Yamaha Electone STAGEA ELS-01C Owner's Manual page 32

ELS-01C/01X (VA)
Voice Name
VA ACOUSTIC
V-Flute 1
2
V-Flute 2
V-Ocarina
V-Oboe
V-Clarinet
V-Soprano Sax
1
V-Alto Sax 1
V-Alto Sax 2
V-Tenor Sax 1
V-Tenor Sax 2
V-Breath Sax 1
V-Breath Sax 2
V-Trumpet 1
V-Trumpet 2
V-Trumpet 3
V-Muted Trumpet
V-Trombone
2
V-High Trombone
V-Shakuhachi
V-Erhu
V-Sitar
VA VIRTUAL
V-Pan Pipe 1
V-Pan Pipe 2
V-Bamboo
V-Bottle
V-Floboe
1
V-Alt Kwek
V-Tin Whistle
V-India
V-East
V-Zag
V-Asian Pluck
V-Air Reed 1
V-Air Reed 2
V-Airphone
V-Thin Reed
V-Harmophone
2
V-Saxonica
V-Grass Reed
V-Soft Reed 1
V-Soft Reed 2
V-Troppo
V-Buzz String
V-Bow String
3
V-String Bow
V-Cosmosis
32 ELS-01/01C/01X Owner's Manual
Range
G2 – A6 Flute with breath and other noises, which may squeak in higher registers. Setting the Touch Tone
(After) higher and applying keyboard pressure can recreate flutter tonguing.
C2 – C6 Flute suited for legato playing. Setting the User Vibrato depth to higher values has a nice effect.
C3 – C6 Soft ocarina.
C3 – F5 Wider dynamic range with the Touch Tone effect.
D2 – F5 Playing pianissimo creates breath noises, while playing fortissimo creates a brighter sound with
slightly lower pitch.
A#2 – D5 Rounder and softer soprano saxophone.
D#2 – G4 A bright alto saxophone for contemporary music. You can make the sound 'break up' as if
overblowing the instrument by setting After Touch to maximum and applying pressure to the key.
C2 – E4 Alto saxophone suited for fusion music. Playing legato creates squeaky attack sounds and high
After Touch settings produce an overblowing effect.
A#2 – C4 Multi-purpose tenor saxophone. Soft in pianissimo and brighter in fortissimo.
C1 – G4 Soft tenor saxophone suited for jazz. Playing Legato creates squeaky attack sounds.
A#2 – C4 Soft, breathy tenor saxophone suited for slow tempo music.
C2 – E4 Brighter, breathy tenor saxophone suited for jazz.
A#2 – A#4 Soft trumpet. Slides and glissandos can be created with Horizontal Touch.
C2 – C5 Trumpet with characteristic attack sound. Lip slurs can be created by changing the pitch.
G2 – C5 Soft trumpet. Applying slight keyboard pressure produces breath noise.
A#2 – A#4 Cup-muted trumpet.
E1 – G3 Slides and glissandos can be created with Horizontal Touch. Also, high After Touch settings
produce an overblowing effect.
C2 – C5 Brighter trombone suited for high notes.
--- Higher Touch Tone (After) setting increases breath noise and also squeaks the sound.
--- Playing with softer touch produces hoarse sounds.
--- Playing with harder touch squeaks the sounds.
E2 – G5 Setting the Touch Tone (After) higher and applying keyboard pressure can result in flutter tonguing.
C1 – C6 Panpipe flute sound. After and Initial Touch affect the pitch and timbre.
C1 – C6 Bamboo panpipe sound with breath noise. After Touch changes the pitch dynamically.
C1 – C6 Sound of blowing a bottle. Playing trills over a wide interval range creates a squeaky attack sound.
F2 – C7 A hybrid sound combining oboe and saxophone.
C3 – C7 A hybrid sound grafting an oboe reed onto a piccolo, with a distinctive pitch change in the low
registers.
C2 – C7 Sound of a small flute. Playing with softer touch produces breath noise.
--- Percussive sitar sound.
G1 – C5 Sitar with resonance and reverberation.
--- Simulation of a bowed ethnic instrument. Playing legato brings out higher octave sounds.
C1 – G6 Plucked ethnic instrument. Using Initial Touch brings out higher octave sounds.
A2 – C5 A hybrid sound grafting an oboe reed onto a saxophone. High After Touch settings produce an
overblowing effect.
E2 – C5 A hybrid sound combining a conventional flute with panpipes.
A2 – C5 A hybrid sound grafting an oboe reed onto a soprano saxophone.
E2 – G5 A hybrid sound grafting a clarinet mouthpiece onto a flute. High After Touch settings produce an
overblowing effect.
G1 – G5 A hybrid sound combining a harmonica and saxophone. Depending on use of Touch Tone, both
breath noise and a bright clear sound can be produced.
G2 – G5 Harmonica sound resembling an alto saxophone. Playing with soft touch results in a high-pitched
sound.
E2 – G5 A hybrid sound grafting a bassoon reed onto a brass wind instrument. After Touch changes the
pitch.
A2 – G5 A hybrid sound grafting a clarinet mouthpiece to a brass wind instrument.
C1 – C6
A hybrid sound grafting a bassoon reed onto a soprano saxophone; includes breath noise.
E1 – C6 Thick bassoon sound. After Touch changes the pitch dynamically, and applying keyboard
pressure more produces wind noise.
A2 – F5 Simulation of a hybrid bowed-wind instrument.
E1 – E6 Artificial synthesized strings sound.
C1 – C6 Simulation of a slow-attacked violin bowed with something other than a violin bow. Playing trills
over a wide interval range creates a squeaky attack sound.
C1 – G5 Bowed strings. Initial Touch affects the attack sound.
Description