Roland Fantom-Xa Owner's Manual
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Roland Fantom-Xa Owner's Manual

Roland Fantom-Xa Owner's Manual

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Download this manual See also: Workshop Manual, Feature Manual
Owner's Manual
Thank you, and congratulations on your choice of the Roland Fantom-Xa.
201a
Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY"
and "IMPORTANT NOTES" (p. 2; p. 4). These sections provide important information
concerning the proper operation of the unit. Additionally, in order to feel assured that
you have gained a good grasp of every feature provided by your new unit, Owner's
manual should be read in its entirety. The manual should be saved and kept on hand as
a convenient reference.

Listening to the Demo Song

fig.Cover.e
1
1.
Hold down [SHIFT] and press [MENU].
2.
Use [CURSOR] to select a song.
3.
Press [ENTER] to start demo song playback.
To stop the song, press [EXIT].
985
*
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your
unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may
not always match what appears in the manual.
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
2. Select
3. Play
Stop

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  • Page 1: Listening To The Demo Song

    Owner’s Manual Thank you, and congratulations on your choice of the Roland Fantom-Xa. 201a Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (p. 2; p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s...

  • Page 2: Using The Unit Safely

    • When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you...
  • Page 3 The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. 101c • This unit for use only with Roland stand KS-12. Use with other stands (or carts) is capable of resulting in instability causing possible injury. 102c •...

  • Page 4: Important Notes

    • Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precau- tions.

  • Page 5: Using Memory Cards

    * SmartMedia is a trademark of Toshiba Corp. * CompactFlash and are trademarks of SanDisk Corpo- ration and licensed by CompactFlash association. * Roland Corporation is an authorized licensee of the ™ CompactFlash and CF logo ( ) trademarks.

  • Page 6: Table Of Contents

    Adjusting the Display Contrast (LCD Contrast)... 16 Listening to the Demo Songs ...17 Various Performance Features...18 Overview of the Fantom-Xa...19 How the Fantom-Xa Is Organized ... 19 About Memory... 21 About the Onboard Effects ... 22 About the Sequencer ... 23 About the Sampling Section...
  • Page 7 Creating a Rhythm Set ...55 How to Make Rhythm Set Settings ... 55 Saving Rhythm Sets You’ve Created (Write) ... 57 Functions of Rhythm Set Parameters ... 58 Playing in Performance Mode...66 Displaying PERFORM LAYER Screen ... 66 Displaying PERFORM MIXER Screen... 66 Functions in the PERFORMANCE LAYER/MIXER Screen ...
  • Page 8 Contents Sampling...100 Sampling Procedure... 100 External Input Settings ... 101 Skip Back Sampling... 103 Editing a Sample ...104 Sample List ... 104 Sample Edit ... 106 Assigning Samples to a Pad (Assign to Pad)... 112 Assigning a Sample as a Patch to a Part (Assign to Keyboard)... 113 Create a Rhythm Set (Create Rhythm) ...
  • Page 9 Adding Effects...157 Turning Effects On and Off... 157 Making Effect Settings ... 157 Applying Effects in Patch Mode ... 158 Applying Effects in Performance Mode... 160 Making Multi-Effects Settings (MFX1–3) ... 162 Making Multi-Effects Settings (MFX Control) ... 162 Specifying the Multi-Effects Structure (MFX Structure)... 163 Multi-Effects Parameters ...
  • Page 10 Contents Installing the Wave Expansion Board...214 Cautions When Installing a Wave Expansion Board ... 214 How to Install a Wave Expansion Board ... 214 Checking the Installed Wave Expansion Board... 215 Expanding the Memory ...216 Precautions for Expanding Memory ... 216 How to Expand the Memory ...

  • Page 11: Main Features

    In addition, songs you created on your computer-based sequencer (SMF format) can be transferred via PC card or USB into the Fantom-Xa, and used to play backing tracks while you play live on stage. Trigger/Category pads The Trigger/Category pads are a convenient feature that can also be used as a numeric key pad.

  • Page 12: Panel Descriptions

    You can use the D Beam controller to control the sounding of the pads (p. 82). [SOLO SYNTH] Play the Fantom-Xa as a monophonic synthesizer (p. 81). [ASSIGNABLE] You can assign a variety of parameters and functions to D Beam to modify the sound in realtime (p.
  • Page 13 [CHORD MEMORY] Switches the CHORD MEMORY on/off (p. 92). [RPS] Switches RPS on/off (p. 154). * Hold down [SHIFT] and press [CHORD MEMORY] or [RPS] to access the CHORD MEMORY or RPS setting screen. Display This displays information regarding the operation you are performing.

  • Page 14: Rear Panel

    If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. Unsuitable places for connection •...

  • Page 15: Getting Ready

    If you’re using a mono system, however, make your connections to the Fantom-Xa’s OUTPUT A (MIX) jack L (MONO). * Audio cables are not included with the Fantom-Xa. You’ll need to provide them. fig.Connect.e to the Power Outlet...

  • Page 16: Turning On/Off The Power

    Before turning on the Fantom-Xa’s power, consider these two questions: • Are all devices connected properly? • Have the volume controls of the Fantom-Xa and all connected audio devices been turned to their lowest settings? Turn on the POWER ON switch located on the rear panel of the Fantom-Xa.

  • Page 17: Listening To The Demo Songs

    Listening to the Demo Songs The internal demo songs will feature the Fantom-Xa’s exceptional sounds and effects. Press [MENU] to open the Top Menu Window. fig.TopMenu Press to select “6. Demo Play.” fig.DemoPlay Press [ENTER]. The DEMO MENU screen appears.

  • Page 18: Various Performance Features

    Various Performance Features Velocity The velocity—the force with which you play the keyboard—can affect the volume or timbre of a sound. Pitch Bend/Modulation Lever While playing the keyboard, move the lever to the left to lower the pitch of the currently selected patch, or to the right to raise its pitch (pitch bend).

  • Page 19: Overview Of The Fantom-Xa

    Samples you record can be used in the same way as the waveforms that are built into the internal sound generator (p. 100). The Fantom-Xa can load WAV or AIFF format wave files as samples via a USB connection. Loaded sample can be used in patches or rhythm sets.

  • Page 20: Rhythm Sets

    LFO (Low Frequency Oscillator) Use the LFO to create cyclic changes (modulation) in a sound. The Fantom-Xa has two LFOs. You can use the LFO to apply an effect to either the WG (pitch), the TVF (filter), or the TVA (volume). When an LFO is applied to the WG pitch, a vibrato effect is produced.

  • Page 21: About Simultaneous Polyphony

    Calculating the Number of Voices Being Used The Fantom-Xa is able to play up to 128 notes simultaneously. The polyphony, or the number of voices (sounds) does not refer only to the number of patches actually being played, but changes according to the number of tones used in the patches, and the number of waves used in the tones.

  • Page 22: Memory Card

    GM2). Wave Expansion Board (SRX Series) The Fantom-Xa can be equipped with a Wave Expansion Board (SRX series; sold separately). Wave Expansion Boards contain Wave data, as well as patches and rhythm sets that use this Wave data, which can be called directly into the temporary area and played.

  • Page 23: About The Sequencer

    Multi-Effects What Is a Song? For the Fantom-Xa, musical performance data for one song or composition is referred to as a song. A song combines sequencer data recorded on Phrase tracks 1–16, a Tempo track, a Beat track and a Pattern, as discussed below.

  • Page 24: Tempo Track

    ( ) is a file name extension that distinguishes the different file types. Song File (.SVQ) This file is a song created on the Fantom-Xa. It is called an MRC Pro song. Standard MIDI File (.MID) Standard MIDI File is a standard file format that allows sequencer data to be exchanged between most musical applications.

  • Page 25: About The Sampling Section

    Samples A sample contains the waveform data sampled by the Fantom-Xa. In addition to the actual waveform data itself, a sample also contains parameters such as start point, loop start, and loop end. The Fantom- Xa can hold 9,000 samples (User: 2000, Card: 7000).

  • Page 26: Basic Operation Of The Fantom-Xa

    Basic Operation of the Fantom-Xa Switching the Sound Generator Mode The Fantom-Xa has two sound generating modes: Patch mode, Performance mode. You can select the sound generating mode (state) that is most appropriate for how you are playing the Fantom- Use the following procedure to switch between these modes.

  • Page 27: Moving The Cursor

    To change the value, use the VALUE dial or the [INC] [DEC] buttons. fig.VALUE In each screen of the Fantom-Xa, you can use the cursor buttons to move the area displayed as highlighted, and modify its value. * Each parameter has its own range of possible values, so you cannot set any value smaller than the minimum value or greater than the maximum value.

  • Page 28: Assigning A Name

    Basic Operation of the Fantom-Xa Assigning a Name On the Fantom-Xa, you can assign names to each patch, rhythm set, performance, Song, Sample, and Pattern. The procedure is the same for any type of data. fig.PatchName Press to move the cursor to the location where you wish to input a character.

  • Page 29: Playing In Patch Mode

    Press [PATCH/RHYTHM]. You will enter Patch mode, and the PATCH PLAY screen appears. fig.PatchPlay Keyboard Part and Pad Part The Fantom-Xa has two parts; a Keyboard part and a Pad part. • Press [F1 (KBD)] to select the Keyboard part. fig.KbdPart Patch group Patch number...

