling rate converters (see page 69). Digital output signals can be dith- ered for transfer to lower-resolution systems (see page 73).
Page 69: 2tr Digital Ins

Channel Insert Ins (see page 80). Digital audio signals received at sampling rates other than the current DM2000 rate can be converted by the internal sampling rate converters (see page 69). You can monitor the Channel Status of digital signals present at these inputs on the Channel Status Monitor page (see page 73).
Page 70: Slot I/o

Chapter 5—Digital I/O & Cascading Slot I/O The DM2000 features six Slots for installing optional mini-YGDAI (Yamaha General Digi- tal Audio Interface) I/O Cards, which offer various analog I/O options and digital I/O inter- faces in all the popular digital audio interconnect formats, including AES/EBU, ADAT, and Tascam.
Page 71

Installing I/O Cards For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site (see page 6) to see whether your card is compatible. http://www.yamahaproaudio.com/ Also check the total number of cards that can be installed in the unit. Installing cards that are not endorsed by Yamaha may cause electrical shock, ﬁre, or damage to the unit.
Page 72: Setting The Transfer Format For Higher Sampling Rates

Slot Inputs. When on, the sampling rate of the received digital audio is converted to the DM2000’s current sampling rate. The original sampling rate is displayed. These param- eters are available only when an I/O Card with onboard sampling rate converters is installed, such as the MY8-AE96S.
Page 73: Dithering Digital Outputs

[ENTER]. Displayed Channel Status information includes sampling rate (FS), emphasis, category, and copy protection. However, if a mini-YGDAI I/O card other than AES/EBU format is installed, Channel Status information will be grayed out. Dithering Digital Outputs DM2000 Version 2—Owner’s Manual...
Page 74: Cascading Consoles

Total four DM2000s or 02R96s can be cascaded, offering a maximum of 384 Input Chan- nels. Several functions are linked between all cascaded consoles, including Solo, Scene Recall and Store, so that all consoles work just like one big console. A single Yamaha 02R Digital Recording Console can be included in the cascade system.
Page 75

Cascade In from: 02R CASCADE OUT CASCADE IN DM2000 #1/2 Cascading Consoles Master: On Bi-directional: On CASCADE OUT DM2000 #4 Master: On Bi-directional: Off DM2000 #3 Final signals can be output by the Slot Outputs or Omni Outs. DM2000 Version 2—Owner’s Manual...
Page 76

CASCADE IN FROM: This is used to specify the type of device connected to the CAS- CADE IN port, either DM2000 or 02R. When a DM2000 or 02R96 is connected to the CAS- CADE IN port, DM2000 is speciﬁed automatically.
Page 77: Input & Output Patching

When Vertical Input Channel pairing mode is selected, patch parameters for ver- tical partners are displayed, for example, CH1, CH25, CH2, CH26, and so on. In addition to using the cursor buttons, Patch parameters can also be selected by using the [SEL] buttons and the Input Layers. DM2000 Version 2—Owner’s Manual...
Page 78

Surround Bus Setup page (see page 99). If the recalled surround effects are compatible with 5.1 Channel systems, the surround bus setting for 5.1 surround mode will be used. : Press this button repeatedly until an Effect Edit (1–8) page for the effects processor you wish to edit appears. DM2000 Version 2—Owner’s Manual...
Page 79: Output Patching

Input Channel Routing page, the Slot Output patch cannot be changed here. If the higher sampling rate (88.2 kHz/96 kHz) data format is set to Double Channel mode, the Slot’s even channel patch is disabled and cannot be changed. DM2000 Version 2—Owner’s Manual...
Page 80

Output Channel Insert Ins. The left and right channels of the Matrix Sends and the Stereo Out can be patched individually. In addition to using the cursor buttons, Patch parameters can also be selected by using the [SEL] buttons. DM2000 Version 2—Owner’s Manual...
Page 81: Patching Direct Outs

When a 2TR Digital Output is patched to a Direct out (see page 81), and that Direct Out is assigned on an Input Channel Routing page, the 2TR Digital Output patch cannot be changed here. Output Patching DM2000 Version 2—Owner’s Manual...
Page 82: Naming Input & Output Ports

When the Name Input Auto Copy option is on, the ﬁrst four characters of a newly entered Long name are automatically copied to the Short name and vice versa. You can reset all port names back to their initial values by pressing the INITIALIZE button. DM2000 Version 2—Owner’s Manual...
Page 83: Patch Select Window

If you don’t activate your selection within ﬁve seconds (i.e., while the Port ID or Short Channel name ﬂashes), or you operate another Encoder, the selection is cancelled and the patch is left unchanged. Patch Select Window A D 1 DM2000 Version 2—Owner’s Manual...
Page 84: Input Channels

[ENTER] button and INC/DEC buttons to set them. The NOR/REV buttons can also be selected by using the [SEL] buttons. GLOBAL NOR/REV: These buttons allow you to set the phase of all Input Channels simultaneously. DM2000 Version 2—Owner’s Manual...
Page 85: Gating Input Channels

Ducking template Gate preset for use with acoustic bass drums Gate preset for use with acoustic snare drums GATE / COMP GATE THRESHOLD RANGE ATTACK DECAY COMP THRESHOLD RATIO ATTACK RELEASE GATE ON COMP ON DM2000 Version 2—Owner’s Manual HOLD GAIN...
Page 86

ON/OFF: This turns the currently selected Input Channel’s Gate on and off. It works in unison with the SELECTED CHANNEL DYNAMICS [GATE ON] button. PARAMETER: These controls are used to set the Threshold, Range, Attack, Decay, and Hold parameters. DM2000 Version 2—Owner’s Manual...
Page 87: Attenuating Input Channels

Internal effects processors and external signal processors can be patched into the Input Channels by using the Inserts. See “Using Inserts” on page 135 for more information. Compressing Input Channels Each Input Channel features a Compressor. See “Compressing Channels” on page 137 for more information. Attenuating Input Channels DM2000 Version 2—Owner’s Manual...
Page 88: Grouping Input Channel Compressors

Input Channels can be muted as follows. Use the LAYER buttons to select the Input Channel Layers. Use the [ON] buttons to mute the Input Channels on the selected Layer. The [ON] button indicators of channels that are on are lit. DM2000 Version 2—Owner’s Manual...
Page 89: Grouping Input Channel Mutes (on/off)

When the Input Mute Master check box is unchecked, pressing the Input Channel [ON] button mutes or unmutes the channels in the corresponding Mute group (Mute On chan- nels turn off and Mute Off channels turn on). Grouping Input Channel Mutes (ON/OFF) DM2000 Version 2—Owner’s Manual...
Page 90: Input Channel Mute Master

Chapter 7—Input Channels Input Channel Mute Master The DM2000 features a Mute Master function that enables you to mute all channels in the Mute group using the MASTER button, much like a Mute group on an analog mixing con- sole. When the Mute Master function is enabled, the channel [ON] button status does not link to the corresponding Mute group.
Page 91: Grouping Input Channel Faders

Fader group, which is convenient if you want to adjust the relative balance between channels. Fader groups are active only in Fader mode (i.e., when the FADER MODE [FADER] button indicator is on). See “Selecting Fader Modes” on page 60 for more information. Grouping Input Channel Faders DM2000 Version 2—Owner’s Manual...
Page 92: Group Master For Input Channel Faders

Chapter 7—Input Channels Group Master for Input Channel Faders The DM2000 features a Fader Group Master function that enables you to control the level of all channels using the Group Master level while maintaining the relative balance between channels, much like a VCA group on an analog mixing console. While this function is enabled, channel fader operation does not affect channel levels in the corresponding Fader group.
Page 93: Routing Input Channels

Bus Outs. You can enable the surround pan setting when the input source is monaural, and patch the surround sources or surround effects directly to the Surround Buses. Routing Input Channels ROUTING DISPLAY FOLLOW PAN STEREO DIRECT DM2000 Version 2—Owner’s Manual...
Page 94

1. Short for LFE (Low frequency Effects). This table shows the default assignments. The actual assignments may vary depending on the settings on the Surround Bus Setup page. See “Assigning Surround Channels to Buses” on page 99 for more information. DM2000 Version 2—Owner’s Manual Bus Outs...
Page 95: Panning Input Channels

This setting applies only to Input Channels that are currently selected. For this to work, the [EFFECT] button indicator must be off and the [GRAB] and [LINK] button indicators must be on. Panning Input Channels EVEN LINK GRAB EFFECT DM2000 Version 2—Owner’s Manual...
Page 96

Note: While the PAN/SURROUND [LINK] button is turned on, the Pan mode is automati- cally set to Individual. When the Pan mode is switched from Gang mode to Inverse Gang mode, the [LINK] button is turned off. DM2000 Version 2—Owner’s Manual...
Page 97: Using Surround Pan

+3 dB when the preference is turned off. Note: If you have saved a scene with the Follow Pan function turned off on a DM2000 that is older than Version 2.0, the surround setting may not be reproduced The following table shows how Surround channels are handled by the Bus Outs.
Page 98

Bus Setup page, which enables you to change the Surround Channel to Bus Out assignment. See “Assigning Surround Channels to Buses” on page 99 for more information on the Surround Bus Setup page. DM2000 Version 2—Owner’s Manual 5.1 Surround...
Page 99: Assigning Surround Channels To Buses

Channel. While Grab is on, the Joystick can be used to set the surround pan position of the currently selected Input Channel. If the Joystick is set to control effects (i.e., the [EFFECT] button indicator is lit), the [GRAB] button is disabled. Assigning Surround Channels to Buses EVEN LINK GRAB EFFECT DM2000 Version 2—Owner’s Manual...
Page 100

WIDTH OFFSET: This can be used to offset the left-to-right direction of the selected pat- tern. DEPTH OFFSET: This can be used to offset the front-to-rear direction of the selected pat- tern. LFE: This sets the level of the LFE (Low Frequency Effects) Channel (5.1 and 6.1 mode only). DM2000 Version 2—Owner’s Manual...
Page 101

F/R: These parameters are used to set the front/rear surround position. While selected, they can quickly be set to center by pressing [ENTER]. You can jump to the more detailed Surround Edit page by pressing [ENTER] while an Input Channel’s surround graph is selected. Assigning Surround Channels to Buses DM2000 Version 2—Owner’s Manual...
Page 102: Sending Input Channels To Aux Sends

Input Channel settings can be copied to other Input Channels by using the Channel Copy function. See “Copying Channel Settings” on page 155 for more information. Naming Input Channels Input Channels can be named for easy identiﬁcation. See “Naming Channels” on page 156 for more information. DM2000 Version 2—Owner’s Manual...
Page 103: Using The Ms Stereo Microphone

Signals from the MS microphone are input from the L and R connectors. To use an MS microphone with the DM2000, connect the L connector to the input jack of an odd Input Chan- nel, and connect the R connector to the input jack of the partner channel.
Page 104: Stereo Out

Output Channel EQs” on page 135 for more information. Stereo Out Inserts Internal effects processors and external signal processors can be patched into the Stereo Out by using the Inserts. See “Using Inserts” on page 135 for more information. DM2000 Version 2—Owner’s Manual...
Page 105: Compressing The Stereo Out

Sending the Stereo Out to the Matrix Sends The left and right channels of the Stereo Out can be sent individually to the Matrix Sends. See “Matrix Sends” on page 121 for more information. Compressing the Stereo Out STEREO DM2000 Version 2—Owner’s Manual...
Page 106: Balancing The Stereo Out

Channel Copy function. See “Copying Channel Settings” on page 155 for more informa- tion. Naming the Stereo Out The Stereo Out can be named for easy identiﬁcation. See “Naming Channels” on page 156 for more information. DM2000 Version 2—Owner’s Manual PAN / SURROUND DISPLAY EVEN...
Page 107: Bus Outs

Channels” on page 137 for more information. Grouping Master Compressors Bus Out Compressors can be grouped with the Compressors of other Output Channels. See “Grouping Output Channel Compressors” on page 140 for more information. Bus Outs DM2000 Version 2—Owner’s Manual...
Page 108: Muting Bus Outs (on/off)

Soloing Bus Outs Bus Outs can be soloed. See page 142 for more information. Pairing Bus Outs Bus Outs can be paired for stereo operation. See “Pairing Channels” on page 144 for more information. DM2000 Version 2—Owner’s Manual...
Page 109: Sending Bus Outs To The Stereo Out

“Copying Channel Settings” on page 155 for more information. Naming Bus Outs Bus Outs can be named for easy identiﬁcation. See “Naming Channels” on page 156 for more information. Sending Bus Outs to the Stereo Out DM2000 Version 2—Owner’s Manual...
Page 110: Aux Sends

When the Aux mode is changed, the parameters of the selected Aux Send are set as follows. Parameters Level Pre/Post On/Off DM2000 Version 2—Owner’s Manual Change from Variable to Fixed All set to nominal All set to Post All turned off Change from Fixed to Variable All set to –∞...
Page 111: Pre-fader Or Post-fader Aux Sends

