Roland Fantom-Xa Owner's Manual page 187

76: FLANGER → DELAY
fig.MFX-76
Balance D
L in
Feedback
Balance W
Flanger
Balance W
R in
Balance D
Parameter Value
Flanger Pre 0.0–100.0 ms
Delay
Flanger Rate # 0.05–10.00 Hz, note
Flanger Depth 0–127
Flanger -98– +98 %
Feedback #
Flanger D100:0W–D0:100W
Balance #
Delay Time 0–2600 ms, note
Delay -98– +98 %
Feedback #
Delay HF 200–8000 Hz,
Damp BYPASS
Delay D100:0W–D0:100W
Balance #
Level 0–127
77: CHORUS → FLANGER
fig.MFX-77
Balance D
L in
Balance W
Chorus
Balance W
R in
Balance D
Parameter Value
Chorus Pre 0.0–100.0 ms
Delay
Chorus Rate # 0.05–10.00 Hz, note
Chorus Depth 0–127
Chorus D100:0W–D0:100W
Balance #
Flanger Pre 0.0–100.0 ms
Delay
Flanger Rate # 0.05–10.00 Hz, note
Flanger Depth 0–127
L out
Balance D
Balance W
Delay
Balance W
Feedback
R out
Balance D
Explanation
Adjusts the delay time from
when the direct sound begins
until the flanger sound is
heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Volume balance between the
direct sound (D) and the
flanger sound (W)
Adjusts the delay time from
the direct sound until the delay
sound is heard.
Adjusts the proportion of the
delay sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
Adjusts the volume balance be-
tween the sound that is sent
through the delay (W) and the
sound that is not sent through
the delay (D).
Output Level
Balance D
L out
Feedback
Balance W
Flanger
Balance W
R out
Balance D
Explanation
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Modulation frequency of the
chorus effect
Modulation depth of the chorus
effect
Volume balance between the di-
rect sound (D) and the chorus
sound (W)
Adjusts the delay time from
when the direct sound begins
until the flanger sound is heard.
Modulation frequency of the
flanger effect
Modulation depth of the flanger
effect
Parameter Value
Flanger -98– +98 %
Feedback #
Flanger D100:0W–D0:100W
Balance #
Level 0–127
78: SYMPATHETIC RESONANCE
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these
sympathetic resonances.
fig.MFX-78
L in
Syn. Resonance
R in
Parameter Value
Depth # 0–127
Damper # 0–127
Pre LPF 16–15000 Hz,
BYPASS
Pre HPF BYPASS,
16–15000 Hz
Peaking Freq 200–8000 Hz
Peaking Gain -15– +15 dB
Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0
HF Damp 16–15000 Hz,
BYPASS
LF Damp BYPASS,
16–15000 Hz
Lid 1–6
EQ Low Freq 200, 400 Hz
EQ Low Gain -15– +15 dB
EQ Mid Freq 200–8000 Hz
EQ Mid Gain -15– +15 dB
EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0
EQ High Freq 2000, 4000, 8000 Hz
EQ High Gain -15–+15 dB
Level 0–127
Adding Effects
Explanation
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Adjusts the volume balance be-
tween the sound that is sent
through the flanger (W) and the
sound that is not sent through
the flanger (D).
Output Level
3-Band
L out
EQ
3-Band
R out
EQ
Explanation
Depth of the effect
Depth to which the damper ped-
al is pressed (controls the reso-
nant sound)
Frequency of the filter that cuts
the high-frequency content of the
input sound (BYPASS: no cut)
Frequency of the filter that cuts
the low-frequency content of the
input sound (BYPASS: no cut)
Frequency of the filter that
boosts/cuts a specific frequency
region of the input sound
Amount of boost/cut produced
by the filter at the specified fre-
quency region of the input sound
Width of the frequency region
boosted/cut by the 'Peaking
Gain' parameter (larger values
make the region narrower)
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no
cut)
Frequency at which the low-fre-
quency content of the resonant
sound will be cut (BYPASS: no
cut)
This simulates the actual chang-
es in sound that occur when the
lid of a grand piano is set at dif-
ferent heights.
Frequency of the low-range EQ
Amount of low-range boost/cut
Frequency of the midrange EQ
Amount of midrange boost/cut
Width of midrange (larger val-
ues make the region narrower)
Frequency of the high-range EQ
Amount of high-range boost/cut
Output Level
187