  • Page 30: Selecting A Patch

    USER This is the group inside the Fantom-Xa which can be rewritten. Patches you yourself create can be stored in this group. The Fantom- Xa includes 256 preset patches and 32 rhythm sets.

  • Page 31: Selecting Favorite Patches/Rhythm Sets (Favorite Patch)

    VALUE dial to select a patch/rhythm set. Press [ENTER] to return to the PATCH PLAY screen. Auditioning Patches/Rhythm Sets (Phrase Preview) The Fantom-Xa allows you to preview patches by hearing a phrase appropriate for each type of patch. Press [PATCH/RHYTHM] to access the PATCH PLAY screen.

  • Page 32: Selecting Patches By Category

    Playing in Patch Mode Selecting Patches by Category The Fantom-Xa allows you to specify a type (category) of patch so that you can quickly find the desired patch. There are a total of 38 categories. Press [PATCH/RHYTHM] to access the PATCH PLAY screen.

  • Page 33: Transposing The Keyboard In Octave Units (Octave Shift)

    • If you press both buttons simultaneously, the amount of movement will be zero. fig.OctaveShift There is a single Octave Shift setting (Setup parameter) for the entire Fantom-Xa. The changed setting will be remembered even if you switch patches or performances. Playing in Patch Mode Transposing the Keyboard...

  • Page 34: Playing Single Notes (Monophonic)

    Controlled by the Realtime Controllers or D Beam Controller (Control Setting) The Fantom-Xa lets you assign the parameters that will be affected when you operate the realtime control knobs, assignable switches, D Beam, pitch bend, or modulation lever. This lets you modify the sound in a variety of ways by operating the controllers.

  • Page 35: Creating A Patch

    Creating a Patch With the Fantom-Xa, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing.

  • Page 36: The Compare Function

    * The Initialize operation will affect only the currently selected sound; the sounds that are stored in user memory will not be affected. If you wish to restore all of the Fantom-Xa’s settings to their factory values, perform a Factory Reset (p. 203).

  • Page 37: Saving Patches You've Created (Write)

    * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. One-shot Waveform and Loop Waveform The internal waveforms of the Fantom-Xa fall into the following two groups. One-shot: These waveforms contain sounds that have short decays. A one-shot waveform records the initial rise and fall of the sound.

  • Page 38: Functions Of Patch Parameters

    Creating a Patch Functions of Patch Parameters Changing How a Tone Is Sounded (Structure) Parameter Value Struct 1 & 2, 3 & 4 TYPE 01–TYPE 10 (Structure Type) TYPE 1 TONE 1 (3) TONE 2 (4) With this type, tones 1 and 2 (or 3 and 4) are independent. Use this type when you want to preserve PCM sounds or create and combine sounds for each tone.

  • Page 39: Ring Modulator

    * If you limit the keyboard area in which a tone will sound (Keyboard Range, p. 42) or limit the range of velocities for which it will sound (Velocity Range, p. 42), the result in areas or ranges where the tone does not sound is just as if the tone had been turned off. This means that if TYPE 2–10 is selected and you create a keyboard area or velocity range in which one tone of a pair does not sound, notes played in that area or range will be sounded by the other tone as TYPE 1 regardless of the displayed setting.

  • Page 40: Settings Common To The Entire Patch

    Creating a Patch Parameter Group [F1 (COMMON)] Settings Common to the Entire Patch [F1 (GENERAL)] Parameter Value Patch Category Refer to p. 32. Patch Level 0–127 Patch Pan L64–0–63R Patch Priority LAST, LOUDEST Octave Shift -3– +3 Patch Coarse Tune ★ -48–...
  • Page 41 [F3 (PORTMNT)] Portamento is an effect which smoothly changes the pitch from the first-played key to the next-played key. Parameter Value Portamento Switch OFF, ON Portamento Mode NORMAL, LEGATO Portamento Type RATE, TIME Portamento Start PITCH, NOTE Portamento Time 0–127 fig.PortaStart.e Portamento Start: PITCH Pitch...
  • Page 42 Creating a Patch [F5 (KEY RNG)] (TMT KEY RANGE) You can use the note number to control the way each Tone is played. fig.TMT-K.e The tone sounded Level in the lower range Key Fade Lower Key Range Lower Parameter Value Key Fade Lower 0–127 Key Range Lower...

  • Page 43: Phrase Loop

    Parameter Group [F2 (WG)] Modifying Waveforms/Pitch/Pitch Envelope [F1 (WG PRM)] Parameter Value Wave Group INT, EXP, SAMP, MSAM Wave Bank PRST, USER, CARD Wave No. L (Mono) ----, 1–1228 Wave No. R Wave Gain -6, 0, +6, +12 Wave Tempo Sync OFF, ON Phrase Loop Phrase loop refers to the repeated playback of a phrase that’s...
  • Page 44 Creating a Patch [F2 (PITCH)] Parameter Value Explanation Tone Coarse Tune ★ -48– +48 Pitch of the tone’s sound (in semitones, +/-4 octaves) Tone Fine Tune ★ -50– +50 Pitch of the tone’s sound (in 1-cent steps; one cent is 1/100th of a semitone) Rand Pitch Depth 0–1200 Width of random pitch deviation that will occur each time a key is pressed (in 1-cent steps)
  • Page 45 Parameter Group [F3 (TVF)] Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. [F1 (TVF PRM)] Parameter Value Explanation Filter Type OFF, Type of filter LPF,...
  • Page 46 Creating a Patch Parameter Value Explanation Cutoff V-Curve FIX, 1–7 Curve that determines how keyboard playing dynamics (velocity) will affect the cutoff frequency Set this to “FIX” if you don’t want the Cutoff frequency to be affected by the keyboard velocity. Cutoff V-Sens -63–...
  • Page 47 Parameter Group [F4 (TVA)] Adjusting the Volume (TVA/TVA Envelope) [F1 (TVA PRM)] Parameter Value Explanation Tone Level ★ 0–127 Volume of the tone. Level V-Curve FIX, 1–7 Curve that determines how keyboard playing dynamics (velocity) will affect the volume Level V-Sens -63–...
  • Page 48 Creating a Patch Parameter Value Explanation Random Pan Depth 0–63 Use this parameter when you want the stereo location to change randomly each time you press a key. Alter Pan Depth L63–0–63R This setting causes panning to be alternated between left and right each time a key is pressed. * When any value from Type “2”–”10”...
  • Page 49 • If you want to use common controllers for the entire Fantom-Xa, select “SYS CTRL1”–”SYS CTRL4.” MIDI messages used as System Control 1–4 are set with the System Ctrl 1–4 Source parameters (p. 196).
  • Page 50 Creating a Patch Parameter Value CTRL 1–4 Sens 1–4 -63– +63 CTRL 1–4 Switch 1–4 OFF, ON, REVS Explanation Amount of the Matrix Control’s effect that is applied If you wish to modify the selected parameter in a positive (+) direction—i.e., a higher value, toward the right, or faster etc.—from its current setting, select a positive (+) value.

  • Page 51: Tone Delay

    [F5 (MISC)] Tone Delay This produces a time delay between the moment a key is pressed (or released), and the moment the tone actually begins to sound. You can also make settings that shift the timing at which each tone is sounded. This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed tones and changing the pitch for each tone, you can also perform arpeggio-like passages just by pressing one key.
  • Page 52 Creating a Patch Parameter Group [F6 (LFO&OUT)] Modulating Sounds/Output An LFO (Low Frequency Oscillator) causes change over a cycle in a sound. Each tone has two LFOs (LFO1/LFO2), and these can be used to cyclically change the pitch, cutoff frequency and volume to create modulation-type effects such as vibrato, wah and tremolo. Both LFOs have the same parameters so only one explanation is needed.
  • Page 53 Parameter Value Explanation Fade Mode ON <, ON >, How the LFO will be applied OFF <, OFF > Fade Time 0–127 Time over which the LFO amplitude will reach the maximum (minimum) Key Trigger OFF, ON Specifies whether the LFO cycle will be synchronized to begin when the key is pressed (ON) or not (OFF). Pitch Depth ★...

  • Page 54: Setting Effects For A Patch (Effects/Mfx/Mfx Control/Chorus/Reverb)

    Creating a Patch [F3 (STEP)] Parameter Value Explanation Step Type TYP1, TYP2 When generating an LFO waveform from the data specified in LFO Step 1–16, specify whether the level will change abruptly at each step or will be connected linearly. TYP1: stair-step change TYP2: linear change Step 1–16...

  • Page 55: Creating A Rhythm Set

    Creating a Rhythm Set With the Fantom-Xa, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing.

  • Page 56: The Compare Function

    * The Initialize operation will affect only the currently selected sound; the sounds that are stored in user memory will not be affected. If you wish to restore all of the Fantom-Xa’s settings to their factory values, perform a Factory Reset (p. 203).

  • Page 57: Saving Rhythm Sets You've Created (Write)

    * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. One-shot Waveform and Loop Waveform The internal waveforms of the Fantom-Xa fall into the following two groups. One-shot: These waveforms contain sounds that have short decays. A one-shot waveform records the initial rise and fall of the sound.

