Alesis ANDROMEDA A6 Reference Manual page 168

16-voice real analog synthesizer
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Chapter 6: Modulation and Envelopes
EXAMPLE 2: BI-POLAR with OFFSET plus LEVEL Changes
Time
DELAY
Time
ATTACK
Attack
SHAPE
D1TIME
Decay1
SHAPE
D2LEVL
D2TIME
Decay2
SHAPE
SUSTAIN
Level
R1TIME
Release1
SHAPE
R2LEVL
R2TIME
Release2
SHAPE
Envelope
OFFSET
Envelope
LEVEL
Envelope
POLAR
This example shows the relationship between the Offset and the envelope's Attack
and Release2 stages. Notice that the envelope will always begin from the "0-plus-
Offset" level. Likewise, Release 2 will always end at the same level where the
envelope started. In this example, Offset is -35, shifting the envelope downward.
Thus the envelope starts below 0 and rises from there during Attack.
This example also shows how the envelope's Level is used to increase the amplitude
of the envelope when Offset is used. Since the Offset is set to
Level is set to
no stages above the 0 line can exceed that value.
The stage Levels do not behave exactly as they appear in the illustration. This is
because the envelope Level is set to
Level is set to
Offset by
-35
about
where it appears in the illustration.
60
166
(no Delay stage)
OFF
4.82 S
LOG 1
2.34 S
EXP 2
Set to
but is effectively
79
4.50 S
EXP 1
23
2.92 S
LINEAR
Set to
but is effectively
72
3.92 S
LOG 1
-35
100
POSWAV
, the Attack Stage actually reaches its maximum point at
100
100
79
(more than 3/4 between 0 and the maximum). But because it is
and amplified by
the the resulting level (internally calculated) is
100
after adjusting for Offset
60
after adjusting for Offset
50
-35
and the Offset to
. For example, Decay 2
-35
A
A6 R
NDROMEDA
and the envelope
, and
+65
M
EFERENCE
ANUAL

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