Amp Simulate - Yamaha 01V96i Reference Manual

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Appendix: Parameter Lists
ROTARY
One input, two output rotary speaker simulator.
Parameter Range
ROTATE STOP, START
SPEED SLOW, FAST
SLOW 0.05–10.00 Hz
FAST 0.05–10.00 Hz
DRIVE 0–100
ACCEL 0–10
LOW 0–100
HIGH 0–100
RING MOD.
Two input, two output ring modulator.
Parameter Range
SOURCE OSC, SELF
OSC FREQ 0.0–5000.0 Hz
FM FREQ. 0.05–40.00 Hz
FM DEPTH 0–100%
SYNC OFF, ON
1
NOTE FM
1.
MOD. FILTER
Two input, two output modulation filter.
Parameter Range
FREQ. 0.05–40.00 Hz
DEPTH 0–100%
0.00–354.38
PHASE
degrees
TYPE LPF, HPF, BPF
OFFSET 0–100
RESO. 0–20
LEVEL 0–100
SYNC OFF, ON
1
NOTE
1.
DISTORTION
One input, two output distortion effect.
Parameter Range
DST1, DST2,
DST TYPE OVD1, OVD2,
CRUNCH
DRIVE 0–100
MASTER 0–100
TONE –10 to +10
N. GATE 0–20
01V96i—Reference Manual
Description
Rotation stop, start
Rotation speed (see SLOW and
FAST parameters)
SLOW rotation speed
FAST rotation speed
Overdrive level
Acceleration at speed changes
Low-frequency filter
High-frequency filter
Description
Modulation source: oscillator or
input signal
Oscillator frequency
Oscillator frequency modulation
speed
Oscillator frequency modulation
depth
Tempo parameter sync on/off
Used in conjunction with TEMPO
to determine FM FREQ.
Description
Modulation speed
Modulation depth
Left-channel modulation and
right-channel modulation phase
difference
Filter type: low pass, high pass,
band pass
Filter frequency offset
Filter resonance
Output level
Tempo parameter sync on/off
Used in conjunction with TEMPO
to determine FREQ.
Description
Distortion type (DST = distor-
tion, OVD = overdrive)
Distortion drive
Master volume
Tone
Noise reduction

AMP SIMULATE

One input, two output guitar amp simulator.
Parameter Range
1
AMP TYPE
DST1, DST2,
DST TYPE OVD1, OVD2,
CRUNCH
DRIVE 0–100
MASTER 0–100
BASS 0–100
MIDDLE 0–100
TREBLE 0–100
CAB DEP 0–100%
EQ F 100–8.00 kHz
EQ G –12.0 to +12.0 dB
EQ Q 10.0–0.10
N. GATE 0–20
1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR,
CMB-DX, CMB-TW, MINI, FLAT
DYNA. FILTER
Two input, two output dynamically controlled filter.
Parameter Range
SOURCE INPUT, MIDI
SENSE 0–100
DIR. UP, DOWN
1
DECAY
TYPE LPF, HPF, BPF
OFFSET 0–100
RESO. 0–20
LEVEL 0–100
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
DYNA. FLANGE
Two input, two output dynamically controlled
flanger.
Parameter Range
SOURCE INPUT, MIDI
SENSE 0–100
DIR. UP, DOWN
1
DECAY
OFFSET 0–100
FB.GAIN –99 to +99%
LSH F 21.2 Hz–8.00 kHz
LSH G –12.0 to +12.0 dB
EQ F 100 Hz–8.00 kHz
EQ G –12.0 to +12.0 dB
EQ Q 10.0–0.10
HSH F 50.0 Hz–16.0 kHz
HSH G –12.0 to +12.0 dB
1. 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
Description
Guitar amp simulation type
Distortion type (DST = distor-
tion, OVD = overdrive)
Distortion drive
Master volume
Bass tone control
Middle tone control
High tone control
Speaker cabinet simulation
depth
Parametric equalizer frequency
Parametric equalizer gain
Parametric equalizer bandwidth
Noise reduction
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward fre-
quency change
Filter frequency change decay
speed
Filter type
Filter frequency offset
Filter resonance
Output Level
Description
Control source: input signal or
MIDI Note On velocity
Sensitivity
Upward or downward fre-
quency change
Decay speed
Delay time offset
Feedback gain (plus values for
normal-phase feedback, minus
values for reverse-phase feed-
back)
Low shelving filter frequency
Low shelving filter gain
EQ (peaking type) frequency
EQ (peaking type) gain
EQ (peaking type) bandwidth
High shelving filter frequency
High shelving filter gain