  • Page 58: Functions Of Rhythm Set Parameters

    Creating a Rhythm Set Functions of Rhythm Set Parameters Parameter Group [F1 (COMMON)] Settings Common to the Entire Rhythm Set [F1 (GENERAL)] Parameter Value Description Rhythm Level 0–127 Volume of the rhythm set Rhythm Tone You can assign a name of up to 12 characters to the rhythm tone. Name [F2 (CTRL)] Parameter...
  • Page 59 Parameter Group [F2 (WG)] Modifying Waveforms/Pitch/Pitch Envelope [F1 (WG PRM)] Parameter Value Wave Group INT, EXP, SAMP, MSAM Wave Bank PRST, USER, CARD Wave No. L (Mono) ----, 1–1228 Wave No. R Wave Gain -6, 0, +6, +12 Wave Tempo Sync OFF, ON Phrase Loop Phrase loop refers to the repeated playback of a phrase that’s...
  • Page 60 Creating a Rhythm Set [F2 (PITCH)] Parameter Value Explanation Tone Coarse Tune 0 (C -)– Pitch at which a rhythm tone sounds 127 (G9) Set the coarse tuning for Waves comprising the rhythm tones with the Wave Coarse Tune parameter (p. 61). Tone Fine Tune -50–...
  • Page 61 Parameter Group [F3 (WAVE MIX)] [F1 (LV/PAN)] Parameter Value Wave Level 0–127 Wave Pan L64–0–63R Wave Rnd Pan Sw OFF, ON Wave Alter Pan Sw OFF, ON, REVS [F2 (TUNE)] Parameter Value Wave Coarse Tune -48– +48 Wave Fine Tune -50–...
  • Page 62 Creating a Rhythm Set Parameter Group [F4 (TVF)] Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. [F1 (TVF PRM)] Parameter Value Explanation...
  • Page 63 [F2 (TVF ENV)] Parameter Value Explanation F-Env Depth -63– +63 Depth of the TVF envelope Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. F-Env V-Curve FIX, 1–7 Curve that determines how keyboard playing dynamics (velocity) will affect the TVF envelope Set this to “FIX”...
  • Page 64 Creating a Rhythm Set Parameter Group [F5 (TVA)] Adjusting the Volume (TVA/TVA Envelope) [F1 (TVA PRM)] Parameter Value Explanation Tone Level 0–127 Volume of the tone Level V-Curve FIX, 1–7 Curve that determines how keyboard playing dynamics (velocity) will affect the volume Level V-Sens -63–...
  • Page 65 Parameter Group [F6 (OUTPUT)] Output Settings Parameter Value Explanation Rhythm Out Assign MFX, Specifies for each rhythm set how the direct sound will be output. A, B, MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes 1–4, through multi-effects.

  • Page 66: Playing In Performance Mode

    Playing in Performance Mode A performance contains settings that apply to each individual part, such as the patch (rhythm set) assigned to each part, and its volume and pan. Broadly speaking, Performance mode consists of two screens: LAYER screen and MIXER screen. Use the LAYER screen when you want to combine multiple sounds (patches or rhythm sets) to create complex sounds.

  • Page 67: Selecting A Performance

    Preset groups, with each group storing 64 performances, for a total of 128 performances. USER This is the group inside the Fantom-Xa which can be rewritten. Performances you yourself create can be stored in this group. The Fantom-Xa contains 64 preset performances.

  • Page 68: Using The Layer Screen

    Playing in Performance Mode Using the LAYER Screen Selecting a Part The currently selected part is called the “current part.” From the PERFORM LAYER screen, use select the part. fig.PartSelect You can also select the part by pressing [SELECT] to make it light and pressing PART/TRACK [1]–[8].

  • Page 69: Combining And Playing Sounds Together (Layer)

    Combining and Playing Sounds Together (Layer) In Performance mode you can play the sounds of all parts whose Keyboard Switch is on, and all connected parts. Combining the parts will produce, thicker, fatter sounds. fig.Layer.e Part 1 Part 2 (Rx ch.1) (Rx ch.2) Keyboard Switch: 1 (Tx ch.1)

  • Page 70: Using The Mixer Screen

    Playing in Performance Mode Using the MIXER Screen Selecting a Part The currently selected part is called the “current part.” In the PERFORM MIXER screen, press [CURSOR] to move the cursor to the Part number. fig.PartSelect2 Use the VALUE dial or [INC] [DEC] to select the part. You can also select the part by pressing [SELECT] to make it light and pressing PART/TRACK [1]–[8].

  • Page 71: Silencing The Playback Of A Specific Part (Mute)

    Silencing the Playback of a Specific Part (Mute) When playing along with a song, you can turn off (i.e., mute) parts you don’t want to hear. This allows you to turn off the melody part for karaoke applications or for practicing the muted part. In Performance mode, press [MUTE].

  • Page 72: Creating A Performance

    Creating a Performance With the Fantom-Xa, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing.

  • Page 73: Functions Of Parameters Of Each Part (Performance Parameters)

    A message will ask you for confirmation. Press [F6 (EXEC)] to execute the save operation. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance If you’ve edited a patch or rhythm set assigned to a part in a...
  • Page 74 Creating a Performance [F3 (PITCH)] Parameter Value Explanation Octave -3– +3 Pitch of the part’s sound (in 1-octave units) Note that when a rhythm set is assigned to a part, you cannot modify this parameter. Coarse -48– +48 Pitch of the part’s sound (in semitones, +/-4 octaves) Fine -50–...
  • Page 75 (rest=). Pay attention to this readout as you make Voice Reserve settings. Calculating the Number of Voices Being Used The Fantom-Xa is able to play up to 128 notes simultaneously. The polyphony, or the number of voices (sounds) does not refer only...

  • Page 76: Equal Temperament

    G and B, C and E, F and G#, Bb and C#, and Eb and F# have a natural third-the interval between a major third and a minor third. On the Fantom-Xa, you can use Arabian temperament in the three keys of G, C and F.
  • Page 77 [PAGE] - [F6 (EXT)] Parameter Value Explanation Bank Sel 0–127, OFF If you want a Bank Select number MSB (controller number 0) to also be transmitted when you switch Perfor- (MSB) mances, specify the value that you want to transmit (0–127) for each part. If you do not want this message to be transmitted, set this to “OFF.”...

  • Page 78: Settings For The Realtime Controllers And D Beam Controller

    Settings for the Realtime Controllers and D Beam Controller The Fantom-Xa lets you assign the parameters that will be affected when you operate the realtime control knobs, assignable switches, D Beam, pitch bend, or modulation lever. This lets you modify the sound in a variety of ways by operating the controllers.

  • Page 79: Midi Settings

    MIDI Settings Access the PERFORM LAYER screen, and select the Performance whose settings you wish to modify (p. 67). Press [F6 (MIDI)]. The MIDI FILTER screen appears. fig.MidiFilter Parameter Value OFF, ON (✔) 1–16 PC (Program Change) OFF, ON (✔) BS (Bank Select) PB (Pitch Bend) PA (Polyphonic Key Pressure)

  • Page 80: Modifying The Sound In Real Time

    You can also create effects in which the sound changes instantaneously, in a way that would not be possible by operating a knob or the bender lever. On the Fantom-Xa, the D Beam controller can be used not only to modify the sounds assigned to the Keyboard part or Pad part, but also to control the pitch of a monophonic (solo) synthesizer sound.

  • Page 81: Solo Synth

    Solo Synth On the Fantom-Xa you can play a monophonic synthesizer whose pitch is controlled by the D Beam. Hold down [SHIFT] and press D BEAM [SOLO SYNTH]. A screen like the following appears. fig.DBeamSyn Parameter Value Explanation Level & Range Level 0–127...
  • Page 82 Modifying the Sound in Real Time Pad Trigger You can use the D Beam controller to control the pads as an alternative to striking the pads themselves. Hold down [SHIFT] and press D BEAM [PAD TRIGGER]. A screen like the following appears. fig.DBeamTrig Press to select the parameter.

  • Page 83: Realtime Controller

    PITCH BEND: Pitch Bend AFTERTOUCH: Aftertouch ARP STYLE: Arpeggio Style ARP GRID: Arpeggio Grid ARP DURATION: Duration of each arpeggiated note ARP MOTIF: Arpeggio Motif CHORD FORM: Chord form of the Chord Memory function MASTER LEVEL: The volume of the entire Fantom-Xa...
  • Page 84 Modifying the Sound in Real Time ASSIGNABLE Switch Settings Hold down [SHIFT] and press one of the ASSIGNABLE SW button. A screen like the following appears. fig.RealtimeSw Press to select the parameter. Use the VALUE dial or [INC] [DEC] to make the setting. Parameter Value Switch 1/2 Assign...

  • Page 85: Control Pedal

    On some pedals, the electrical signal output by the pedal when it is pressed or released is the opposite of other pedals. If your pedal has an effect opposite of what you expect, set this parameter to “RE- VERSE.” If you are using a Roland pedal (that has no polarity switch), set this parameter to “STAN- DARD.”...

  • Page 86: Playing Arpeggios

    Press [ARPEGGIO] to turn it on. The button will light. Play a chord on the keyboard. The Fantom-Xa will play an arpeggio, according to the notes forming the chord you have just voiced. To finish playing arpeggios, press [ARPEGGIO] again to turn it off.