Use the AUX SELECT [AUX 1]–[AUX 12] buttons to select Aux Sends 1–12. Use the Encoders to set the Aux Send levels. Pre-Fader or Post-Fader Aux Sends AUX / MATRIX SEND LEVEL LEVEL LEVEL LEVEL BANK / MATRIX / MATRIX / MATRIX / MATRIX DM2000 Version 2—Owner’s Manual...
Page 112: Muting Aux Sends (on/off)

To set Aux Send levels, select the rotary controls, and use the Parameter wheel or INC/DEC buttons. To set Aux Send levels for all Input Channels to nominal, select the ALL NOMINAL button. DM2000 Version 2—Owner’s Manual AUX / MATRIX SEND DISPLAY...
Page 113

Input Channel for the currently selected Aux Send. For Aux Sends that are on, faders move to the nominal position. Aux Sends that are off, they move to the –∞ position. On/Off settings cannot be changed by using the faders. Aux Send Pages DM2000 Version 2—Owner’s Manual...
Page 114: Viewing Aux Send Settings

“LEVEL: –2.0 dB ON/OFF: ON.” In Fixed Aux mode, the On/Off parameter values for the selected Aux Send are displayed in the lower-right corner of the page, for example, “LEVEL: FIXED ON/OFF: ON.” DM2000 Version 2—Owner’s Manual...
Page 115

Use the [ENTER] button or INC/DEC buttons to set the selected Aux Send to either pre-fader or post-fader. The various Aux View page indicators are as follows: Aux Send conﬁgured pre-fader. Aux Send conﬁgured post-fader. Fixed mode Aux Send. Viewing Aux Send Settings DM2000 Version 2—Owner’s Manual...
Page 116: Panning Aux Sends

Aux Sends. While linked, the Pan mode can be set from either the Aux Pan page or the Input Channel Pan page (see page 96). The Pan mode setting for Aux Sends is linked to the Pan mode setting for Input Channels. DM2000 Version 2—Owner’s Manual...
Page 117: Excluding Certain Channels From Aux Sends (mix Minus)

To reset the setting, while pressing and holding down the AUX SELECT [AUX 1]–[AUX 12] buttons you pressed in Step 1, press the [ON] buttons you pressed in Step 2. The corresponding [ON] button indicators light up. DM2000 Version 2—Owner’s Manual...
Page 118: Copying Channel Fader Positions To Aux Sends

Each Aux Send Master features 4-band parametric EQ. See “Using EQ” on page 131 for more information. Grouping Master EQs Aux Send Master EQs can be grouped with the EQs of other Output Channels. See “Group- ing Output Channel EQs” on page 135 for more information. DM2000 Version 2—Owner’s Manual...
Page 119: Aux Send Master Inserts

Aux Send Master signals can be sent to the Matrix Sends. See “Matrix Sends” on page 121 for more information. Delaying Aux Send Masters Each Aux Send Master features a Delay function. See “Delaying Channel Signals” on page 141 for more information. Aux Send Master Inserts DM2000 Version 2—Owner’s Manual...
Page 120: Inserting Geqs

Aux Send Master settings can be copied to other Aux Sends by using the Channel Copy function. See “Copying Channel Settings” on page 155 for more information. Naming Aux Send Masters Aux Send Masters can be named for easy identiﬁcation. See “Naming Channels” on page 156 for more information. DM2000 Version 2—Owner’s Manual...
Page 121: Matrix Sends

Refer to the legend on the left side of the faders when setting Matrix Send levels. AUX / MATRIX SEND DISPLAY LEVEL LEVEL LEVEL BANK / MATRIX / MATRIX / MATRIX DM2000 Version 2—Owner’s Manual Matrix Sends LEVEL / MATRIX...
Page 122: Muting Matrix Sends (on/off)

Use the Matrix SELECT [1–4] buttons to select Matrix Sends 1–4. Use the cursor buttons to select the Output Channel Matrix Send controls. If the Master Layer is selected, [SEL] buttons 1–20 can also be used to select Output Channels. DM2000 Version 2—Owner’s Manual AUX / MATRIX SEND DISPLAY...
Page 123: Panning Matrix Sends

If the Master Layer is currently selected, [SEL] buttons 1–20 can also be used to select Out- put Channels. The currently selected Pan control can quickly be set to center by pressing [ENTER]. Panning Matrix Sends DM2000 Version 2—Owner’s Manual...
Page 124: Viewing Matrix Send Settings

Monitoring Matrix Send Masters Matrix Send Masters can be assigned to the CONTROL ROOM [ASSIGN 1] or [ASSIGN 2] button for monitoring. See “Control Room Monitoring” on page 158 for more informa- tion. DM2000 Version 2—Owner’s Manual...
Page 125: Attenuating Matrix Send Masters

Press the FADER MODE [FADER] button to select the Fader mode. Use faders 21–24 to set the Matrix Send Master levels. Refer to the legend on the right side of the faders when setting Matrix Send Master levels. Attenuating Matrix Send Masters DM2000 Version 2—Owner’s Manual...
Page 126: Grouping Master Faders

Copy function. See “Copying Channel Settings” on page 155 for more information. Naming Matrix Send Masters Matrix Send Masters can be named for easy identiﬁcation. See “Naming Channels” on page 156 for more information. DM2000 Version 2—Owner’s Manual PAN / SURROUND DISPLAY EVEN...
Page 127: 12 Common Channel Functions

Input and Output Channels, can be set on the Metering Position page shown below, or any of the Input and Output Channel Meter pages. PRE EQ: Channels are metered pre-EQ. PRE FADER: Channels are metered pre-fader. POST FADER: Channels are metered post-fader. DM2000 Version 2—Owner’s Manual...
Page 128

COMP GR: The meters indicate the gain reduction being applied by the Compressor. There are two 48-channel Meter pages. The Input Channel 1–48 Meter page is shown below. The layout of the other page is the same. DM2000 Version 2—Owner’s Manual...
Page 129

The Effects 1–8 Input/Output Meter page features two input and output level meters for each of the internal effects processors. The Effects 1–2 Input/Output Meter page features individual level meters for the eight inputs and outputs of internal effects processors #1 and #2. Metering DM2000 Version 2—Owner’s Manual...
Page 130: Attenuating Signals

Use the EQUALIZER [DISPLAY] button to select the Attenuator pages. The Attenuator parameters for the 96 Input Channels are arranged into four pages. The Input Channel 1–24 Attenuator/Shifter page is shown below. The layout of the other three pages is the same. DM2000 Version 2—Owner’s Manual ATT.
Page 131: Using Eq

HIGH bands can be set to shelving, peaking, or HPF and LPF respectively. EQ settings can be stored in the EQ library, which contains 40 preset memories and 160 user memories. See “EQ Library” on page 172 for more information. DM2000 Version 2—Owner’s Manual...
Page 132

37 Piano Low 38 Piano High 39 Fine-EQ Cass 40 Narrator DM2000 Version 2—Owner’s Manual Description Emphasizes the low range of a bass drum and the attack created by the beater. Creates a peak around 80 Hz, producing a tight, stiff sound.
Page 133

21.2 Hz to 20.0 kHz (120 steps per 1/12 octave) 10.0 to 0.10 (41 steps) LOW-MID HIGH-MID 0 dB 1.00 kHz 4.00 kHz 0.70 DM2000 Version 2—Owner’s Manual Using EQ HIGH FREQUENCY GAIN 10.0 HIGH LPF, 10.0 to 0.10 (41 steps), H.SHELF HIGH 10.0 kHz...
Page 134

EQ ON: This turns the EQ on and off. The [ENTER] button can be used to turn this on and off so long as any parameter other than TYPE is selected. TYPE: This selects the type of EQ: TYPE I (the EQ type used on legacy Yamaha digital mix- ing consoles) or TYPE II (a newly developed algorithm).
Page 135: Grouping Output Channel Eqs

Use the LAYER buttons to select Layers, and use the [SEL] buttons to select channels. Use the [INSERT ON] button to turn the currently selected channel’s Insert on or off. Grouping Output Channel EQs DM2000 Version 2—Owner’s Manual INSERT ON...
Page 136

290 for Input and Output patch parameter lists. The Port ID of the currently selected destination is displayed below the currently selected channel’s Long name in the upper-right corner of the page. The destination port can also be selected by using the Patch DM2000 Version 2—Owner’s Manual...
Page 137: Compressing Channels

Expander for use with acoustic snare drum. COMPAND-S Soft-kneed compander for use with acoustic snare drum. Expander for use with acoustic tom toms, which automati- EXPAND cally reduces the volume when the tom toms are not played, improving mic separation. Description DM2000 Version 2—Owner’s Manual...
Page 138

32 Announcer 33 Limiter1 34 Limiter2 35 Total Comp1 36 Total Comp2 DM2000 Version 2—Owner’s Manual Type Soft-kneed compander for emphasizing the attack and ambience of cymbals recorded with overhead mics. It COMPAND-S automatically reduces the volume when the cymbals are not played, improving mic separation.
Page 139

144 for more information on horizontal and vertical pairing. When channels are paired, this parameter is turned on automatically and cannot be changed. Compressing Channels GATE / COMP GATE THRESHOLD RANGE ATTACK DECAY COMP THRESHOLD RATIO ATTACK RELEASE COMP ON DM2000 Version 2—Owner’s Manual HOLD GAIN...
Page 140: Grouping Output Channel Compressors

The Compressor settings of the ﬁrst Output Channel added to the group are applied to all subsequently added Output Channels. When an Output Channel is added to a group, its [SEL] button indicator lights up. DM2000 Version 2—Owner’s Manual...
Page 141: Delaying Channel Signals

The Delay parameters for the 96 Input Channels are arranged into four pages. The Input Channel 1–24 Delay page is shown below. The layout of the other three pages is the same. Delaying Channel Signals DELAY DISPLAY TIME DM2000 Version 2—Owner’s Manual...
Page 142: Soloing Channels

You can unsolo all soloed channels by pressing the SOLO [CLEAR] button. You can adjust the level contrast between the soloed channels and the currently selected Control Room Monitor source by adjusting the SOLO CONTRAST control. DM2000 Version 2—Owner’s Manual SOLO SOLO CONTRAST CLEAR...
Page 143

Sends from the Input Channels. Press the AUX SELECT key for the AUX send that you want to solo, making it light. Then press that key once again to solo only the selected AUX send. When Aux Sends are soloed, the corresponding AUX SELECT button indicators ﬂash. Soloing Channels DM2000 Version 2—Owner’s Manual...
Page 144: Pairing Channels

When Aux Send Mode is set to Fixed, Aux Send On/Off is not controlled together. Check the Routing ST Pair Link check box to link the routing from the paired channels to the Stereo Bus. See “Setting Preferences” on page 274 for more information. DM2000 Version 2—Owner’s Manual...
Page 145

The Pair mode can be set independently for Input Channels 1–48 and Input Channels 49–96. The Input Channel 1–48 Pair page in Vertical mode is shown below. Pair parameters for the Bus Outs and Aux Sends appear on the Output Pair page. Pairing Channels DM2000 Version 2—Owner’s Manual...
Page 146: Grouping Output Channel Faders

Output Channels simultaneously. There are four Output Channel Fader groups: Q, R, S, and T. Use the DISPLAY ACCESS [GROUP] button to locate the Output Fader Group page. DM2000 Version 2—Owner’s Manual Bus Out/Aux Send — —...
Page 147: Group Master For The Output Channel Faders

Group Master for the Output Channel Faders The DM2000 also features a Fader Group Master function that enables you to control the level of all channels using the Group Master level while maintaining the balance between the channels, much like a VCA Group on an analog mixing console. While this function is enabled, channel fader operation will not affect the channel levels of the corresponding Fader group.
Page 148

Channel Strip Displays: The displays indicate the Group names (GrpQ–GrpT). When you operate the channel faders, the displays indicate the corresponding master level values. Channel Faders: The Channel Faders enable you to set the master level for each Fader group. DM2000 Version 2—Owner’s Manual...
Page 149: Grouping Output Channel Mutes (on/off)

Mute Off channels are turned on). Output Channel Mute Master The DM2000 features a Mute Group Master function that enables you to mute all channels in the Mute group using the MASTER button, much like a Mute group on an analog mixing console.
Page 150: Viewing Channel Parameter Settings

DELAY: The currently selected channel’s Delay function can be set. See “Delaying Channel Signals” on page 141 for more information. PAIR: This heart icon indicates whether or not channels are paired. See “Pairing Channels” on page 144 for more information. DM2000 Version 2—Owner’s Manual...
Page 151: Viewing Channel Fader Settings

See “Panning Input Channels” on page 95 for more information. ON/OFF: This is the On/Off parameter of the currently selected Input Channel. See “Mut- ing Input Channels (ON/OFF)” on page 88 for more information. Viewing Channel Fader Settings DM2000 Version 2—Owner’s Manual...
Page 152

