PRESONUS StudioLive III Series Owner's Manual page 207

13 Resources
13.6 Using Input Delay
PREAMP PAN GATE COMP HIPASS EQ EQ
Gain Thresh Thresh Filter Gain Freq
0 dB L18 -84.00 dB 0.00 dB 34 Hz 5.71 dB 130.0 Hz
Center Gate Comp
LIMITER MONO DELAY
Thresh
Send
5.71 dB 0.00 dB 5.5 ms
Lim
Aligning Direct and Mic'd Signals
13.6.2
5. Press the guitar channel's Select button.
按吉他通道的 "Select"按钮。
6. Press the Input button in the Fat Channel.
按Fat Channel中的 Input 按钮。
7. Press the Next Page button in the Fat Channel to move to the second page of the
Fat Channel Input layer.
EQ
Q
0.60
Note: StudioLive 32SXand 32SC users must set the Input Delay from the Touch
Display.
按 Fat Channel中的 Next Page按钮，移到Fat Channel Input层的第二页。
注意： StudioLive 32SX 和 32SC 用户，必须从 Touch Display 上设置 Input Delay 。
8. Use the third encoder to the input delay to 5.5 ms.
使用第三个编码器，将输入延迟改为 5.5ms。
9. Ask your guitarist to play a staccato pulse and listen for any remaining flamming.
Move up or down 0.1 ms until you hear the tightest sound.
请吉他手弹奏断音弹奏，听一听是否有剩余的颤音。向上或向下移动0.1毫秒，
直到你听到最结实的声音。
When combining a direct input signal with a mic'd signal from a single source, the
direct sound will arrive earlier than the microphone's signal because the latter's
source has to travel some distance through the air before reaching the microphone.
This results in the two signals being out of phase with respect to each other. This
problem can sometimes be corrected by alternatively flipping polarity on the direct
and microphone channels to find which combination of the two signals provides the
desired result. However, by using input delay it is possible to achieve a closer, more
accurate phase relationship.
当把直接输入信号和来自单一的麦克风信号结合起来时，会比麦克风信号更早
到达，因为后者的信号源在到达麦克风之前，要在空气中走一段距离。 这就导
致了两个信号之间的相位不一致。这个问题有时可以通过交替翻转直达和麦克
风通道的极性来纠正，以找到这两个信号的组合提供所需的结果。然而，通过
使用输入延迟，有可能实现更接近、更准确的相位关系。
StudioLive™ Series III
Owner's Manual
133