  • Page 87: Holding An Arpeggio

    Holding an Arpeggio By using the following procedure, you can produce arpeggios even without continuing to press the keyboard. Press [ARPEGGIO] to turn on the arpeggio. Press [HOLD]. The indicator will light. Play a chord on the keyboard. If you play a different chord or notes while the arpeggio is being held, the arpeggio will change accordingly.
  • Page 88 Playing Arpeggios Parameter Value (Arpeggio Style) U001–128 (User), P001–128 (Preset) Grid 1/4, 1/8, 1/8L, 1/8H, 1/12, 1/16, 1/16L, 1/16H, 1/24 Duration 30–120%, Full Motif (See p. 89.) Velocity REAL, 1–127 OctRange -3– +3 Accent 0–100 Part Part1–16 (Displayed in Performance mode) Explanation This selects the arpeggio’s basic performance Style.

  • Page 89: Using The Realtime Control Knobs To Edit The Arpeggio Settings

    Selecting Ascending/Descending Variations (Arp Motif) This selects the method used to play sounds (motif) when you have a greater number of notes than programmed for the Arpeggio Style. * When the number of keys played is less than the number of notes in the Style, the highest-pitched of the pressed keys is played by default.

  • Page 90: Creating An Arpeggio Style (Arpeggio Style Edit)

    Playing Arpeggios Creating an Arpeggio Style (Arpeggio Style Edit) In addition to using the built-in arpeggio styles, you are free to create your own. After creating an original arpeggio style, you can store it in the internal user memory. Broadly speaking, there are two ways to create an arpeggio style. Step-recording In this method, you use the keyboard and pads to step-record your arpeggio.

  • Page 91: Saving The Styles You Have Created (Write)

    Use the VALUE dial, [INC] [DEC], or write destination. Press [F6 (WRITE)]. A message will ask you for confirmation. To save the Style, press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. to select the...

  • Page 92: Using The Chord Memory Function

    Chord Memory is a function that allows you to play chords based on pre-programmed Chord Forms, just by pressing a single key on the keyboard. The Fantom-Xa can store 64 preset chord forms and 64 user chord forms. If you wish, you can overwrite any of the 64 user (factory set) chord forms.

  • Page 93: Creating Your Own Chord Forms

    Use the VALUE dial, [INC] [DEC], or write destination. Press [F6 (WRITE)]. A message will ask you for confirmation. To save the Chord Form, press [F6 (EXEC]. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. to select the...

  • Page 94: Playing Rhythms

    Playing Rhythms About Rhythm Patterns The Fantom-Xa contains 256 preset rhythm patterns. You can play a variety of rhythm patterns simply by pressing the pads. In addition to using these built-in rhythm patterns, you can also create your own. The 256 rhythm patterns are maintained as independent data; they are not part of a performance’s data.

  • Page 95: Determining The Tempo For Rhythm Pattern Performances

    When you have made the setting, press [F6 (CLOSE)]. Using a controller to adjust the playback tempo Since tempo control is assigned to one of the Fantom-Xa’s realtime control knobs, it’s easy to adjust the tempo at which the rhythm pattern will play back.

  • Page 96: Rhythm Pattern Settings

    Playing Rhythms Rhythm Pattern Settings Hold down [SHIFT] and press [RHYTHM]. Press [F2 (RHYTHM)]. The RHYTHM PATTERN screen appears. fig.RhyPtn Press to select the parameter. Use the VALUE dial or [INC] [DEC] to make the setting. * You can audition the rhythm pattern by pressing [F4 (PREVU)] to add a check mark (✔). When you have made the setting, press [EXIT].

  • Page 97: Using The Realtime Control Knobs To Control The Rhythm

    Using the Realtime Control Knobs to Control the Rhythm You can use the realtime control knobs to control the rhythm in real time by adjusting the rhythm parameters. Play rhythm. Press the REALTIME CONTROL button so the ARP/RHY indicator lights. fig.RhyKnob Tempo Rhythm Accent...

  • Page 98: Saving The Rhythm Pattern You Have Created (Write)

    Use the VALUE dial, [INC] [DEC], or write destination. Press [F6 (WRITE)]. A message will ask you for confirmation. To save the Rhythm Pattern, press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. to select the...

  • Page 99: Creating A Rhythm Group (Rhythm Group Edit)

    Use the VALUE dial, [INC] [DEC], or write destination. Press [F6 (WRITE)]. A message will ask you for confirmation. To save the Rhythm Group, press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. to select the...

  • Page 100: Sampling

    Sampling The Fantom-Xa lets you sample audio sources, such as an audio device, mic, or CD. This section explains the sampling procedure and what the parameters do. Sampling Procedure Press [SAMPLING] to access the SAMPLING MENU screen. fig.SmplMenu The upper part of the screen will show the amount of free memory.

  • Page 101: Dividing A Sample During Sampling

    128 samples (L/R total 256 samples). Sampling Time The Fantom-Xa contains 4 MB of memory, which allows about 47 seconds of mono or about 23.5 seconds of stereo sampling. If you want to sample for a longer time than this, you must install separately sold memory (DIMM) (p.

  • Page 102: Input Effect Setup Settings

    Sampling Cautions when using a microphone Howling could be produced depending on the location of microphones relative to speakers. This can be remedied by: Changing the orientation of the microphone. Relocating microphone at a greater distance from speakers. Lowering volume levels. Input Effect Setup Settings Hold down [SHIFT] and press [MIX IN].

  • Page 103: Skip Back Sampling

    Skip Back Sampling will be executed. Button blinking: Play the Fantom-Xa’s keyboard or pads, or connect an instrument or some other device to the AUDIO INPUT jacks and input sounds or phrases. Press [SKIP BACK].

  • Page 104: Editing A Sample

    Editing a Sample This section explains how you can edit a sample that you sampled/ imported Editing is performed in sample memory—a memory area dedicated to samples (p. 25). Sample List Select a sample from the list. Selecting a Sample Press [SAMPLE EDIT <->...

  • Page 105: Deleting A Sample

    Unloading a Sample Here’s how you can unload a sample from sample memory. The saved sample file itself will not be deleted. With the SAMPLE LIST screen shown, press select the group that contains the sample you want to erase. Use the VALUE dial, [INC] [DEC], or sample.

  • Page 106: Sample Edit

    Editing a Sample Sample Edit From the SAMPLE LIST screen, Press [SAMPLE EDIT <-> LIST]. The SAMPLE EDIT screen appears. fig.SampleEdit Samples that you edit will be lost when you turn off the power. If you want to keep them, you must Save them (p. 116). Magnifying/Shrinking the Waveform Display (Zoom In/Out) Here’s how to change the magnification of the sample display.
  • Page 107 Parameter Explanation Start Refer to Setting the Start/End Points of the Sam- ple (p. 106). Loop Start Loop Mode Specifies how the sample will be played. FWD: After the Sample played back from Start to End, it will then be repeatedly played back in the for- ward direction, from the Loop Start to End.

  • Page 108: Removing Unwanted Portions Of A Sample (Truncate)

    Editing a Sample Removing Unwanted Portions of a Sample (TRUNCATE) This operation cuts the portions of the sample that are earlier than the Start Point and later than the Loop End Point. * You cannot execute this with more than one sample selected. Press [SAMPLE EDIT <->...

  • Page 109: Maximizing The Volume Of A Sample (Normalize)

    Maximizing the Volume of a Sample (NORMALIZE) This operation raises the level of the entire sample as much as possible without exceeding the maximum level. In some cases, the volume of a phrase you resampled (p. 100) will be lower than the volume of the original phrase.

  • Page 110: Time Stretch

    Editing a Sample Stretching or Shrinking a Sample (TIME STRETCH) This operation stretches or shrinks the sample to modify the length or tempo. You can stretch or shrink the sample by a factor of one half to double the original length. * You cannot execute this with more than one sample selected.

  • Page 111: Auditioning The Divided Samples

    Automatically Dividing a Sample (Auto Chop) Here’s how you can automatically specify the points at which the sample is to be divided, and then divide the sample. From step of p. 110, press [F4 (AUTO)]. The Auto Chop window will appear. Use the VALUE dial or [INC] [DEC] to select the method by which the sample is to be divided.

  • Page 112: Assigning Samples To A Pad (Assign To Pad)

    Editing a Sample Assigning Samples to a Pad (Assign to Pad) Here’s how to assign samples as the rhythm tones of a rhythm set. For example, you can create an original rhythm set by replacing certain tones of a preset rhythm set with different samples. * From the SAMPLE LIST screen you can also press [F4 (ASSIGN)]->...

  • Page 113: Assigning A Sample As A Patch To A Part (Assign To Keyboard)

    Assigning a Sample as a Patch to a Part (Assign to Keyboard) Here’s how you can use the currently selected sample to create a patch, and assign it to a keyboard part. * From the SAMPLE LIST screen you can also press [F4 (ASSIGN)]-> [F4 (To KBD)] to execute Assign to Keyboard.

  • Page 114: Create A Rhythm Set (Create Rhythm)

    Editing a Sample Create a Rhythm Set (Create Rhythm) Here’s how you can use the sample(s) to create a rhythm set. This operation is called Create Rhythm. When you execute Create Rhythm, the sample(s) will become a rhythm set and will be assigned to a part. For example, you could record a sample, use the Chop function to divide it, and then use this Create Rhythm operation to assign the divided samples to a part as a rhythm set.
  • Page 115 If you are sure you want to write the multisample, press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. When the data has been written, the Assign to Keyboard window will appear.