Meters: These meters indicate the levels of the currently selected Bus Out and its partner. The metering position is displayed below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the cur- rently selected Bus Out is in. DM2000 Version 2—Owner’s Manual...
Page 153

Matrix Send Masters” on page 126 for more information. ON/OFF: This is the On/Off parameter of the currently selected Matrix Send. See “Muting Matrix Sends (ON/OFF)” on page 122 for more information. Viewing Channel Fader Settings DM2000 Version 2—Owner’s Manual...
Page 154

Meters: These meters indicate the levels of the Stereo Out. The metering position is dis- played below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the Stereo Out is in. DM2000 Version 2—Owner’s Manual...
Page 155: Copying Channel Settings

The number of the current Scene lights up on the SCENE MEMORY display. Use the LAYER and [SEL] buttons to select the destination channel. Press the CHANNEL [PASTE] button. The source channel settings are copied to the destination channel. Copying Channel Settings CHANNEL COPY PASTE DM2000 Version 2—Owner’s Manual...
Page 156: Naming Channels

When the Title Edit window appears, edit the Input Channel name, and press OK when you’ve ﬁnished. See “Title Edit Window” on page 54 for more information. You can reset all Input Channel names back to their initial values by pressing the INITIAL- IZE button. DM2000 Version 2—Owner’s Manual...
Page 157: Output Channels

If the Name Input Auto Copy check box in the upper right corner is checked, the ﬁrst four characters of the name entered in the LONG column are automatically copied to the SHORT column. Also, a name entered in the SHORT column is automatically copied to the LONG column. Naming Channels DM2000 Version 2—Owner’s Manual...
Page 158: 13 Monitoring & Talkback

Chapter 13—Monitoring & Talkback 13 Monitoring & Talkback Control Room Monitoring The DM2000 features independent outputs and level controls for two sets of studio monitors. The LARGE CONTROL ROOM MONITOR OUT +4 dB (BAL) XLR-3-32-type connectors are intended to feed to the control room’s main monitors.
Page 159: Studio Monitoring

Control Room Monitor signal into mono. Studio Monitoring The DM2000 features dedicated outputs, source selection, and level control. The Studio Monitor signal is output by the STUDIO MONITOR OUT +4 dB (BAL) 1/4-inch TRS phone jacks.
Page 160: Surround Monitoring

Surround monitor speakers can be aligned by using the individual Attenuator and Delay parameters on each Surround Monitor Channel. In addition to the standard Ls and Rs speakers, the DM2000 supports Ls2 and Rs2 speakers, with independent Attenuator and Delay parameters, for a more diffused surround monitoring environment. See “Conﬁgur- ing Surround Monitoring”...
Page 161

3-1, or ST. In 3-1 Surround mode, you can select 3-1 or ST. When a down mix Monitor Matrix is selected, you can attenuate signals by using the ATT parameters. You can use the Surround Monitor settings in Stereo mode, but Monitor Matrix is ﬁxed to Surround Monitoring DM2000 Version 2—Owner’s Manual...
Page 162

The HPF 1, 2, 3, and LPF 1 & 2 values indicate a cut-off frequency and a filter response. For example, “80-12” means a cutoff frequency of 80 Hz and a filter response of –12 dB/octave. “L” means Linkwitz filter. Other filters are Butterworth. DM2000 Version 2—Owner’s Manual Title HPF 1, 2, 3 LPF1 80–12...
Page 163: Using Talkback & Slate

Talkback Setup page). If it’s pressed and held for longer, the Talkback function is turned on, but turns off when the button is released. This is Unlatched mode. The [TALKBACK] button indicator ﬂashes while the Talk- back function is active. Using Talkback & Slate DM2000 Version 2—Owner’s Manual...
Page 164

Talkback mic. NEVER LATCH TALKBACK: This options allows you to disable Talkback latching. DM2000 Version 2—Owner’s Manual The [SLATE] button has two modes of operation: If it’s pressed once (i.e., for less than 300 ms), the Slate function is turned on and remains on when the button is released.
Page 165: 14 Libraries

14 Libraries About the Libraries The DM2000 features 11 libraries for storing Automix, Effects, Channel, Input Patch, Out- put Patch, GEQ, Bus to Stereo, Gate, Comp, EQ, and Surround Monitor data. Library data can be stored to an external MIDI device, such as a MIDI data ﬁler, by using MIDI Bulk Dump (see page 220).
Page 166: Channel Library

If the currently selected channel is an Input channel, Pan mode and Aux pairing information is also displayed. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. DM2000 Version 2—Owner’s Manual...
Page 167: Input Patch Library

Library page. When storing, the current Output Patch settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. Input Patch Library DM2000 Version 2—Owner’s Manual...
Page 168: Geq Library

67 user memories. Preset memories are read-only. User memories enable you to store cus- tom settings. See page 174 for information on using the Effects. Use the EFFECTS/PLUG-INS [DISPLAY] button to select the Effect Library page. DM2000 Version 2—Owner’s Manual...
Page 169: Bus To Stereo Library

If the Bus Out pairing conﬁguration does not match the current conﬁguration, the word “CONFLICT” will appear in the LIBRARY CONFIGURATION box. In this case, if you recall such a memory, the DM2000 will apply the current Bus Out pairing conﬁguration and related parameter settings to the recalled memory settings.
Page 170: Gate Library

TYPE/CURVE: The type (Gate or Ducking) and curve of the currently selected memory is displayed to the right of the memory list. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. DM2000 Version 2—Owner’s Manual...
Page 171: Comp Library

For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. Comp Library DM2000 Version 2—Owner’s Manual...
Page 172: Eq Library

CURVE: This displays the EQ curve in the currently selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. DM2000 Version 2—Owner’s Manual...
Page 173: Automix Library

Use the MONITOR [DISPLAY] button to select the Surround Monitor Library page. When storing, the current Surround Monitor settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 165. Automix Library DM2000 Version 2—Owner’s Manual...
Page 174: 15 Internal Effects, Plug-ins & Geqs

15 Internal Effects, Plug-Ins & GEQs About the Effects The DM2000 features eight internal multi-effects processors, offering a whole host of effects types, including reverbs, delays, modulation-based effects, combination effects, and multi- channel effects designed especially for use with surround sound.
Page 175: Dynamic Effects

DELAY->REV 40 Dist->Delay DIST->DELAY Preset Effects & Types Description Chorus Flanger Proprietary Yamaha effect that produces a richer and more complex modulation than normal chorus 16-stage stereo phase shifter Auto-panner Tremolo Mono pitch shifter, producing stable results Stereo pitch shifter...
Page 176

3. Preset numbers are reserved for Add-On Effects. Effects that are not installed appear in gray and are unavailable for use. See “Adding Optional Add-On Effects” on page 178 for more information on Add-On Effects. DM2000 Version 2—Owner’s Manual Type MULTI.FILTER 3-band parallel ﬁlter (24 dB/octave)
Page 177: Editing Effects

Use these parameters along with the SYNC and NOTE parameters. When you turn on the SYNC parameter, the DM2000 recalculates the delay time or mod- ulation frequency based on the TEMPO parameter value (tempo) and the NOTE parameter value (note).
Page 178: Adding Optional Add-on Effects

• If you turn on the SYNC parameter and edit the TEMPO or NOTE parameter, the DM2000 recalculates the delay time or modulation frequency. • If you turn on the SYNC parameter and edit the delay time or modulation frequency, the NOTE parameter value changes based on the TEMPO parameter setting.
Page 179: About Plug-ins

There are two types of Plug-Ins: Waves Plug-Ins and User Deﬁned Plug-Ins. Waves Plug-Ins are available on Y56K cards, which need to be installed in the DM2000’s mini YGDAI Slots (Slots 4–6 only). See your Yamaha dealer for details. User Deﬁned Plug-Ins can be used to control up to 32 user deﬁnable parameters via MIDI Control Change or Parameter Change...
Page 180: Configuring Plug-ins

Chapter 15—Internal Effects, Plug-Ins & GEQs Conﬁguring Plug-Ins Plug-Ins can be conﬁgured as follows. If you’ve installed a Y56K card into one of the Slots, the DM2000 conﬁgures itself automat- ically and no further conﬁguration settings are required. Press the EFFECTS/PLUG INS [PLUG-INS] button.
Page 181: Editing Plug-ins

MIDI messages are transmitted by external MIDI devices when their controls or parameters are adjusted. When on, received MIDI messages are displayed by the DATA parameter. Only the ﬁrst 16 bytes of data, starting with a Status bit, are displayed. Editing Plug-Ins DM2000 Version 2—Owner’s Manual...
Page 182

REMOTE parameter is set to ENABLED). If the Target is not the same, the parameters are set accordingly but no MIDI data is transmitted. DM2000 Version 2—Owner’s Manual Description Transmit the lower 7 bits of the parameter value as 1 word...
Page 183: About The Geqs

About the GEQs The DM2000 features six 31-band graphic equalizers that can be inserted into the Bus Outs, Aux Sends, or the left or right channels of the Matrix Sends or Stereo Out. GEQs can be linked for simultaneous operation. GEQ settings can be stored in the GEQ library, which contains 1 preset memory and 128 user memories.
Page 184: Editing The Graphic Eq Using The Channel Faders

Pressing the channel [SEL] button resets the gain for the corresponding band to 0.0 dB. This function is available only when the Graphic Equalizer Edit page or Graphic Equalizer Library page is selected. If you access other pages, the fader assignment is cancelled. DM2000 Version 2—Owner’s Manual Band select Gain...
Page 185: 16 Scene Memories

16 Scene Memories About Scene Memories Scene memories allow you to store a snapshot of virtually every DM2000 mix setting in a Scene. There are 99 Scene memories, and they can be titled for easy identiﬁcation. A fade time of up to 30 seconds can be set individually for each Input and Output Channel fader.
Page 186: Auto Scene Memory Update

When storing data to SmartMedia, Shadow memories are automatically stored along with their Original memories. When recalling Scenes in an Automix, only the Original memories can be recalled. Operation is the same as for recalling Scenes by using the DM2000’s SCENE MEMORY buttons or the Scene Memory page.
Page 187: Storing & Recalling Scenes With The Scene Memory Buttons

If the Recall Conﬁrmation preference is on, a conﬁrmation window appears before a Scene is recalled. You can undo Scene recalls, reverting to the previous mix settings, by recalling Scene mem- ory #U (“Ud” on the SCENE MEMORY display). DM2000 Version 2—Owner’s Manual...
Page 188: Using The Scene Memory Page

When you recall that scene, this library number will also be automatically recalled. You can also move the cursor to the parameter boxes and change the library numbers. DM2000 Version 2—Owner’s Manual...
Page 189: Fading Scenes

You can reset all Input Channel Fade Time parameters to zero by selecting the ALL INPUT CLEAR buttons, then pressing the [ENTER] button. You can reset all Output Channel Fade Time parameters to zero by selecting the [ALL CLEAR] buttons, then pressing the [ENTER] button. Fading Scenes DM2000 Version 2—Owner’s Manual...
Page 190: Recalling Scenes Safely

GLOBAL RECALL SAFE: When this check box is checked, a Scene is recalled using the settings that are applied globally to all Scenes. The settings stored in the recalled Scene are temporarily ignored. Recall Safe settings are stored in Scene memories. DM2000 Version 2—Owner’s Manual...
Page 191: Sorting Scenes

This function is useful when you want to apply edited parameter settings in the cur- rent scene to other scenes. Use the SCENE MEMORY [DISPLAY] button to locate the Global Paste Source CH Select page. Sorting Scenes DM2000 Version 2—Owner’s Manual...
Page 192

(such as by saving, clearing, or sorting the scene, loading scene data from SmartMedia, or receiving scene data via MIDI Bulk Dump), the UNDO function is disabled. DM2000 Version 2—Owner’s Manual...
Page 193: 17 Automix

17 Automix About Automix The DM2000’s Automix function allows dynamic automation of virtually all mix parame- ters, including Levels, Mutes, Pan, Surround Pan, Aux/Matrix Sends, Aux/Matrix Send Mutes, EQ, effects, and Plug-Ins. You can specify which of these parameters will be recorded, and punch channels in and out of recording on-the-ﬂy.
Page 194: Automix Main Page

Absolute. If the Fader Edit mode is set to Relative, and the Edit Out mode is set to either Takeover or Off, the fader will remain at a position relative to the position at which recording is stopped. DM2000 Version 2—Owner’s Manual...
Page 195

Time Punch in Punch out Actual punch out In this example, punch out was per- formed by pressing the [AUTO] button, and the fader was moved manually between the punch out and actual punch out points. DM2000 Version 2—Owner’s Manual...
Page 196

FADER SURR AUX ON Scene and library recalls, and internal effects processors and Plug-Ins parameters can be recorded regardless of the OVERWRITE settings. DM2000 Version 2—Owner’s Manual Absolute Fader edits are rerecorded relative to the existing fader data. Existing data...
Page 197

