Recorder Setup; Record Input - DigiTech GeNetX BNX3 User Manual

Bass workstation
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Recorder Setup

Before you begin recording your first song, you will want to become acquainted with the recorder Setup
functions. Setup functions include: Record Input, Stereo Record, Click Track, Drum Pattern,Tempo, Drum
Level, Pre-Roll, Song Repeat, Auto Stop, Quantize, Record Quality, Card>PC, Int>Card, and Erase? . These
functions dictate how the recorder works for each song. Each song can have these functions setup in
different ways so that you can customize how the recorder works depending on your needs.

Record Input

The BNX3's recorder has several input routing configurations that are used for getting your bass, voice,
or external music into the recorder. Each of these is specifically designed for a specific recording purpose
and is outlined below with application tips.
Note: The bass input is always active regardless of the selected input configuration with the exception of
Re-Amp.
BASS
– Select this input when only bass tracks are being recorded. The Mic and CD inputs are disabled
when this input configuration is selected.
bass+cd
– Select this input for recording a source using the Jam-a-long/CD input. All stereo sources are
summed to mono using this input.
B>1 M>2
– This input records the bass on one track and the mic input on another. This input records
mono bass on the first track, and the mic input on the second track when both tracks are armed before
recording begins. This input is great for bassist/singers who like to sing as they play. This input can also
be used for recording stereo signals into the BNX3's recorder. By properly setting the Mic Level and
using a 1/4" to XLR impedance (DI) box, you can run one side of the stereo signal into the Bass input
and the other side through the XLR Mic input. These two signals are recorded on separate tracks,
preserving the left/right stereo image.
B+MICDDRY
– Select this input when you want to record a dry, unprocessed vocal or acoustic instrument
into the BNX3's recorder. Both the bass and mic are recorded on the same track(s) armed for
recording.
B+MICREV
– This input routes the mic input through the reverb of the BNX3's current preset. You can
modify reverb settings by editing the reverb parameters of the preset (see section Editing a Preset). If the
reverb is off in the current preset, the effect is not heard. Both the bass and mic are recorded on the
same track(s) armed for recording.
B+MICMOD
– Select this input to route the mic input through the Chorus/Mod, Delay, and Reverb
modules of the BNX3's current preset. You can modify the chorus/mod, delay, and reverb settings by
editing these parameters within the current preset (see section Editing a Preset). If these effects are
turned off in the current preset, the effects are not heard. Both the bass and mic are recorded on the
same track(s) armed for recording.
B+MIC FX
– Select this input to route the mic input through the all of the effects, including amp
modeling, of the BNX3's current preset. You can modify the effect and amp modeling settings by editing
the parameters of the preset (see section Editing a Preset). Both bass and mic are recorded on the same
track(s) armed for recording.
Recorder
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