  • Page 116: Saving A Sample (Write)

    Press [F6 (EXEC)] to execute the save operation. * To cancel the operation, press [F5 (CANCEL)]. Never switch off the Fantom-Xa while data is being saved. • You can’t save by overwriting another sample. • Stereo samples must be saved to two consecutive sample numbers.

  • Page 117: Using The Pads

    Using the Pads The pads of the Fantom-Xa function in the same way as the keyboard, and can also be used to play RPS and rhythm patterns. Using the Hold Function to Sustain a Sound You can use the Hold function to make the sound continue even after you take your finger off the pad.

  • Page 118: Assigning A Pattern To A Pad (Rps Function)

    Assigning a Pattern to a Pad (RPS Function) The Fantom-Xa lets you assign a previously recorded phrase to a pad as a pattern, and play it by pressing that pad. For details, refer to Playing a Phrase at the Touch of a Finger (RPS) (p. 154).

  • Page 119: Playing Back A Song

    Playing a Song Immediately (Quick Play) The Fantom-Xa is able to play a song from user memory and memory card immediately, without first loading the song into Temporary Area. This is called the Quick Play function.

  • Page 120: Various Playback Methods

    Playing Back a Song Various Playback Methods Fast-Forward and Rewind During Playback Fast-forward, rewind, and jump can be performed during playback, as well as while stopped. Use the following procedures for each operation. Fast-forward: Press [ Continuous fast-forward: Press and hold [ Rapid fast-forward: Hold down [ Press [...

  • Page 121: Playing A Song Back At A Fixed Tempo (Muting The Tempo Track)

    Playing Back a S-MRC Format Song The Fantom-Xa is able to play back S-MRC format songs created on the MC-50 in the same way as MRC Pro songs or Standard MIDI Files. However, S-MRC format songs cannot be Quick Played. You must first load them into Temporary Area and convert them to MRC Pro song format before playing them.

  • Page 122: Recording Songs

    The reason for this is that in this mode, only the sound of the specified MIDI channel will be heard when you record while playing the keyboard of the Fantom-Xa, and that when the song is played back, the parts can independently play up to 16 different sounds.

  • Page 123: Setting The Tempo

    Specifying the Time Signature Before you record a new song, you must specify the time signature. However, a time signature of 4/4 is automatically specified when you perform the Song Initialize operation or when the power is turned on, so you will need to make this setting only if you want to record a new song in a different time signature.

  • Page 124: Recording Your Performance As You Play It (Realtime Recording)

    Recording Songs Recording Your Performance as You Play It (Realtime Recording) Realtime Recording is the recording method in which your keyboard playing and controller operations are recorded just as you perform them. Use this recording method when you want to capture the nuances of your own performance.

  • Page 125: Recording Tempo Changes In A Song (Tempo Recording)

    When you are finished recording, press [ The [ ] indicator will go dark. If you are not satisfied with the realtime recording you just made, you can press [ERASE/UNDO] to return to the state prior to recording. After executing Undo, you can use Redo to revert to the previous state.

  • Page 126: Correct The Timing Of Your Playing As You Record (Recording Quantize)

    Recording Songs Correct the Timing of Your Playing as You Record (Recording Quantize) The Quantize function automatically corrects inaccuracies in the timing of your keyboard or pad performance, aligning the notes to accurate timing intervals. During realtime recording, you can quantize while you record.
  • Page 127 Apply various effects such as modulation or expression. Program Change Select sounds. System Ex Used to make settings unique to the Fantom-Xa, such as sound parameters. Channel After Apply aftertouch to an entire MIDI channel. Poly After Apply aftertouch to individual keys. Pitch Bend Change the pitch.

  • Page 128: Inputting Data One Step At A Time (Step Recording)

    Recording Songs Inputting Data One Step at a Time (Step Recording) Step Recording is the method of inputting notes and rests individually, as if you were writing them onto a musical staff. In addition to inputting notes, this method can also be used to create a song by joining patterns.
  • Page 129 Gate Time The relation between the length of the note value and the gate time is shown below. Since the Fantom-Xa’s sequencer uses a TPQN (Ticks Per Quarter Note; i.e., resolution) of 480, a quarter note gate time is 480 ticks.

  • Page 130: Assigning A Pattern To A Phrase Track

    Recording Songs Assigning a Pattern to a Phrase Track You can create a song by combining previously recorded patterns. This is done using step recording to assign patterns to a phrase track. However, please be aware that the patterns themselves are not placed in the phrase track.

  • Page 131: Editing Songs

    Viewing the Data within a Track The Fantom-Xa can record data for multiple MIDI channels in a single track. From the SNG EDIT (TRK) screen, press [PAGE] to see which channel(s) of data are found in each track (the TRACK VIEW screen).

  • Page 132: Track Mute

    Editing Songs Loading Individual Tracks/Patterns of Song Data If you have selected a song file (extension “.SVQ”) or Standard MIDI File (extension “.MID”), you can load individual phrase tracks or patterns. After step 3 of “Loading the Song You Want to Edit,” press [F5 (LD TRK)].

  • Page 133: Specifying The Area Of A Song That Will Repeat (Loop Points)

    Specifying the Area of a Song that will Repeat (Loop Points) When using Loop Play or Loop Recording, you can use the loop points you specify here to specify the repeated area, as an alternative to repeating the specified number of measures. * It is not possible to assign a loop point to a pattern.

  • Page 134: Preview Function

    Alternatively, it is also possible to quantize a song that has already been recorded. The Fantom-Xa has a Preview function that allows playing back the results of a Quantize operation while you are still setting parameters (before actual execution). This helps to make optimal Quantize settings.
  • Page 135 Parameter Value Explanation Range Min 0 (C -)–127 (G9) Range of note numbers to be quantized Range Max You can also specify the key range by pressing keys on the keyboard. When Quantize Type is “GRID” fig.Qtz1.e Grid quantize with Resolution = When Quantize Type is “SHUFFLE”...

  • Page 136: Erasing Unwanted Performance Data (Erase)

    Editing Songs Erasing Unwanted Performance Data (Erase) This function erases all the sequencer data inside the specified area. As the erased data is replaced by rests, the original measures will remain. For details on the settings, refer to Basic Operation for Track Editing (p.

  • Page 137: Copying Phrases (Copy)

    Copying Phrases (Copy) This function copies a specified area of sequencer data. It is convenient for repeating the same phrase several times. You can copy patterns to a phrase track, or copy data from a phrase track to a pattern. For details on the settings, refer to Basic Operation for Track Editing (p.

  • Page 138: Inserting A Blank Measure (Insert)

    Editing Songs Inserting a Blank Measure (Insert) This function inserts blank measures into a specified song position. As you can set the time signature of the blank measures, this is convenient when inserting a phrase having a different time signature in the middle of a song.

  • Page 139: Changing The Midi Channel

    Changing the Velocity (Volume) (Change Velocity) This function changes the keyboard playing dynamics (velocity) of a specified note area. For details on the settings, refer to Basic Operation for Track Editing (p. 133). fig.ChangeVelo Parameter Value Explanation Track/Pattern TRK ALL, Phrase track(s) or pattern TRK 1–16, whose velocity will be...

  • Page 140: Combining Two Phrase Tracks Or Patterns Into One (Merge)

    Editing Songs Changing the Length of Notes (Change Duration) This function changes the duration (time from note-on to note-off) of notes within a specified area. Depending on the setting, you can also create staccato or tenuto. For details on the settings, refer to Basic Operation for Track Editing (p.

  • Page 141: Extracting And Moving A Part Of Sequencer Data (Extract)

    Extracting and Moving a Part of Sequencer Data (Extract) This function extracts a specified sequencer data area from a phrase track or pattern and moves it to the same Song position of another phrase track or pattern. Additionally, just as with Standard MIDI File Format 0, when sequencer data from multiple MIDI channels is recorded on one track, you can also assign one MIDI channel to a single phrase track.

  • Page 142: Shifting Performance Data Forward And Back (Shift Clock)

    Editing Songs Shifting Performance Data Forward and Back (Shift Clock) This function shifts the timing of sequencer data backward or forward in time within a specified area in steps of 1 tick. Slight shifts of timing can speed up or drag performance. * When this function is executed, data that would be moved to a point before the beginning of the song will automatically shift to the beginning of the song.

  • Page 143: Thinning Out The Sequencer Data (Data Thin)

    Thinning Out the Sequencer Data (Data Thin) Continuously variable controllers such as aftertouch, pitch bend, and expression tend to create unexpectedly large amounts of data when operated. Data Thin will strip out redundant data to increase the amount of memory available for the sequencer. For details on the settings, refer to Basic Operation for Track Editing (p.

  • Page 144: Deleting Blank Measures (Truncate)

    Editing Songs Deleting Blank Measures (Truncate) Copying or merging may sometimes create blank measures at the beginning of a phrase track or pattern. Truncate deletes silent portions from the beginning of the specified phrase track to the first note-on. * If other sequencer data (such as program changes or control changes) is recorded between the beginning and the first note-on of the specified phrase track, only the last data event of each type will be placed before the note-on.

  • Page 145: Program Change

    MICROSCOPE screen, press [EXIT]. • In the case of a Roland type IV system exclusive message, the checksum can be calculated automatically when you finalize the values. If you do not want to calculate the checksum automatically, press [F1 (AT SUM)] to remove the check mark (✔).