STOP: This button is used to stop Automix playback and recording. It appears highlighted while Automix is stopped. ABORT: This button is used to abort the current recording without updating the existing Automix data. Automix recording can also be aborted by pressing the AUTOMIX [ABORT/UNDO] button. DM2000 Version 2—Owner’s Manual...
Page 198: Automix Section

Its indicator ﬂashes in Record-Ready mode, and lights continuously during recording. Pressing this button along with the [AUTO REC] button places the DM2000 in Insert mode (see page 203). [ABORT/UNDO] button: This button is used to abort Automix recording or playback.
Page 199: Channel Strip [auto] Buttons

An upward arrow indi- cates that the current fader position is lower than that speciﬁed by the existing fader data. Channel Strip [AUTO] Buttons DM2000 Version 2—Owner’s Manual AUTO...
Page 200

Automix data when the Edit Out mode is set to Return. It can be set from 0.0 to 30.0 seconds in 0.1 second steps. DM2000 Version 2—Owner’s Manual...
Page 201: Selecting The Timecode Source & Frame Rate

The MIDI CLOCK source supports Song position Pointers, F8 TIMING CLOCK (timing info), FA START (starts Automix from beginning), FB CONTINUE (starts Automix from current position), and FC STOP (stops Automix). Selecting the Timecode Source & Frame Rate DM2000 Version 2 Owner’s Manual...
Page 202: Creating A Time Signature Map

Whereas REC must be pressed each and every time you want to start recording. Initially however, REC may be the safer option. Use the [AUTO] buttons to arm channels for Automix recording. The [AUTO] button indicators of armed channels light up orange. DM2000 Version 2—Owner’s Manual...
Page 203: Inserting Mix Parameters Into Automix

Follow Steps 1–4 as described in the “Recording an Automix” section on the previous page, then press the AUTOMIX [DISPLAY] button to display the Automix Main page. Inserting Mix Parameters into Automix Event Event erased Inserted parameter value Time DM2000 Version 2—Owner’s Manual After Insert Value prior to Insert Time...
Page 204

Event Job page. In this case, the Insert Time Link preference is disabled. Use the cursor buttons to select YES, then press [ENTER]. The DM2000 enters Insert mode, and the INSERT button is highlighted. The AUTOMIX [REC] and [AUTO REC] button indicators ﬂash.
Page 205: Rerecording Events

Update To End option to determine how existing events are handled when rerecording is stopped (see page 194). Use the Edit Out (see page 195) and Fader Edit (see page 196) options to determine how Fader events are rerecorded. Rerecording Events DM2000 Version 2—Owner’s Manual...
Page 206: Parameter Recording

User Deﬁned Plug-Ins Plug-Ins 1–8 (parameters 1–4) Faders User Deﬁned Remote [ON] buttons Layers Encoders DM2000 Version 2—Owner’s Manual OVER- Operation WRITE Set Layer to input, Fader mode to Fader, use faders Set Layer to Master, Fader mode to Fader, use faders...
Page 207: Punching In & Out Individual Parameters

Push Parameter 1–4 control, or select the parameters on the Effect Edit page, then press [ENTER] Push Parameter 1–4 control. Select the desired parameter on the Plug-in Edit page, then press [ENTER] Release fader knob Press Encoder DM2000 Version 2—Owner’s Manual...
Page 208: Playing Back An Automix

However, they are not deleted. When you rerecord effects parameter edits, it’s recommended that you delete the existing effects events ofﬂine. See “Editing Events Ofﬂine” on page 209 for more information. DM2000 Version 2—Owner’s Manual...
Page 209: Editing Events Offline

TIME SETTING section. ERASE: The ERASE button erases speciﬁed Automix data. COPY: The COPY button copies speciﬁed Automix data. This Job features a SOURCE sec- tion and COPY TO section (below the TIME SETTING section). Editing Events Offline DM2000 Version 2—Owner’s Manual...
Page 210

Automix data with other Automix data. The SOURCE section enables you to select the move/merge source Automix. You can select CURRENT (the current Automix) or MEM (any Automix from 1 to 16). DM2000 Version 2—Owner’s Manual Existing data Trim: – x dB...
Page 211

When you select a parameter, its button is highlighted. You can specify multiple parameters. Double-clicking a non-highlighted parameter button will display a message conﬁrming that you wish to highlight all parameter buttons. Double-clicking a highlighted parameter button will display a message that you wish to unhighlight all parameter buttons. DM2000 Version 2—Owner’s Manual...
Page 212

When the conﬁrmation message appears, select YES to execute the Job. BACK: Select this button to return to the previous page without executing the Job. DM2000 Version 2—Owner’s Manual Events Channel Fader events (Inputs Channels, Bus Out masters, Aux Send masters,...
Page 213

SELECTED CH: When this option is on, only events of the currently selected channel are displayed. All Scene recall and effects library recall events are displayed regardless of this option. For paired channels, only events of the currently selected channel are displayed. Editing Events Offline DM2000 Version 2—Owner’s Manual...
Page 214

If the Link Capture & Locate Memory preference is on (see page 277), the eight Capture memories are linked to the eight Locate memories so that, for example, edits made to Cap- ture memory #1 are reﬂected on Locate memory #1, and vice versa. DM2000 Version 2—Owner’s Manual Events Listed TIME CODE, CH, SCENE/LIB...
Page 215: 18 Midi

SLOT1 (for use with an optional mLAN I/O Card installed in Slot #1) TO HOST SERIAL and TO HOST USB are multiport interfaces, with eight ports each. When the DM2000 receives MIDI data via any of these interfaces, the MIDI indicator appears on the display (see page 52).
Page 216: Midi Port Setup

Studio Manager: These parameters are used to select a port for use with the Studio Manager software and to assign the DM2000 an ID from 1 to 8. Available ports include: MIDI, SERIAL 1–8, USB 1–8, and SLOT1. See the Studio Manager documentation for more information.
Page 217: Midi Channel Setup

Rx ON/OFF: Reception of Parameter Change messages is enabled or disabled. ECHO ON/OFF: This button determines whether Parameter Change messages received at the MIDI IN port are echoed through to the MIDI OUT port. MIDI Channel Setup DM2000 Version 2—Owner’s Manual...
Page 218: Assigning Scenes To Program Changes

DM2000’s faders. To transfer fader value data between two cascaded DM2000s, or to record the DM2000 operation to or play it back from a sequencer, select the HIGH but- ton. When the LOW button is selected, the fader resolution switches to 256 steps.
Page 219: Assigning Parameters To Control Changes

DM2000 parameters can be assigned to MIDI Control Changes for real-time control. When a parameter is adjusted on the DM2000, the assigned Control Change message is transmit- ted. Likewise, when a Control Change message is received, the assigned DM2000 parameter is set.
Page 220: Using Bulk Dump

Chapter 18—MIDI Using Bulk Dump DM2000 data can be stored to an external MIDI device, such as a MIDI data ﬁler, by using MIDI Bulk Dump. Use the DISPLAY ACCESS [MIDI] button to locate the Bulk Dump page. To transmit data, use the CATEGORY parameters to select the type of data you want to transmit, select the TRANSMIT button, and then press [ENTER].
Page 221: 19 Pro Tools Remote Layer

Install Yamaha USB MIDI driver 1.04 or later. If you are using the TO HOST USB port, you must also install the Yamaha USB MIDI driver included on the DM2000 CD-ROM. See the included documentation for more informa- tion.
Page 222: Configuring The Dm2000

When the Pro Tools Remote Layer is selected, the DM2000’s control surface controls Pro Tools, not the DM2000. In order to control the DM2000, you need to select an Input Chan- nel Layer or the Master Layer. Audio mixing on the Input and Master Layers, and Automix continues while the Pro Tools Layer is selected.
Page 223

Select the Receive From and Send To ports, and then click OK. The DM2000 can emulate up to three typical 8-channel Pro Tools MIDI controllers. A sin- gle MIDI port is required for every eight channels. So, you must conﬁgure MIDI Controller #1 to use channels 1 through 8, MIDI Controller #2 to use channels 9 through 16, and MIDI Controller #3 to use channels 17 through 24.
Page 224: Control Surface Operation With The Pro Tools Remote Layer

Remote Layer is selected. DM2000 buttons and controls are referred to by the names printed on the DM2000 with the name of the corresponding Pro Tools function in paren- thesis. For example, “Press the MATRIX SELECT [MATRIX 1] (DEFAULT) button.” In key- board shortcuts, the Pro Tools function names are left out for simpliﬁcation.
Page 225

Parameter control. Channel Strips DM2000 channel strips correspond to Pro Tools channels from left to right, with the leftmost Pro Tools channel being handled by DM2000 channel strip #1. You can change the order of channel strips by dragging the channel select buttons in Pro Tools, in which case the DM2000 automatically reorders its channel strips.
Page 226

Faders The faders are used to set channel levels (see page 240), or to set send levels in Flip mode (see page 243). DM2000 Version 2—Owner’s Manual Encoder Pan (see page 241) Send levels (see page 243) Select input source (see page 239)
Page 227

The INS indicator shows whether a channel’s plug-ins are on or off. Pan Display Hard left indicates center position) Send Level Minimum A u d 1 Other position Center indicates at center) Other value DM2000 Version 2—Owner’s Manual Hard right Maximum...
Page 228: Matrix Select Section

A is selected automatically. If the Encoders are currently set to control pan, its indicator lights automatically when one of the AUX SELECT [AUX 1]–[AUX 5] (SEND A–E) buttons is pressed. DM2000 Version 2—Owner’s Manual MATRIX SELECT MATRIX...
Page 229: Fader Mode Section

See “Flip Mode” on page 243 for more information. DISPLAY ACCESS Section [METER] button This button is used to reset the meter clip indicators and peak hold indicators. FADER MODE FADER AUX/MTRX DISPLAY ACCESS METER DM2000 Version 2—Owner’s Manual...
Page 230: Effects/plug-ins Section

Parameter Up (< SCROLL) & Parameter Down (SCROLL >) buttons These buttons are used to scroll parameters when assigning inserts and editing plug-ins. See “Assigning Inserts/Plug-ins” on page 244 and “Editing Plug-ins” on page 245 for more information. DM2000 Version 2—Owner’s Manual (< SCROLL) (SCROLL >)
Page 231

Mutes or unmutes the selected track. The [8] button indicator lights up while the track is muted. [DIRECT] button Functions the same as the [SHIFT] key on the computer keyboard. ROUTING DISPLAY FOLLOW PAN STEREO DIRECT DM2000 Version 2—Owner’s Manual...
Page 232

Press this button, turning on the button indicator, then operate the Joystick to quickly set the pan position. Joystick Operating the Joystick while the [GRAB] button indicator is turned on enables you to quickly set the pan position. DM2000 Version 2—Owner’s Manual DYNAMICS DISPLAY GATE / COMP GATE...
Page 233

USER DEFINED KEYS [5] + USER DEFINED KEYS [4] + TRACK ARMING [1–24] AUTOMIX ENABLE ABORT/ AUTO- RETURN RELATIVE TOUCH UNDO SUSPEND WRITE TOUCH LATCH READ TRIM OVERWRITE FADER (FADER) (MUTE) (SEND) (SEND MUTE) DM2000 Version 2—Owner’s Manual MASTER (REC/RDY ALL) SENSE (PLUG-IN)
Page 234

This button is used to toggle between the Mix and Edit windows. [10] (< CH) & [11] (CH >) buttons These buttons are used to scroll channels one at a time. DM2000 Version 2—Owner’s Manual USER DEFINED KEYS DISPLAY (STATUS)
Page 235: Locator Section

Press the [OUT] button to audition the section before the out point of the selected region. The length of the section is determined by the post-roll time. LOCATOR LOCATE MEMORY (MEM-LOC) POST ONLINE LOOP QUICK PUNCH DM2000 Version 2—Owner’s Manual...
Page 236

Operations menu). Its indicator lights up when loop playback is on. [QUICK PUNCH] button This button is used to turn quick punch on and off (same as the Quick Punch command in the Operations menu). Its indicator lights up when quick punch is on. DM2000 Version 2—Owner’s Manual...
Page 237: Parameter Wheel

This button is used to select the following edit tools: Zoomer, Trimmer, Selector, Grabber, SmartTool, Scrubber, and Pencil. Parameter Wheel The Parameter wheel is used for shuttling and scrubbing (see page 249). It’s also used for making ﬁne adjustments to the selected region (see page 248). DM2000 Version 2—Owner’s Manual...
Page 238: Scrolling Windows

Scroll window to the end Scroll window to the top Scroll window to the bottom DM2000 Version 2—Owner’s Manual USER DEFINED KEYS [13] + Left cursor button USER DEFINED KEYS [13] + Right cursor button USER DEFINED KEYS [13] + Up cursor button...
Page 239: Selecting Channels