  • Page 146: Pattern Call

    Since a phrase track or pattern contains a large amount of sequencer data, the display may be cluttered and difficult to read. For this reason, the Fantom-Xa lets you specify the type(s) of sequencer data that will be displayed in the screen. This is convenient when you want to check or edit only a specific type of sequencer data.

  • Page 147: Inserting Sequencer Data (Create)

    Inserting Sequencer Data (Create) You can insert new sequencer data into a desired location of a phrase track or pattern. For details on the sequencer data that can be inserted, refer to Sequencer Data Handled by a Phrase Track/Pattern (p. 145). Access the MICROSCOPE screen for the track or pattern into which you want to insert data (p.

  • Page 148: Copying Sequencer Data (Copy)

    Editing Songs Copying Sequencer Data (Copy) Sequencer data can be copied to the desired location. This is convenient when you want to use the same sequencer data at multiple locations. Data recorded in the tempo track or beat track can also be copied in this way. Access the MICROSCOPE screen for the track or pattern whose data you want to copy (p.

  • Page 149: Changing The Time Signature Midway Through The Song

    Changing the Time Signature Midway Through the Song If you want to change the time signature midway through the song, insert a new Beat Change. The song will play back using that time signature for measures following the inserted beat change. From the MICROSCOPE screen, press [F5 (TRK/CH)].

  • Page 150: Saving/Loading A Song (Save/Load)

    Saving/Loading a Song (Save/Load) Songs you record are initially held in Temporary Area. A song in Temporary Area will be lost when you turn off the power or when you load a different song. If you want to keep the song, you must save it to user memory or a memory card.

  • Page 151: Saving A Song (Save Song)

    Fantom-Xa’s own sequencer. If you want to play back your song on a sequencer other than the Fantom-Xa’s sequencer, you must save the song as an SMF file. Also at this time, you must record the appropriate bank selects and program numbers so that the correct sounds will be played.

  • Page 152: Saving A Song As An Smf File (Save As Smf)

    [F5 (CANCEL)]. If you attempt to save data to a memory card that was not formatted on the Fantom-Xa, a message of “Unformatted!” (the memory card has not been formatted) will appear. Please format the memory card on the Fantom-Xa (p. 205).

  • Page 153: Loading A Song (Load)

    [F5] Load all Samples [F6] ✔: Loading is possible * A song saved on the Fantom-Xa (.SVQ) also includes the data for the sound generator’s temporary area. Loading a Song with Samples (Load Song+Smpls) Here’s how you can load a song into Temporary Area and all samples into sample memory.

  • Page 154: Playing A Phrase At The Touch Of A Finger (Rps)

    Playing a Phrase at the Touch of a Finger (RPS) The RPS (Realtime Phrase Sequence) function lets you assign patterns to the keyboard or Pad, and play a pattern by pressing a single note. For example, a complex phrase that would be difficult to play live can be assigned to a note of the keyboard, and played with one finger at the appropriate moment.
  • Page 155 OFF, 1–31 * Pattern parameter, Playback Mode parameter, and Mute Group parameter are set for each key. Although the Fantom-Xa has a 61-note keyboard, you can also make settings for all keys in the range of A-1 to G9. Settings for the Trigger Quantize parameter and Velocity Sens parameter are for the entire song.

  • Page 156: Using The Rps Function While You Perform

    Playing a Phrase at the Touch of a Finger (RPS) Using the RPS Function While You Perform Normally, when playing patterns individually, the song containing the patterns must be loaded into Temporary Area. However, when using the RPS function to play back patterns, you can use Quick Play.

  • Page 157: Adding Effects

    Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom-Xa’s onboard effects, refer to About the Onboard Effects (p. 22). Turning Effects On and Off The Fantom-Xa’s onboard effects can be turned on/off as a whole.

  • Page 158: Applying Effects In Patch Mode

    Adding Effects Applying Effects in Patch Mode In Patch mode you can use two multi-effects (MFX1, MFX2), one chorus, and one reverb. Multi-effect 1 (MFX1) will operate according to the effect settings of the patch or rhythm set assigned to the Keyboard part. Multi-effect 2 (MFX2) will operate according to the effect settings of the patch or rhythm set assigned to the Pad part.
  • Page 159 Parameter Value Explanation MFX Reverb 0–127 Amount of reverb for the sound passed through multi-effects Send Level Chorus Source KBD, PAD Chorus parameter settings Chorus Type 0–3 Selects either chorus or delay. Reverb Source KBD, PAD Reverb parameter settings Reverb Type 0–5 Type of reverb MFX Output...

  • Page 160: Applying Effects In Performance Mode

    Adding Effects Applying Effects in Performance Mode In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify.
  • Page 161 Parameter Value Chorus Source PRF, P1–P16 Chorus Type 0–3 Reverb Source PRF, P1–P16 Reverb Type 0–5 MFX Output A, B Assign Chorus Out- MAIN, REV, put Select Chorus Level 0–127 Chorus Out- A, B put Assign Reverb Level 0–127 Reverb Output A, B Assign Mastering Ef-...

  • Page 162: Making Multi-Effects Settings (Mfx1-3)

    SYS CTRL1–4: MIDI messages used as common multi-effects controls If you want to use common controllers for the entire Fantom-Xa, select “SYS CTRL1”–”SYS CTRL4.” MIDI messages used as System Control 1–4 are set with the Sys Ctrl 1–4 Source param- eters (p.

  • Page 163: Multi-Effects Control

    MIDI messages used for the multi-effects control will be received. If the Fantom-Xa is set up such that reception of MIDI messages is disabled, then the multi-effects control will not function. Multi-Effects Control If you wanted to change the volume of multi-effects sounds, the...

  • Page 164: Multi-Effects Parameters

    Adding Effects Multi-Effects Parameters The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1”...

  • Page 165: Low Boost

    01: EQUALIZER This is a four-band stereo equalizer (low, mid x 2, high). fig.MFX-01 L in 4-Band EQ R in 4-Band EQ Parameter Value Explanation Low Freq 200, 400 Hz Frequency of the low range Low Gain # -15– +15 dB Gain of the low range Mid1 Freq 200–8000 Hz...

  • Page 166: Super Filter

    Adding Effects 05: SUPER FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. fig.MFX-05 L in Super Filter R in Super Filter Parameter Value Explanation Filter Type LPF, BPF, Filter type HPF, NOTCH Frequency range that will pass through each filter LPF: frequencies below the cutoff...

  • Page 167: Speaker Simulator

    08: AUTO WAH Cyclically controls a filter to create cyclic change in timbre. fig.MFX-08 L in Auto Wah 2-Band EQ R in Auto Wah 2-Band EQ Parameter Value Explanation Filter Type LPF, BPF Type of filter LPF: The wah effect will be applied over a wide frequency range.

  • Page 168: Multi Stage Phaser

    Adding Effects 11: PHASER A phase-shifted sound is added to the original sound and modulated. fig.MFX-11 L in Phaser Phaser R in Parameter Value Explanation Mode 4-STAGE, 8- Number of stages in the phaser STAGE, 12-STAGE Manual # 0–127 Adjusts the basic frequency from which the sound will be modu- lated.

  • Page 169: Step Ring Modulator

    15: RING MODULATOR This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. fig.MFX-15 L in Ring Mod...
  • Page 170 Adding Effects 19: STEP PAN This uses a 16-step sequence to vary the panning of the sound. fig.MFX-19 L in Step Pan R in Step Pan Parameter Value Explanation Step 01–16 L64–63R Pan at each step Rate # 0.05–10.00 Hz, note Rate at which the 16-step se- quence will cycle Attack #...
  • Page 171 22: VK ROTARY This type provides modified response for the rotary speaker, with the low end boosted further. This effect features the same specifications as the VK-7’s built-in rotary speaker. fig.MFX-22 L in Rotary R in Parameter Value Speed # SLOW, FAST Brake # OFF, ON...

  • Page 172: Step Flanger

    Adding Effects 25: STEP FLANGER This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. fig.MFX-25 Balance D L in Step Flanger Balance W...
  • Page 173 29: 3D CHORUS This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right. fig.MFX-29 3D Chorus Parameter Value Explanation Filter Type OFF, LPF, HPF Type of filter Cutoff Freq 200–8000 Hz Basic frequency of the filter Pre Delay...
  • Page 174 Adding Effects 32: 2BAND CHORUS A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges. fig.MFX-32 L in High Band Chorus Split Low Band Chorus High Band Chorus Split Low Band Chorus R in Parameter Value Split Freq...
  • Page 175 34: 2BAND STEP FLANGER A step flanger that lets you apply an effect independently to the low- frequency and high-frequency ranges. fig.MFX-34 L in High Band Step Flanger Split High Band Feedback Low Band Step Flanger Low Band Feedback High Band Feedback High Band Step Flanger Low Band Feedback Split...

  • Page 176: Guitar Amp Simulator

    Adding Effects 39: GUITAR AMP SIMULATOR This is an effect that simulates the sound of a guitar amplifier. fig.MFX-39 L in Pre Amp Speaker R in Parameter Value Explanation Pre Amp Sw OFF, ON Turns the amp switch on/off. Pre Amp JC-120, CLEAN TWIN, Type of guitar amp Type...

  • Page 177: Long Delay

    42: GATE Cuts the reverb’s delay according to the volume of the sound sent into the effect. Use this when you want to create an artificial- sounding decrease in the reverb’s decay. fig.MFX-42 L in Gate R in Gate Parameter Value Explanation Threshold #...

  • Page 178: Serial Delay

    Adding Effects 45: SERIAL DELAY This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds. fig.MFX-45 L in Delay 1 Delay 2 Feedback 1 Feedback 2 R in Parameter Value...

  • Page 179: Reverse Delay

    48: 4TAP PAN DELAY This effect has four delays. fig.MFX-48a L in Delay 1 Feedback Delay 2 Quadruple Tap Delay Delay 3 Delay 4 R in fig.MFX-48b Stereo location of each delay Parameter Value Explanation Delay 1–4 0–2600 ms, Adjusts the time until the delay sound Time note is heard.

  • Page 180: Shuffle Delay

    Adding Effects 51: SHUFFLE DELAY Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. fig.MFX-51 L in Feedback Delay A Delay Delay B R in Parameter Value Explanation Delay Time # 0–2600 ms, Adjusts the time until the delay sound is note...

  • Page 181: Lofi Noise

    (D) and the delay sound (W) Level 0–127 Output level 55: TAPE ECHO A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. fig.MFX-55 L in Direct Level Echo Level Tape Echo...

  • Page 182: Lofi Compress

    Adding Effects 57: LOFI COMPRESS This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX-57 L in Compressor Lo-Fi R in Compressor Lo-Fi Parameter Value Explanation Pre Filter 1–6 Selects the type of filter applied to the Type sound before it passes through the Lo-Fi effect.

  • Page 183: Step Pitch Shifter

    61: PITCH SHIFTER (Feedback Pitch Shifter) A stereo pitch shifter. fig.MFX-61 L in Pitch Shifter Pitch Shifter R in Parameter Value Explanation Coarse #1 -24– +12 semi Adjusts the pitch of the pitch shifted sound in semitone steps. Fine #1 -100–...

  • Page 184: Gated Reverb

    Adding Effects 64: REVERB Adds reverberation to the sound, simulating an acoustic space. fig.MFX-64 2-Band L in Balance D Balance W Reverb Balance W 2-Band R in Balance D Parameter Value Explanation Type ROOM1, Type of reverb ROOM2, ROOM1: dense reverb with STAGE1, short decay STAGE2,...
  • Page 185 68: OVERDRIVE → DELAY fig.MFX-68 L in Balance D Overdrive Delay Feedback R in Balance D Parameter Value Explanation Overdrive 0–127 Degree of distortion Drive # Overdrive Pan # L64–63R Stereo location of the over- drive sound Delay Time 0–2600 ms, note Adjusts the delay time from the direct sound until the de- lay sound is heard.
  • Page 186 Adding Effects 73: ENHANCER → FLANGER fig.MFX-73 Balance D L in Enhancer Feedback Flanger R in Enhancer Balance D Parameter Value Explanation Enhancer Sens # 0–127 Sensitivity of the enhancer Enhancer Mix # 0–127 Level of the overtones generat- ed by the enhancer Flanger Pre 0.0–100.0 ms Adjusts the delay time from...

  • Page 187: Sympathetic Resonance

    76: FLANGER → DELAY fig.MFX-76 Balance D L in Feedback Balance W Flanger Balance W R in Balance D Parameter Value Explanation Flanger Pre 0.0–100.0 ms Adjusts the delay time from Delay when the direct sound begins until the flanger sound is heard.
  • Page 188 Adding Effects When Using 3D Effects The following 3D effects utilize RSS (Roland Sound Space) technology to create a spaciousness that cannot be produced by delay, reverb, chorus, etc. 52: 3D DELAY 29: 3D CHORUS 30: 3D FLANGER 31: 3D STEP FLANGER When using these effects, we recommend that you place your speakers as follows.

  • Page 189: Making Chorus Settings

    Making Chorus Settings * The Fantom-Xa’s Chorus effect unit can also be used as a stereo delay unit. fig.Chorus For details on these settings, refer to Making Effect Settings (p. 157). Parameter Value (Chorus Type) 00 (OFF)–03 Chorus Level 0–127...

  • Page 190: Making Reverb Settings

    Adding Effects Making Reverb Settings fig.Reverb For details on these settings, refer to Making Effect Settings (p. 157). Parameter Value (Reverb Type) 00 (OFF)–05 Reverb Level 0–127 Type 01: Reverb (Normal Reverb) Type ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY Time 0–127...

  • Page 191: Mastering Effect

    Mastering Effect This is a stereo compressor (limiter) that is applied to the final output of the Fantom-Xa. It has independent high, mid, and low ranges. Independently for the high-frequency, mid-frequency, and low-frequency regions, this compresses any sounds that exceed the specified level, making the volume more consistent.

  • Page 192: Settings Common To All Modes (System Function)

    Press [F1]–[F3] to display the information you wish to see. [F1 (MEMORY)]: Amount of memory installed [F2 (SRX)]: Name of the wave expansion board that is installed [F3 (VERSION)]: Version of the Fantom-Xa’s system program Press [EXIT] to return to the previous screen.

  • Page 193: Functions Of System Parameters

    Settings Common to All Modes (System Function) Explanation Adjusts the contrast of the display. Mode that the Fantom-Xa will be in when it is powered up. PATCH: Patch mode PERFORMANCE: Performance mode Specifies whether currently sounding notes will continue sounding when another patch or rhythm set is selected (ON), or not (OFF).
  • Page 194 USB-MIDI Thru OFF, ON You must switch the USB Mode before you connect the Fantom-Xa to your computer via the USB cable. If you change this setting while the Fantom-Xa is connected, the computer may fail to recognize it correctly.
  • Page 195 On some pedals, the electrical signal output by the pedal when it is pressed or released is the opposite of other pedals. If your pedal has an effect opposite of what you expect, set this pa- rameter to “REVERSE.” If you are using a Roland pedal (that has no polarity switch), set this parameter to “STANDARD.”...

  • Page 196: System Control

    ARP MOTIF: Arpeggio Motif CHORD FORM: Chord form of the Chord Memory function MASTER LEVEL: The volume of the entire Fantom-Xa Functions that will be controlled by the [ TRANSPOSE DOWN: Lowers the key range in semitones (up to 5 semitones lower).

  • Page 197: Local Off

    In this case, the MIDI transmit channel of the external MIDI keyboard can be set to any chan- nel. Normally you will leave this parameter “OFF.” * Turn this “ON” when you want to control the Fantom-Xa from an external MIDI device when per- forming with the Arpeggio or RPS function.
  • Page 198 30: 30 frames per second, non-drop format * When synchronizing with a hard disk recorder such as the Roland VS series, any frame rate is all right—as long as the setting matches that of the Fantom-Xa. However, when synchronizing operation with video devices such as video decks, the video device’s frame rate is fixed, so the Fantom-Xa’s setting...
  • Page 199 Settings Common to All Modes (System Function) Explanation Coordinates the playback timing of the Fantom-Xa and the external device in a frame units. Determines how often the reception status is checked when MTC is being received from an ex- ternal device. Stop synchronization if a problem becomes apparent with the check.
  • Page 200 MIDI devices to synchronize to the Fantom-Xa. SLAVE-MIDI: The Fantom-Xa will be the slave. Choose this setting when you want the Fan- tom-Xa to synchronize to MIDI Clock messages received from another MIDI device.
  • Page 201 System Menu [F5 (D BEAM)] [F1 (GENERL)] Parameter Value SENSIBILITY D Beam Sens 0–127 PART D Beam Part Select KBD, PAD [F2 (TRIGGER)] Parameter Value Pad Number 1–9 Pad Velocity 1–127 Pad Control Mode MOMENTARY, LATCH [F3 (ASSIGN)] Parameter Value Type CC01–31, 33–95, BEND UP,...
  • Page 202 Settings Common to All Modes (System Function) [F4 (DB SYN)] Parameter Value Explanation Level & Range Level 0–127 Sets the volume. Chorus Send Level 0–127 Level of the signal sent to chorus Reverb Send Level 0–127 Level of the signal sent to reverb Range 2OCT, Range in which the pitch of the solo synth will vary...

  • Page 203: Data Management Functions/Reset To Factory Settings (Factory Reset)

    To execute the backup, press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Data that’s been backed up on a Fantom-Xa must not be used to perform a restore into some other device in the Fantom-X series. Restoring User Data that...

  • Page 204: File-Related Functions (File Utility)

    File-Related Functions (File Utility) Here you can perform a variety of operations related to the files stored in the Fantom-Xa’s user memory, and on memory cards. You can copy, delete, or move files, as well as format memory cards. The folder structure of the user area and memory card is as follows.

  • Page 205: Copying A File (Copy)

    Copying a File (Copy) Here’s how you can copy a file to a different folder. As described in the basic procedure, select the file that you want to copy. [F1 (USER)] [F2 (CARD)]: Select the memory Select the folder Move between folder levels Press [F6 (COPY)].

  • Page 206: Connecting To Your Computer Via Usb

    USB connector or the MIDI IN connector will be retransmitted from the USB connector or the MIDI OUT connector (ON) or not (OFF). If you want the Fantom-Xa to start up in MIDI mode the next time it is powered up, press [F6 (WRITE)] to save the System settings.