ENCODER MODE [ASSIGN 3], ENCODER MODE [ASSIGN 1], Encoder, USER DEFINED KEYS [5] + Encoder push-switch ENCODER MODE [ASSIGN 3], ENCODER MODE [ASSIGN 1], Encoder, USER DEFINED KEYS [5] + USER DEFINED KEYS [4] + Encoder push-switch DM2000 Version 2—Owner’s Manual...
Page 240: Assigning Outputs To Channels

You can view channel levels in dB on the channel strip displays by holding down the USER DEFINED KEYS [13] (ALT/FINE) button while adjusting faders. DM2000 Version 2—Owner’s Manual Do this! ENCODER MODE [ASSIGN 3], ENCODER MODE [ASSIGN 2],...
Page 241: Muting Channels

Grouped channels are soloed together. You can temporarily disable a mix group in order to solo individual channels by pressing and holding the USER DEFINED KEYS [12] (CTRL/CLUTCH) button. Muting Channels Do this! USER DEFINED KEYS [5] + [ON] USER DEFINED KEYS [5] + USER DEFINED KEYS [4] + [ON] DM2000 Version 2—Owner’s Manual...
Page 242: Assigning Send Destinations

The ENCODER MODE [AUX/MTRX] (SEND LEVEL) button indicator lights up, as does the button indicator of the selected send. Use the Encoder push-switches to toggle between pre and post. DM2000 Version 2—Owner’s Manual Do this! ENCODER MODE [ASSIGN 3], AUX SELECT [AUX 1]–[AUX 5], Encoder, USER DEFINED KEYS [5] + Encoder push-switch ENCODER MODE [ASSIGN 3], AUX SELECT [AUX 1]–[AUX 5],...
Page 243: Setting Send Levels

Use the AUX SELECT [AUX 1]–[AUX 5] (SEND A–E) buttons to select the sends. The button indicator of the selected send lights up. Setting Send Levels Normal mode Channel level Channel pan/send level Channel mute DM2000 Version 2—Owner’s Manual Flip mode Send level Send pan Send mute...
Page 244: Assigning Inserts/plug-ins

USER DEFINED KEYS [5] (OPTION/ALL) button and USER DEFINED KEYS [4] (SHIFT/ADD) button, press the Parameter control’s push-switch. (The number of assignments possible depends on the available CPU power.) You can cancel this function by pressing the [–/DEC] (ESC) button. DM2000 Version 2—Owner’s Manual...
Page 245: Editing Plug-ins

To edit another plug-in, press the EFFECTS/PLUG-INS [8] (INSERT/PARAM) button (its indicator goes out), use the [SEL] buttons to select the channel (same as step #2), and use the Parameter control 1–4 push-switches to select the plug-in (same as step #3). Editing Plug-ins DM2000 Version 2—Owner’s Manual...
Page 246: Bypassing Individual Plug-ins

To do this... Bypass all plug-ins on all channels Bypass all plug-ins on all selected channels DM2000 Version 2—Owner’s Manual Do this! MATRIX SELECT [MATRIX 4], ENCODER MODE [ASSIGN 4], USER DEFINED KEYS [5] + [SEL] MATRIX SELECT [MATRIX 4], ENCODER MODE [ASSIGN 4],...
Page 247: Resetting Faders, Sends, Panpots & Plug-ins

USER DEFINED KEYS [12] + Left cursor button USER DEFINED KEYS [12] + Right cursor button USER DEFINED KEYS [5] + Left cursor button (or LOCATE MEMORY [IN] button) USER DEFINED KEYS [5] + Right cursor button (or LOCATE MEMORY [OUT] button) DM2000 Version 2—Owner’s Manual...
Page 248: Zooming

Shorten the selection by unselecting the region on the highest track Move the selection (not the audio) back- wards or forwards DM2000 Version 2—Owner’s Manual To do this... Double-click the Left cursor button Double-click the Right cursor button To do this...
Page 249: Scrub & Shuttle

If you press the [REW], [FF], or [PLAY] button, scrub/shuttle operation is stopped before rewind, fast forward, or playback commences. While scrub/ shuttle is active, only the following Pro Tools/DM2000 controls can be used: [SCRUB] and [SHUTTLE] buttons, Parameter wheel, transport buttons, faders, [ON] but- tons, and [SOLO] buttons.
Page 250: Automation

USER DEFINED KEYS [12] (CTRL/CLUTCH) button. The following shortcuts apply. To do this... Set the Automation mode of all channels Set the Automation mode of all selected channels DM2000 Version 2—Owner’s Manual Channel Strip Displays Flashing red (Record Ready) Red (Recording) Ltch Read Green...
Page 251: Trim Mode

Send level Send mute Plug-in Do this! USER DEFINED KEYS [5] + AUTOMIX-OVERWRITE [FADER], [ON], [PAN], [AUX], [AUX ON], or [EQ] USER DEFINED KEYS [13] + AUTOMIX-OVERWRITE [FADER], [ON], [PAN], [AUX], [AUX ON], or [EQ] DM2000 Version 2—Owner’s Manual Automation...
Page 252: Panner

Use the appropriate control to adjust the parameter. Pressing and holding down the [Command] key on the keyboard and rotating the controls reduces the change in the parameter values. DM2000 Version 2—Owner’s Manual To do this... ROUTING [1] button ROUTING [2] button...
Page 253: 20 Remote Control

The DM2000’s four Remote Layers allow you to control external MIDI equipment directly from the DM2000. The type of device to be controlled (i.e., the target) can be speciﬁed for each Remote Layer. There are six types of target: User Deﬁned, Pro Tools, Nuendo, Cubase SX, General DAW, and User Assignable Layer.
Page 254

MIDI messages are being transmitted by external MIDI devices when their con- trols or parameters are adjusted. When on, received MIDI messages are displayed in the DATA area. Only the ﬁrst 16 bytes of data, starting with a Status bit, are displayed. DM2000 Version 2—Owner’s Manual...
Page 255

MIDI data is transmitted (so long as the TRANSMIT parameter is set to ENABLED). If the target is not the same, the faders, Encoders, and [ON] buttons are set accordingly, but no MIDI data is transmitted. DM2000 Version 2—Owner’s Manual...
Page 256: About Machine Control (mmc & P2)

CHASE CONTROL: This parameter determines whether or not a Chase On/Off com- mand is transmitted from the DM2000 to a machine when the LOCATOR [ONLINE] but- ton is pressed. MASTER/MTR: This parameter is used to specify which machines are Masters and which are MTRs.
Page 257: Transport Buttons

P2-VTR1–3: An expanded version of the P2 protocol intended for future use. Currently, this is the same as P2-DFLT. Transport Buttons The DM2000’s transport can be used to control external machines. Transport control can be enabled and disabled for individual machines on the Machine Conﬁguration page (see page 256).
Page 258: Using The Locator

[SET] button, press a LOCATE MEMORY [1–8] button. The DM2000 must be receiving timecode in order to do this. Once set, the stored position can be located by pressing the corresponding button. If the button is pressed while the machine is stopped, the stored position is located.
Page 259

Locate Memory page (see page 260). To set a point on-the-ﬂy, while holding down the [SET] button, press the [IN] or [OUT] button. The DM2000 must be receiving timecode in order to do this. Once set, the stored position can be located by pressing the correspond- ing button.
Page 260

Time Reference page (see page 201). These points can also be set on-the-ﬂy, so long as the DM2000 is receiving timecode. To do this, while holding down the LOCATOR [SET] button, press the [1–8], [IN], [OUT], or [RTZ] button.
Page 261

TRACK ARMING section controls machines set to MTR. When the but- ton indicator is lit, the TRACK ARMING section controls machines set to MASTER. See “Conﬁguring Machines” on page 256. About Machine Control (MMC & P2) TRACK ARMING ALL CLEAR MASTER DM2000 Version 2—Owner’s Manual...
Page 262

You can assign Master machine tracks to the TRACK ARMING [1–24] buttons as follows. These assignments are effective only when the TRACK ARMING [MASTER] button indi- cator is lit. Use the TRACK ARMING [DISPLAY] button to locate the Master Track Arming Conﬁguration page. DM2000 Version 2—Owner’s Manual...
Page 263

MACHINE CONTROL section controls external MMC or P2 machines, regardless of the layer selection. When the DAW CONTROL option is on, the MACHINE CONTROL section controls DAWs, regardless of the layer selection. About Machine Control (MMC & P2) DM2000 Version 2—Owner’s Manual...
Page 264: Gpi (general Purpose Interface)

You can assign any function to these trigger signals. In this way, for example, you can con- trol a “RECORDING” warning light outside a studio from the DM2000, or you can control the DM2000’s Talkback function or Dimmer function using an outside switch.
Page 265

CONTROL con- nector Executes the function. At this point, when the DM2000 receives the trigger signal at the CONTROL connector, the selected parameter changes. Tip: Refer to the page 302 for a complete list of assignable parameters. TALKBACK - SMALL: Functions the same as the MONITOR section buttons.
Page 266

The trigger signal is active while the [REC] button indicator is lit. POWER ON: The trigger signal is active while the power to the DM2000 is on. Important note: GPI outputs are open collector outputs. GPI inputs have an internal pull-up to 5 V.
Page 267: Controlling Ad8hr/ad824 A/d Converters

IDs depends on the number of AD8HR/AD824s connected to the DM2000. Note: To control multiple AD8HR/AD824 Converters, connect them with the DM2000 in a daisy chain. Note that you must connect AD8HRs closer to the DM2000 if both AD8HRs and AD824s are connected in a system.
Page 268

Chapter 20—Remote Control Controlling AD8HR/AD824s from the DM2000 Connected AD8HR/AD824s are controlled from the HA Control page. Use the SELECTED CHANNEL PHASE/INSERT [DISPLAY] button to select the HA Control page. Use the cursor buttons to select the ID of the HA (AD8HR/AD824) that you want to control, and then press [ENTER].
Page 269: 21 Other Functions

Using the User Assignable Layers If you set the Remote layer target to “USER ASSIGNABLE,” you can create a custom layer by combining any DM2000 channels (excluding the Stereo Out). Use the DISPLAY ACCESS [REMOTE] button to locate Remote 1–4 page.
Page 270: Using The User Deﬁned Keys

USER DEFINED KEY is pressed. To do this, in the left-hand box, select the number parameter next to the Assign button, and use the Parameter wheel or INC/DEC buttons to specify the number. DM2000 Version 2—Owner’s Manual USER DEFINED KEYS DISPLAY...
Page 271: Saving Dm2000 Data To Smartmedia

Use the DISPLAY ACCESS [DATA] button to locate the Save page. Insert your SmartMedia card into the CARD slot. If the card doesn’t have a “/YPE/DM2000” directory, a conﬁrmation message appears and you should choose YES to make the directory.
Page 272

(PLUG UDEF), USER DEFINED KEYS banks (KEYS UDEF), or the USER ASSIGNABLE LAYER banks (USR LAYER). For each item you can select ALL or individual banks. SETUP MEM: Saves the DM2000 setup data (i.e., system settings). PGM TABLE: Saves the Scene to MIDI Program Change table. See “Assigning Scenes to Program Changes”...
Page 273

You can use the Studio Manager to save DM1000, 02R96, or 01V96 data to, and load data from, a SmartMedia card. When saving data to a SmartMedia card, use a card formatted using the format option on the File page of the DM2000, and save data to a directory called “/YPE/DM2000” or lower hierarchical directory.
Page 274: Setting Preferences

Note: Some of the data listed above may use default settings or may not be updated due to differences in parameters or numbers of channels. Setting Preferences You can customize the operation of the DM2000 by using the preferences pages. Preferences 1 Use the DISPLAY ACCESS [SETUP] button to locate the Preferences 1 page.
Page 275

MIDI Warning: When this preference is on, a warning message appears if any errors are detected in the incoming MIDI messages. Initial Data Nominal: When this preference is on, Input Channel faders are set to nom- inal when Scene #0 is recalled. DM2000 Version 2—Owner’s Manual...
Page 276

Chapter 21—Other Functions Meter Follow Layer: When this preference is on, the optional MB2000 Peak Meter Bridge automatically follows the Layer selection on the DM2000. Scene MEM Auto Update: When this preference is on, the Shadow Scene memories can be used (see page 186).
Page 277

DM2000 always recognizes fader movements. If the SELECT button is on, you can select channels using the Touch Sense function. The Sensitivity parameter adjusts touch sensitivity. If you’re having trouble selecting chan- nels because the fader knobs are insufﬁciently sensitive, try increasing this value. If they are too sensitive, try reducing it.
Page 278

DM2000 to recognize an error after incoming timecode messages jump. If the actual inter- val is shorter than the value speciﬁed by this parameter, the DM2000 continues the sync operation. If the frame jump causes the recording or playback to stop during the MTC and SMPT sync operation, set the parameter value higher than the number of frames indicated in the error message.
Page 279: Using The Oscillator

Using the Oscillator The DM2000 features an oscillator that can be used for calibration or diagnostic purposes. Use the DISPLAY ACCESS [UTILITY] button to locate the Oscillator page. Use the cursor buttons to select the parameters, and use the Parameter wheel, INC/DEC button, or [ENTER] button to set them.
Page 280: Operation Lock

Chapter 21—Other Functions Operation Lock The DM2000 features the Operation Lock function, which avoids unintentional edits and uses a password to restrict access to panel operation. Use the DISPLAY ACCESS [UTILITY] button to locate the Operation Lock page. Use the cursor buttons to select the PASSWORD button, then press [ENTER].
Page 281

Use the [SEL] buttons to enter the password you set in Step 4. The Operation Lock function is activated. To cancel Operation Lock, press [ENTER]. The Password window opens again. Enter the same password again, and Operation Lock is cancelled. Operation Lock Controls excluded from Operation Lock DM2000 Version 2—Owner’s Manual...
Page 282: Checking The Battery And The System Version

Use the DISPLAY ACCESS [UTILITY] button to locate the Battery Check page. If the Status is “Okay,” the battery is okay. If the Status is “Getting Low,” ask your Yamaha dealer to replace the battery as soon as possible. Do not attempt to replace the battery your- self.
Page 283: Appendix A: Parameter Lists

101 Output Fader Group Enable Q 102 Output Fader Group Enable R 103 Output Fader Group Enable S 104 Output Fader Group Enable T 105 Output MUTE Group Enable U DM2000 Version 2—Owner’s Manual Display GEQ2 LibXXX RCL. GEQ3 Lib+1 RCL. GEQ3 Lib–1 RCL.
Page 284

161 SURR Lib. Recall +1 162 SURR Lib. Recall –1 163 SURR Lib. Recall No.XX 164 SURR. MONI MUTE Mute Bs On/Off DM2000 Version 2—Owner’s Manual Display Out Mute Group V 165 SURR. MONI SNAP TO 85dB SPL Out Mute Group W 166 Bus to ST Lib.
Page 285: User Defined Keys Initial Assignments

Assign L Master X IN Mute MIDI PGM No Assign Assign M IN Mute MIDI PGM No Assign Assign N IN Mute MIDI PGM No Assign Assign O IN Mute MIDI PGM No Assign Assign P DM2000 Version 2—Owner’s Manual...
Page 286: Input Patch Parameters

Slot2 CH7 IN S2-8 Slot2 CH8 IN S2-9 Slot2 CH9 IN S2-10 Slot2 CH10 IN S2-11 Slot2 CH11 IN DM2000 Version 2—Owner’s Manual Input Channel insert Ins Port ID Description NONE NONE AD IN 1 AD IN 2 AD IN 3...
Page 287

INSCH75 InsertOut-CH75 INSCH76 InsertOut-CH76 INSCH77 InsertOut-CH77 INSCH78 InsertOut-CH78 INSCH79 InsertOut-CH79 INSCH80 InsertOut-CH80 INSCH81 InsertOut-CH81 INSCH82 InsertOut-CH82 INSCH83 InsertOut-CH83 INSCH84 InsertOut-CH84 INSCH85 InsertOut-CH85 INSCH86 InsertOut-CH86 INSCH87 InsertOut-CH87 INSCH88 InsertOut-CH88 INSCH89 InsertOut-CH89 INSCH90 InsertOut-CH90 INSCH91 InsertOut-CH91 INSCH92 InsertOut-CH92 DM2000 Version 2—Owner’s Manual...
Page 288

2TD3R 2TR IN Dig.3 R 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L DM2000 Version 2—Owner’s Manual Input Channel insert Ins Port ID Description S6-1 Slot6 CH1 IN S6-2 Slot6 CH2 IN S6-3...
Page 289: Initial Input Patch Settings

— — — — — — Source Source AUX1 NONE NONE NONE NONE AUX3 NONE NONE NONE AUX4 NONE NONE NONE AUX5 NONE NONE AUX2 AUX6 NONE NONE NONE AUX7 NONE NONE NONE AUX8 NONE NONE DM2000 Version 2—Owner’s Manual...
Page 290: Output Patch Parameters

INSCH7 InsertOut-CH7 INSCH8 InsertOut-CH8 INSCH9 InsertOut-CH9 INSCH10 InsertOut-CH10 INSCH11 InsertOut-CH11 INSCH12 InsertOut-CH12 INSCH13 InsertOut-CH13 INSCH14 InsertOut-CH14 INSCH15 InsertOut-CH15 DM2000 Version 2—Owner’s Manual Omni Outs Source Description NONE NONE BUS1 BUS1 BUS2 BUS2 BUS3 BUS3 BUS4 BUS4 BUS5 BUS5 BUS6 BUS6...
Page 291

S5-2 Slot5 CH2 IN S5-3 Slot5 CH3 IN S5-4 Slot5 CH4 IN S5-5 Slot5 CH5 IN S5-6 Slot5 CH6 IN S5-7 Slot5 CH7 IN S5-8 Slot5 CH8 IN S5-9 Slot5 CH9 IN S5-10 Slot5 CH10 IN DM2000 Version 2—Owner’s Manual...
Page 292

INSAUX9 InsertOut-AUX9 INSAUX10 InsertOut-AUX10 INSAUX11 InsertOut-AUX11 INSAUX12 InsertOut-AUX12 INSMTX1L InsertOut-MTX1L INSMTX1R InsertOut-MTX1R INSMTX2L InsertOut-MTX2L INSMTX2R InsertOut-MTX2R INSMTX3L InsertOut-MTX3L DM2000 Version 2—Owner’s Manual Omni Outs Source Description INSCH69 InsertOut-CH69 INSCH70 InsertOut-CH70 INSCH71 InsertOut-CH71 INSCH72 InsertOut-CH72 INSCH73 InsertOut-CH73 INSCH74 InsertOut-CH74 INSCH75 InsertOut-CH75...
Page 293

2TR IN Dig.3 R 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L 2TA2R 2TR IN Analog2 R — — — — — — — — — — — — DM2000 Version 2—Owner’s Manual...
Page 294

Slot3 CH14 OUT S3-15 Slot3 CH15 OUT S3-16 Slot3 CH16 OUT S4-1 Slot4 CH1 OUT S4-2 Slot4 CH2 OUT S4-3 Slot4 CH3 OUT DM2000 Version 2—Owner’s Manual 2TR Digital Outs Source Description NONE NONE BUS1 BUS1 BUS2 BUS2 BUS3 BUS3...
Page 295

— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — DM2000 Version 2—Owner’s Manual...
Page 296

— — — — — — — — — — — — — — — — — DM2000 Version 2—Owner’s Manual 2TR Digital Outs Source Description INSCH76 InsertOut-CH76 INSCH77 InsertOut-CH77 INSCH78 InsertOut-CH78 INSCH79 InsertOut-CH79 INSCH80 InsertOut-CH80 INSCH81 InsertOut-CH81 INSCH82 InsertOut-CH82...
Page 297: Initial Output Patch Settings

BUS8 — — NONE BUS1 — — NONE BUS2 — — NONE BUS3 — — NONE BUS4 — — NONE BUS5 — — NONE BUS6 — — NONE BUS7 — — NONE BUS8 — — NONE DM2000 Version 2—Owner’s Manual...
Page 298: Initial Input Channel Names

CH44 CH45 CH45 CH46 CH46 CH47 CH47 CH48 CH48 CH49 CH49 CH50 CH50 CH51 CH51 CH52 CH52 DM2000 Version 2—Owner’s Manual Input Channel Long Name CH01 CH53 CH02 CH54 CH03 CH55 CH04 CH56 CH05 CH57 CH06 CH58 CH07 CH59 CH08...
Page 299: Initial Output Channel Names

MTX2 MTX3 MTX3 MTX4 MTX4 Initial Output Channel Names Long Name BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 AUX9 AUX10 AUX11 AUX12 MATRIX1 MATRIX2 MATRIX3 MATRIX4 STEREO DM2000 Version 2—Owner’s Manual...
Page 300: Initial Input Port Names

S3-5 S3-5 SLOT3-06 S3-6 S3-6 SLOT3-07 S3-7 S3-7 SLOT3-08 S3-8 S3-8 SLOT3-09 S3-9 S3-9 DM2000 Version 2—Owner’s Manual Long Name Port AD IN 1 SLOT3-10 S310 AD IN 2 SLOT3-11 S311 AD IN 3 SLOT3-12 S312 AD IN 4 SLOT3-13...
Page 301: Initial Output Port Names

OMNI OUT 7 OMN8 OMNI OUT 8 2D1L 2TR OUT Dig. 1L 2D1R 2TR OUT Dig. 1R 2D2L 2TR OUT Dig. 2L 2D2R 2TR OUT Dig. 2R 2D3L 2TR OUT Dig. 3L 2D3R 2TR OUT Dig. 3R DM2000 Version 2—Owner’s Manual...
Page 302: Gpi Trigger Source & Target List

CH5 ON CH6 ON CH7 ON CH8 ON CH9 ON CH10 ON CH11 ON CH12 ON CH13 ON CH14 ON DM2000 Version 2—Owner’s Manual Target Target CH15 ON CH70 ON CH16 ON CH71 ON CH17 ON CH72 ON CH18 ON...
Page 303

AUX4 ON UNLATCH AUX5 ON UNLATCH AUX6 ON UNLATCH AUX7 ON UNLATCH AUX8 ON UNLATCH AUX9 ON UNLATCH AUX10 ON UNLATCH AUX11 ON UNLATCH AUX12 ON UNLATCH MTX1 ON UNLATCH GPI Trigger Source & Target List Target DM2000 Version 2—Owner’s Manual...
Page 304

CH51 FADER ON CH52 FADER ON CH53 FADER ON CH54 FADER ON CH55 FADER ON CH56 FADER ON CH57 FADER ON DM2000 Version 2—Owner’s Manual Target Target CH58 FADER ON AUX12 FADER ON CH59 FADER ON MATRIX1 FADER ON CH60 FADER ON...
Page 305

UDEF1 UNLATCH UDEF2 UNLATCH UDEF3 UNLATCH UDEF4 UNLATCH UDEF5 UNLATCH UDEF6 UNLATCH UDEF7 UNLATCH UDEF8 UNLATCH UDEF9 UNLATCH UDEF10 UNLATCH UDEF11 UNLATCH UDEF12 UNLATCH UDEF13 UNLATCH UDEF14 UNLATCH UDEF15 UNLATCH UDEF16 UNLATCH REC LAMP POWER ON DM2000 Version 2—Owner’s Manual...
Page 306: User Defined Remote Layer Initial Bank Settings

NO ASSIGN ENCODER FADER DM2000 Version 2—Owner’s Manual Data Format END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...
Page 307

END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP 10 11 12 13 14 15 16 DM2000 Version 2—Owner’s Manual...
Page 308

FADER RM24 XG24 XG-CH24 VOL&PAN ENCODER FADER DM2000 Version 2—Owner’s Manual Data Format END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC F7 FAD F7 END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...
Page 309

SW END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP 10 11 12 13 14 15 16 DM2000 Version 2—Owner’s Manual...
Page 310: Effects Parameters

0.1–1.0 ER NUM. 1–19 FB GAIN –99 to +99% THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU DM2000—Owner’s Manual Range Reverb time Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left–right reverb spread) Reverb density Delay between early reﬂections and reverb...
Page 311: Mono Delay

Modulation depth Modulation waveform High-pass ﬁlter cutoff frequency Low-pass ﬁlter cutoff frequency Tempo parameter sync on/off Used in conjunction with TEMPO to determine DELAY Used in conjunction with TEMPO to determine FREQ (Maximum value depends on the tempo DM2000—Owner’s Manual...
Page 312

50.0 Hz–16.0 kHz, THRU SYNC OFF/ON NOTE L NOTE R NOTE FBL NOTE FBR DM2000—Owner’s Manual Range Left channel delay time Center channel delay time Right channel delay time Feedback delay time Left channel delay level Center channel delay level...
Page 313

Low shelving ﬁlter frequency Low shelving ﬁlter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving ﬁlter frequency High shelving ﬁlter gain Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. DM2000—Owner’s Manual...
Page 314

–12 to +12 dB HSH F 50.0 Hz–16.0 kHz HSH G –12 to +12 dB SYNC OFF/ON NOTE DM2000—Owner’s Manual Range Modulation speed Modulation depth Modulation delay time Modulation waveform Low shelving ﬁlter frequency Low shelving ﬁlter gain EQ (peaking type) frequency...
Page 315

Pitch shift ﬁne Delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Pitch shift precision Tempo parameter sync on/off Used in conjunction with TEMPO to determine DELAY (Maximum value depends on the tempo setting) DM2000—Owner’s Manual...
Page 316: Ring Mod

FM FREQ. 0.05–40.00 Hz FM DEPTH 0–100% SYNC OFF/ON NOTE FM DM2000—Owner’s Manual Range Channel #1 pitch shift Channel #1 pitch shift ﬁne Channel #1 level (plus values for normal phase, minus values for reverse phase) Channel #1 pan Channel #1 delay time...
Page 317

Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Bass tone control Middle tone control High tone control Speaker cabinet simulation depth EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth Noise reduction DM2000—Owner’s Manual...
Page 318

HSH G –12 to +12 dB 1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) DM2000—Owner’s Manual Range Control source: input signal or MIDI Note On velocity Sensitivity...
Page 319

Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. DM2000—Owner’s Manual...
Page 320

MOD. DLY 0.0–500.0 ms FB. GAIN –99 to +99% WAVE Sine, Tri SYNC OFF/ON NOTE DM2000—Owner’s Manual Range Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density High-pass ﬁlter cutoff frequency Low-pass ﬁlter cutoff frequency Reverb and ﬂange balance (0% = all reverb, 100% = all ﬂange)
Page 321

Low-pass ﬁlter cutoff frequency Reverb and symphonic reverb balance (0% = all symphonic reverb, 100% = all reverb) Modulation speed Modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. DM2000—Owner’s Manual...
Page 322

DENSITY 0–100% ER NUM. 1–19 SYNC OFF/ON NOTE L NOTE R NOTE FB DM2000—Owner’s Manual Range Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density High-pass ﬁlter cutoff frequency Low-pass ﬁlter cutoff frequency Reverb and panned reverb balance (0% = all panned reverb, 100%...
Page 323

Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY Used in conjunction with TEMPO to determine FB. DLY (Maximum value depends on the tempo setting) DM2000—Owner’s Manual...
Page 324

0–100% DLY.BAL 0–100% SYNC OFF/ON DLY.NOTE MOD.NOTE setting) DM2000—Owner’s Manual Range Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Delay high-frequency feedback ratio High-pass ﬁlter cutoff frequency Low-pass ﬁlter cutoff frequency...
Page 325

Number of times the sample plays Playback start point in samples Playback end point in samples Loop start point in samples Playback pitch shift Playback pitch shift ﬁne PLAY button can be triggered by using MIDI Note on/off messages. DM2000—Owner’s Manual...
Page 326

ROUND [EFFECT] button’s indicator is on. When set to INV, the Joystick will work inversely. When set to OFF, Joystick control is off. The CTRL button on the Effect Edit page works the same as the [EFFECT] button. DM2000—Owner’s Manual Range...
Page 327: Auto Pan

Low-pass ﬁlter cutoff frequency Description Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Modulation waveform High-pass ﬁlter cutoff frequency Low-pass ﬁlter cutoff frequency Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. DM2000—Owner’s Manual...
Page 328

0.0–400.0 ms WAVE Sine, Tri THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU SYNC OFF/ON NOTE DM2000—Owner’s Manual Range Modulation speed Modulation depth Modulation delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Modulation waveform High-pass ﬁlter cutoff frequency...
Page 329

Compressor knee Lookup delay Compressor bypass Low/mid crossover frequency Mid/high crossover frequency Filter slope Speciﬁes the maximum output level Expander threshold Expander ratio Expander release time Expander bypass Limiter threshold Limiter attack Limiter release time Limiter bypass Limiter knee DM2000—Owner’s Manual...
Page 330

DECK, REV-X HALL, REV-X HALL, REV-X ROOM, REV-X PLATE) are optional Add-On Effects. For more information on these effects, refer to the Owner’s Manual that comes with the Add-On Effects package. DM2000—Owner’s Manual Range Low band level Mid band level...
Page 331: Effects And Tempo Synchronization

To prevent the effect from changing in this way between store and recall, the DM2000 does not update the DELAY (or FREQ.) value when an effect is recalled, even if the TEMPO is no longer the same as when that effect was stored.
Page 332: Preset Eq Parameters

+8.5 dB Syn. Bass 1 85 Hz 950 Hz PEAKING PEAKING PEAKING +2.5 dB 0.0 dB Syn. Bass 2 125 Hz 180 Hz DM2000—Owner’s Manual Title H-MID HIGH H.SHELF 0.0 dB +4.0 dB Piano 1 1.06 kHz 5.30 kHz —...
Page 333: Preset Gate Parameters

Attack (ms) Hold (ms) 1.20 S Decay (ms) 6.32 S Threshold (dB) –11 Range (dB) –53 GATE Attack (ms) Hold (ms) 1.93 Decay (ms) Threshold (dB) –8 Range (dB) –23 GATE Attack (ms) Hold (ms) 0.63 Decay (ms) DM2000—Owner’s Manual...
Page 334: Preset Compressor Parameters (fs = 44.1 Khz)

Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) A. Dr. SN COMPAND-S Out gain (dB) Width (dB) Release (ms) DM2000—Owner’s Manual (fs = 44.1 kHz) Parameter Value Title –8 10 A. Dr. Tom –23 11 A. Dr. OverTop –10...
Page 335

Attack (ms) Out gain (dB) Knee hard Release (ms) Threshold (dB) –18 Ratio ( :1) Attack (ms) Out gain (dB) Knee hard Release (ms) Threshold (dB) –16 Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) DM2000—Owner’s Manual...
Page 336: Dynamics Parameters

ATTACK (ms) HOLD (ms) DECAY (ms) I/O Characteristics THRESHOLD RANGE Input Level DM2000—Owner’s Manual Range This determines the level at which the gate effect is applied. This determines the amount of attenuation when –70 to 0 (71 points) the gate closes.
Page 337

The value is expressed as the duration required for the level to change by 6 dB. Time Series Analysis Input Signal RANGE Time Output Signal HOLD ATTACK DECAY Time DM2000—Owner’s Manual...
Page 338: Comp Section

KNEE I/O Characteristics (KNEE=hard, OUT GAIN=0.0dB) THRESHOLD RATIO Input Level DM2000—Owner’s Manual Range This determines the level of input signal required to trigger the compressor. 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, This determines the amount of compression, that 3.5:1, 4.0:1, 5.0:1, 6.0:1,...
Page 339

This determines how expansion is applied at the threshold. For higher knee settings, expansion is applied gradually as the signal falls below the spec- iﬁed threshold, creating a more natural sound. Time Series Analysis (RATIO=∞:1) Input Signal Time Output Signal ATTACK RELEASE Time DM2000—Owner’s Manual...
Page 340

Parameter THRESHOLD (dB) –54.0 to 0.0 (541 points) RATIO ATTACK (ms) RELEASE (ms) OUT GAIN (dB) WIDTH (dB) DM2000—Owner’s Manual WIDTH Range This determines the level at which compression is applied. 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, This determines the amount of compression.
Page 341: Appendix B: Specifications

OUT, IN (pre AD converter) on/off 24-bit linear, 128-times oversampling (fs=48 kHz) 24-bit linear, 128-times oversampling (fs=48 kHz) Optional digital interface cards (MY16, MY8, MY4 series) On/off (1:3 and 3:1 maximum input to output sample rate ratio) General Spec DM2000—Owner’s Manual...
Page 342

Monitor select STUDIO MONITOR OUT DA converter Level control Dither 2TR OUT DIGITAL 1–3 Output patch DM2000—Owner’s Manual — Normal/reverse On/off Key in: 12 ch Group (1–12, 13–24, 25–36, 37–48, 49–60, 61–72, 73–84, 85–96)/AUX1–12 On/off Key in: self /Stereo Link Pre EQ/pre fader/post fader –96.0 to +12.0 dB (0.1 dB step)
Page 343

–96.0 to +12.0 dB (0.1 dB step) 4-band PEQ On/off — 100 mm motorized 0–43400 samples Pre fader/post fader Level (–∞, –96 dB to +10 dB) Pan: 127 positions (Left=1–63, Center, Right=1–63) Displayed on LCD Peak hold on/off General Spec DM2000—Owner’s Manual...
Page 344

2. Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation. 3. See “Gate Parameters” on page 345. 4. See “Comp Parameters” on page 345. 5. See “EQ Parameters” on page 345. DM2000—Owner’s Manual On/off Pre EQ/pre fader/post fader –96.0 to +12.0 dB (0.1 dB step) 4-band PEQ On/off —...
Page 345

6 ms–46.0 s (160 points) @ 44.1 kHz 3 ms–21.1 s (160 points) @ 96 kHz 3 ms–23.0 s (160 points) @ 88.2 kHz General Spec H-MID HIGH /LPF 0.1–10.0 (41 points) high shelving ±18 dB (0.1 dB step) LPF: on/off DM2000—Owner’s Manual...
Page 346: Libraries

Output patch library Bus to Stereo library 1. Effects #53–61 are Add-On Effects. DM2000—Owner’s Manual –54 dB to 0 dB (0.1 dB step) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points) –18 dB to 0 dB (0.1 dB step)
Page 347: Analog Input Spec

(6.16 V) +18 dB XLR-3-32 type (Balanced) (6.16 V) +18 dB (6.16 V) Phone Jack (TRS) +4 dB (Balanced) (1.23 V) Phone Jack (TRS) +18 dB (6.16 V) (Balanced) 25 mW Stereo Phone Jack (TRS) 75 mW (Unbalanced) DM2000—Owner’s Manual...
Page 348: Digital Input Spec

Type: 2 audio channels Category code: 2 channel PCM encoder/decoder Copy prohibit: NO Emphasis: Clock accuracy: Level II (1000 ppm) Sampling rate: depends on the internal configuration DM2000—Owner’s Manual Format Data length AES/EBU 24-bit AES/EBU 24-bit 0.5 Vpp/75 Ω RCA pin jack...
Page 349: I/o Slot Spec

B type USB connector DIN Connector 5P DIN Connector 5P DIN Connector 5P DIN Connector 5P XLR-3-31 type (Balanced) BNC Connector BNC Connector D-SUB Connector 25P (Female) D-SUB Connector 9P (Male) DIN Connector 6P SmartMedia slot D-SUB Connector 15P (Female) DM2000—Owner’s Manual...
Page 350: Connector Pin Assignments

REMOTE Port Signal RX+/GND RX–/RX– RTS/RX+ TX–/TX+ CTS/TX– TX+/GND N.C. 1. RS422 (for AD8HR/AD824)/SONY 9-pin proto- col (P2). DM2000—Owner’s Manual CASCADE OUT Signal Signal OUTPUT 1-2(+) OUTPUT 3-4(+) OUTPUT 5-6(+) OUTPUT 7-8(+) OUTPUT 9-10(+) OUTPUT 11-12(+) OUTPUT 13-14(+) OUTPUT 15-16(+)
Page 351: Dimensions

Dimensions Dimensions 883.2 mm 820.8 mm Speciﬁcations and external appearance subject to change without notice. For European Model Purchaser/User Information speciﬁed in EN55103-1 and EN55103-2. Inrush Current: 31 A Conformed Environment: E1, E2, E3 and E4 DM2000—Owner’s Manual...
Page 352: Appendix C: Midi

Appendix C: MIDI Appendix C: MIDI Scene Memory to Program Change Table Program Initial User Change # Scene # Scene # DM2000 Version 2—Owner’s Manual Program Initial User Change # Scene # Scene # Program Initial User Change# Scene # Scene # —...
Page 353: Initial Parameter To Control Change Table

CHANNEL INPUT8 CHANNEL INPUT9 CHANNEL INPUT10 CHANNEL INPUT11 CHANNEL INPUT12 CHANNEL INPUT13 CHANNEL INPUT14 CHANNEL INPUT15 CHANNEL INPUT16 CHANNEL INPUT17 CHANNEL INPUT18 CHANNEL INPUT19 CHANNEL INPUT20 CHANNEL INPUT21 CHANNEL INPUT22 CHANNEL INPUT23 CHANNEL INPUT24 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 354

FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL DM2000 Version 2—Owner’s Manual HIGH FADER L INPUT25 FADER L INPUT26 FADER L INPUT27 FADER L INPUT28 FADER L INPUT29 FADER L...
Page 355

CHANNEL INPUT56 CHANNEL INPUT57 CHANNEL INPUT58 CHANNEL INPUT59 CHANNEL INPUT60 CHANNEL INPUT61 CHANNEL INPUT62 CHANNEL INPUT63 CHANNEL INPUT64 CHANNEL INPUT65 CHANNEL INPUT66 CHANNEL INPUT67 CHANNEL INPUT68 CHANNEL INPUT69 CHANNEL INPUT70 CHANNEL INPUT71 CHANNEL INPUT72 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 356

CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL DM2000 Version 2—Owner’s Manual HIGH FADER L INPUT73 FADER L INPUT74 FADER L INPUT75 FADER L INPUT76 FADER L INPUT77 INPUT78...
Page 357

MASTER BUS8 MASTER AUX1 MASTER AUX2 MASTER AUX3 MASTER AUX4 MASTER AUX5 MASTER AUX6 MASTER AUX7 MASTER AUX8 MASTER AUX9 MASTER AUX10 MASTER AUX11 MASTER AUX12 MASTER MATRIX1 MASTER MATRIX2 MASTER MATRIX3 MASTER MATRIX4 MASTER STEREO DM2000 Version 2—Owner’s Manual...
Page 358

ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L DM2000 Version 2—Owner’s Manual HIGH INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 INPUT33 INPUT34 INPUT35...
Page 359

NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 360

ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L DM2000 Version 2—Owner’s Manual HIGH INPUT73 INPUT74 INPUT75 INPUT76 INPUT77 INPUT78 INPUT79 INPUT80 INPUT81 INPUT82 INPUT83...
Page 361

INPUT13 DIV R INPUT14 DIV R INPUT15 DIV R INPUT16 DIV R INPUT17 DIV R INPUT18 DIV R INPUT19 DIV R INPUT20 DIV R INPUT21 DIV R INPUT22 DIV R INPUT23 DIV R INPUT24 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 362

LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L DM2000 Version 2—Owner’s Manual HIGH INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 SURROUND INPUT32 SURROUND INPUT33 SURROUND INPUT34...
Page 363

INPUT61 DIV R INPUT62 DIV R INPUT63 DIV R INPUT64 DIV R INPUT65 DIV R INPUT66 DIV R INPUT67 DIV R INPUT68 DIV R INPUT69 DIV R INPUT70 DIV R INPUT71 DIV R INPUT72 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 364

LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L SURROUND LFE L DM2000 Version 2—Owner’s Manual HIGH INPUT73 INPUT74 INPUT75 INPUT76 INPUT77 INPUT78 INPUT79 SURROUND INPUT80 SURROUND INPUT81 SURROUND INPUT82...
Page 365

DEPTH INPUT8 DEPTH INPUT9 DEPTH INPUT10 DEPTH INPUT11 DEPTH INPUT12 DEPTH INPUT13 DEPTH INPUT14 DEPTH INPUT15 DEPTH INPUT16 DEPTH INPUT17 DEPTH INPUT18 DEPTH INPUT19 DEPTH INPUT20 DEPTH INPUT21 DEPTH INPUT22 DEPTH INPUT23 DEPTH INPUT24 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 366

SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND DM2000 Version 2—Owner’s Manual HIGH INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 SURROUND INPUT32 SURROUND INPUT33 SURROUND INPUT34 SURROUND INPUT35 SURROUND INPUT36...
Page 367

DEPTH INPUT56 DEPTH INPUT57 DEPTH INPUT58 DEPTH INPUT59 DEPTH INPUT60 DEPTH INPUT61 DEPTH INPUT62 DEPTH INPUT63 DEPTH INPUT64 DEPTH INPUT65 DEPTH INPUT66 DEPTH INPUT67 DEPTH INPUT68 DEPTH INPUT69 DEPTH INPUT70 DEPTH INPUT71 DEPTH INPUT72 NO ASSIGN DM2000 Version 2—Owner’s Manual...
Page 368

SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND SURROUND DM2000 Version 2—Owner’s Manual HIGH INPUT73 INPUT74 INPUT75 INPUT76 INPUT77 INPUT78 INPUT79 SURROUND INPUT80 SURROUND INPUT81 SURROUND INPUT82 SURROUND INPUT83 SURROUND INPUT84...
Page 369: Midi Data Format

MIDI Data Format In the following tables, “tx” means that transmission from the DM2000 is possible, and “rx” means that receiving messages at the DM2000 is possi- ble. 1. CHANNEL MESSAGE Command rx/tx function 8n NOTE OFF Control the internal effects...
Page 370: Program Change

*1) The second and subsequent STATUS need not be added during transmission. Reception must be implemented so that recep- tion occurs whether or not STATUS is present. DM2000 Version 2—Owner’s Manual 4. PROGRAM CHANGE Reception If [Program Change ECHO] is ON, these messages are echoed.
Page 371: Bulk Dump

7 to 0. CHECK SUM = (-sum)&0x7F The DM2000 can transmit and receive BULK data only if the size of a MIDI packet (F0 - F7) is 4096 bytes or smaller. If large data consists of multiple MIDI packets, they can be transferred se- quentially.
Page 372

11110111 F7 13.3.3 Setup memory bulk dump format Of the setup memory of the DM2000, this bulk-dumps data other than the User defined layer, User define plug-in, User defined keys, User assignable layer, Control change table, and Program change table.
Page 373

SUB STATUS 0000nnnn 0n Universal bulk dump FORMAT No. 01111110 7E data count = ch * 128 + cl COUNT HIGH 0ccccccc ch COUNT LOW 0ccccccc cl 01001100 4C 01001101 4D 00100000 20 00100000 20 00111000 38 01000011 43 DM2000 Version 2—Owner’s Manual...
Page 374

768:STEREO L - 769:STEREO R, 8192:UNDO 256 and up are data for the corresponding channel of the edit buffer (ex- cluding UNDO). For reception by the DM2000, only the user area is valid. (40-199, 256-) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.
Page 375

391:BUS8, 512:AUX1 - 523:AUX12, 640:MATRIX1L - 647:MATRIX4R, 768:STEREO L - 769:STEREO R, 8192:UNDO 256 and following are data for the corresponding channel of the edit buff- er. For reception by the DM2000, only the user area is valid. (36-127, 256-) System exclusive message STATUS...
Page 376

0:Library no.0 - 128:Library no.128, 256:GEQ1 - 261:GEQ6, 8192:UNDO 256-261are the data for the corresponding area of the edit buffer. For reception by the DM2000, only the user area is valid. (1-128, 256-261) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.
Page 377

The second and third bytes of the DATA NAME indicate the library num- ber. 0:Library no.0 - 32:Library no.32, 256:Current data, 8192:UNDO For reception by the DM2000, only the user area is valid. (1-32,256) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.
Page 378

The second and third bytes of the DATA NAME indicate the library num- ber. 0:Library no.0 - 32:Library no.32, 256:Current data, 8192:UNDO For reception by the DM2000, only the user area is valid. (1-32,256) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.
Page 379: Parameter Change

Element no. (If ‘ee’ is 0, ‘ee’ is expanded 0eeeeeee ee to two bytes) Parameter no. 0ppppppp pp Channel no. 0ccccccc cc End of exclusive 11110111 F7 13.4.5 Parameter Address Consult your dealer for parameter address details. DM2000 Version 2—Owner’s Manual...
Page 380

DATA 0ddddddd dd End of exclusive 11110111 F7 DM2000 Version 2—Owner’s Manual (Edit buffer) 13.4.9 Parameter request Reception If [Parameter change RX] is ON and the [Rx CH] matches the Device Number included in the SUB STATUS, these messages are received. If [Pa- rameter change ECHO] is ON, these messages are echoed.
Page 381

If the store destination is 16383 (0x3FFF), this indicates that the library data has been changed by a external cause (such as bulk reception) (only transmitted by the DM2000) *2) This is also transmitted when a program that is not assigned in the [Program Change Table] is recalled.
Page 382

If Studio Manager performs a scene memory sort, it will transmit this data to the DM2000. Transmission When scene memory sort is executed on the DM2000, the memory sort ta- ble will be transmitted to Studio Manager. Studio Manager will sort the memories according to this data.
Page 383

00111110 3E DM2000 MODEL ID 00000110 06 Key remote ADDRESS 00100000 20 Key address H 0kkkkkkk kk Key address M 0kkkkkkk kk Key address L 0kkkkkkk kk Release:0, Press:1 DATA 0ppppppp pp End of exclusive 11110111 F7 DM2000 Version 2—Owner’s Manual...
Page 384

Request must be transmitted continuously minimum within 10 seconds interval. The data is transmitted continuously while the transmission is en- abled, even when the Automix Status on the DM2000 has been changed. Reception This is echoed if [Parameter change ECHO] is ON.
Page 385

SUB STATUS 0011nnnn 3n MODEL ID (digital mixer) GROUP ID 00111110 3E DM2000 MODEL ID 00000110 06 Automix status ADDRESS 00100011 23 0:Transmission request, 0ddddddd dd 0x7F:Transmission stop request End of exclusive 11110111 F7 Format Details DM2000 Version 2—Owner’s Manual...
Page 386: Appendix D: Options

Installation Attach the brackets to the meter bridge. Screw the four ﬁxing screws into the DM2000, but don’t tighten them fully. Align the meter bridge with the four screws, and then tighten the screws. Connect the meter bridge cable to the DM2000’s METER port.
Page 387

[1–4] buttons select the Remote Layers. If the Meter Follow Layer preference is on (see page 276), these Layers are selected auto- matically when the LAYER buttons on the DM2000 are pressed. The [1–48] button selects Input Channels 1–48, and the [49–96] button selects Input Channels 49–96, allowing you to meter up...
Page 388: Sp2000 Wooden Side Panels

Appendix D: Options SP2000 Wooden Side Panels Attach the left side panel as shown below. Attach the right side panel in the same way. DM2000 Version 2—Owner’s Manual...
Page 389: Index

EVENT EDIT page 213 delay 141 EVENT JOB page 209 EQ 131 event list 213 Excluding certain channels 117 FADER EDIT pages 199 fixed mode 110 features 18 follow surround pan 145 inserting events 213 grouping faders 146 DM2000 Version 2—Owner’s Manual Index...
Page 390

155 delay 141 EQ 131 grouping faders 146 grouping mutes 149 inserts 135 level setting 108 DM2000 Version 2—Owner’s Manual metering 129 muting 108 naming 156 pairing 144 patching GEQs 82 patching to 2TR digital outputs 81 patching to input channels 77...
Page 391

95 patching inputs & outputs 83 Pro Tools 226 selecting encoder modes 61 setting aux send levels 111 setting matrix send levels 122 user defined remote layers 254 END button 38 ENTER button 40 DM2000 Version 2—Owner’s Manual...
Page 392

STEREO 34 stereo out level 105 touch sense in/out, automix 200 touch sense select 60 user defined remote layers 254 DM2000 Version 2—Owner’s Manual Fading scenes 189 Fast Meter Fall Time preference 275 FB/MIX control 29 FB/MIX indicators 29 Features 17...
Page 393

Installing I/O cards 71 INTERNAL EFFECTS button 26 Internal effects, plug-ins & GEQs chapter 174 Internal timecode source 201 Internet, yamaha web site 6 Inverse gang mode aux send pan 116 input channel pan 96 Inverting input channel phase 84...
Page 394

MIDI chapter 215 MIDI clock automix timecode source 201 MIDI SETUP page 217 MIDI Warning preference 275 DM2000 Version 2—Owner’s Manual MIDI/TO HOST SETUP page 216 mini YGDAI. See Slots Mix minus 117 Mix solo mode 143 Mix Update Confirmation preference...
Page 395

Port Short Name preference 276 Position, compressors 139 POST button 38 Post/pre. See Pre/post Post-roll, machine control 260 Power cord 51 POWER switch 50 Powering up the DM2000 51 PRE button 37 Pre/post aux sends 111 matrix sends 121 metering 127 solo 143...
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REMOTE port 49 REMOTE port pin assignments 350 REMOTE PORT SETUP page 257 Requesting bulk dump 220 Rerecording an automix 205 DM2000 Version 2—Owner’s Manual RETURN button 36 Return mode, automix 195 RETURN TO ZERO button 38 REV+CHORUS 319 REV+FLANGE 320 REV+SYMPHO.
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145 channel page 101 edit page 100 features 19 joystick 99 selecting modes 97 using 97 Switching on the DM2000 51 SYMPHO 5.1 328 SYMPHONIC 314 Tabs, pages 53 Takeover mode, automix 195 Talkback AD inputs 164...
Page 398

Index Turning on the DM2000 51 Type I/II EQ 134 Undo automix 197 Undo scene memory 186 UPDATE 194 USB TO HOST port 48 drivers 215 MIDI 215 timecode source 201 USER ASSIGNABLE LAYER 269 USER DEFINED KEY ASSIGN page 270 USER DEFINED KEYS 1–16 buttons 37...
Page 399

DM2000 Block Diagram x 24 +48V PHANTOM PEAK INPUT 1(...96) SIGNAL GAIN INPUT (Gain Reduction) METER METER (Out Meter) METER INSERT 4BAND GATE INSERT OUT INSERT AD IN 1(...24) AD Input Keyin INSERT IN 1-24 12ch Group(1-12,1 3-24...) AUX 1-12...
Page 400

DM2000 Level Diagram Analog Digital Analog Digital INPUT GAIN INSERT PHASE PATCH dBFS Max. Input [+24dBu] [+18dBu] –10 [+10dBu] Nominal [+4dBu] –20 Input GAIN MIN., PAD ON –30 –10 –40 –20 –50 –30 –60 –40 Max. Input [–46dBu] –70 –50 Nominal –80...
Page 401: Midi Implementation Chart

YAMAHA [Digital Mixing Console-Internal Parameters] Model: DM2000 Function... Basic Default Channel Changed Default Mode Messages Altered Note :True Voice Number Note On Velocity Note Off After Key’s Touch Ch’s Pitch Bend Control 0-95,102-119 Change Prog Change :True# System Exclusive :Song Pos...
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For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

This manual also for:

Dm2000