  • Page 207: Transferring Files To Or From Your Computer (Storage Mode)

    Specify the Connection-Destination When the Fantom-Xa is connected to your computer, you can select the area on the Fantom-Xa to which a connection is to be made; either the internal user area or the memory card. Press [MENU] to open the Top Menu window.

  • Page 208: Canceling Usb Communication

    Drag the Fantom-Xa drive icon into the trash. Canceling USB Communication If you want to power off the Fantom-Xa when it is connected to your computer in Storage mode, you must first cancel USB communication on your computer as described here.

  • Page 209: Exchanging Midi Messages With Your Computer (Midi Mode)

    Your Computer (MIDI Mode) Driver Installation and Settings In order to use the Fantom-Xa as a USB MIDI device from your computer, you must first install the USB MIDI driver. The USB MIDI driver is on the included “Fantom-X Editor CD-ROM.”...

  • Page 210: Using Fantom-X Editor

    In order to use the librarian included on the “Fantom-X Editor” CD- ROM, you will need to put the Fantom-Xa in Librarian mode. * The same is true when you want to use a separately sold librarian.

  • Page 211: Fantom-X Editor System Requirements

    * OMS is a registered trademark of Opcode Systems, Inc. While under most conditions, a computer similar to the above will permit normal operation of the Fantom-X Editor, Roland cannot guarantee compatibility solely on these factors. This is due to numerous variables that may influence the processing environment, such as differences in motherboard design and the particular combination of other devices involved.

  • Page 212: About V-Link

    (clips/palettes). • Use the Fantom-Xa’s knobs to adjust the brightness or color of the image. * In order to use V-LINK with the Fantom-Xa and Edirol DV-7PR, you will need to make connections using an Edirol UM-1X/UM-1SX (sold separately). Connection Example Use an UM-1X/UM-1SX to connect the Fantom-Xa’s MIDI OUT...

  • Page 213: Resetting The Image

    * For details on clips/palettes, dissolve time, color difference signals (Cb/Cr), refer to the Edirol DV-7PR manual. * The Fantom-Xa does not support the Edirol DV-7PR’s dual stream mode. Explanation...

  • Page 214: Installing The Wave Expansion Board

    An optional Wave Expansion Board (SRX series; sold separately) can be installed in the Fantom-Xa. Wave Expansion Boards store Wave data, patches, and rhythm sets, and by equipping the Fantom-Xa with these boards, you can greatly expand your sound palette. Cautions When Installing a Wave Expansion Board •...

  • Page 215: Checking The Installed Wave Expansion Board

    As shown in the following illustration, plug the connector of the Wave Expansion Board into the connector of the relevant slot, and at the same time insert the board holder through the hole of the Wave Expansion Board. fig.Exp3.e Board holder Position it as shown before you install the board.

  • Page 216: Expanding The Memory

    Expanding the Memory The Fantom-Xa comes with 4 MB of memory into which audio samples can be loaded. However, in some cases, 4 MB of memory will be insufficient for loading large amounts of data. In such a case, you will have to add separately sold memory (DIMM). Memory can be expanded up to 64/128/256/512 MB.

  • Page 217: Removing The Memory

    Speed: Voltage: Capacity: Board height: The Fantom-Xa has been confirmed to work with standard memory that meets the above specifications. However, we cannot guarantee that all memory of these specifications will work correctly. Please be aware that even with identical...

  • Page 218: Using A Memory Card

    Before Using the Memory Card Make sure that the correct side of the card is facing upward, and insert it into the Fantom-Xa’s PC card slot. When you need to remove the card, press the eject button located beside the card. fig.MemCard1.e...

  • Page 219: Troubleshooting

    Troubleshooting If the Fantom-Xa does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If any sort of message is being displayed on the screen during an operation, refer to Error Messages (p.
  • Page 220 Even when I set the Pan for a Patch completely to one side, sound still comes from the other channel. The Fantom-Xa’s internal effects are in stereo, so if you have effects applied to a Patch, even if the Pan is set all the way to one side, you will still be able to hear sounds of the effect component from the other channel.

  • Page 221: Issues Related To Effects

    The Modulation or other controller is always on. Check the Matrix Controller settings (p. 49). The Fantom-Xa allows you to use the Matrix Control to control Patches in real time. The Matrix Control functions as the control source for the Control Change and other MIDI messages received by the Fantom-Xa, and makes changes to the various Patch parameters based on these messages.

  • Page 222: Issues Related To Sequencer

    • Are you trying to play song data designed for the GS Format? When the Fantom-Xa receives a GS Reset message, the Fantom- Xa is enabled for the GS format. This permits playback of music data bearing the GS logo (GS music data).

  • Page 223: Issues Related To Midi And External Devices

    MIDI device and the Fantom-Xa’s MIDI Receive channel are matched. The MIDI Receive channel used by the Fantom-Xa in Patch mode is set with the Kbd Patch RX/TX Channel parameter (keyboard part) and Pad Patch RX/TX Channel parameter (pad part). Rhythm Set performance data is generally received on MIDI Channel 10.

  • Page 224: Issues Related To Sampling

    Turn off the power, remove the memory card, then re-insert the memory card correctly. • Is the memory card an appropriate type? The Fantom-Xa can use either PC card type memory cards, or another type of memory card via a PC card adaptor. I can’t use a memory card.

  • Page 225: Error Messages

    No more songs can be saved. A maximum of 256 songs No More Song Numbers! can be handled simultaneously for both the user bank and card bank. Now Playing! Since the Fantom-Xa is playing, this operation cannot be executed. The file is protected. Permission Denied! Playback Tempo Range Over...

  • Page 226: Performance List

    CC#0 = 85, CC#32 = 32 * The Performance with * mark to the head of its name uses the Preset Samples. Therefore, in order to play this Performance, the Preset Samples need to be loaded to Fantom-Xa. PRST (Preset Group)

  • Page 227: Patch List

    128 Rezo Sync 059 Synergy MLT MALLET * Depending on the country in which 060 AirPluck MALLET you purchased your Fantom-Xa, the 061 X Perc Organ ORGAN first six user patches may be in a 062 Peep Durple ORGAN different order.
  • Page 228 Patch List PR-A (Preset A Group) CC#0 = 87, CC#32 = 64 No. Name Voices Category No. Name 001 So true... AC.PIANO 071 Synergy MLT 002 ConcertPiano AC.PIANO 072 Steel Drums 003 Warm Piano AC.PIANO 073 Xylosizer 004 Warm Pad Pno AC.PIANO 074 Toy Box 005 Warm Str Pno...
  • Page 229 PR-C (Preset C Group) CC#0 = 87, CC#32 = 66 No. Name Voices Category No. Name 001 FS Flute FLUTE 071 Mod Lead 002 Atk Flute FLUTE 072 Digital Ld 1 003 Piccolo FLUTE 073 Chubby Lead 004 Andes Mood FLUTE 074 Sneaky Leady 005 Pan Pipes...
  • Page 230 Patch List PR-E (Preset E Group) CC#0 = 87, CC#32 = 68 No. Name Voices Category No. Name 001 Digital Aahs SOFT PAD 071 FS Sitar 2 002 FreezinNight SOFT PAD 072 Sitar on C 003 FS MovinPad SOFT PAD 073 Sitar Baby 004 Seq-Pad 1 SOFT PAD...
  • Page 231 GM (GM2 Group) Voice: number of voice LSB: Bank Select LSB (CC#32), MSB (CC#0) is all 121 No. Name Voice No. Name 001 Piano 1 065 Chorus Gt. 002 Piano 1w 066 Mid Tone GTR 003 European Pf 067 Muted Gt. 004 Piano 2 068 Funk Pop 005 Piano 2w...

  • Page 232: Rhythm Set List

    *PrstSmplKit * The Rhythm Set with * mark to the head of its name uses the Preset Samples. Therefore, in order to play this Rhythm Set, the Preset Samples need to be loaded to Fantom-Xa. PRST (Preset Group) CC#0 = 86, CC#32 = 64...
  • Page 233 PRST (Preset Group) StandardKit1 StandardKit2 Note No. MaxLow Kick3 Dance Kick Rk CmpKick Dry Kick 1 Gospel Clap Snr Roll Boys Kick Power Kick Snr Roll Amb.Snr 2 HipHop Kick2 Power Kick Reg.PHH mf Reg.PHH Reg.Kick Reg.Kick Reg.Kick Reg.Kick Reg.Stick Wild Stick Reg.Snr 2 Amb.Snr 1...
  • Page 234 Rhythm Set List PRST (Preset Group) Orch Kit 909 808 Kit Note No. Timpani Roll TR909 Kick 2 ConcertBD TR909 Kick 4 Shaker 2 Urbn Sn Roll Jngl pkt Snr TR909 Kick 5 Reverse Cym TR909 Snr 3 Snr Roll Lp TR909 Kick 3 Jazz Ride TR909 PHH 2...
  • Page 235 PRST (Preset Group) Machine&Hip R&B Kit Note No. TR909 Kick 2 70’s Kick TR909 Kick 4 Skool Kick Chemical Snr Urbn Sn Roll AnalogKick 6 HipHop Kick2 TR808 Snr 1 Slap Snr 2 70’s Kick Old Kick TR808 PHH HipHop CHH 2 SH32 Kick Filtered Hit Low Kick 2...
  • Page 236 Rhythm Set List PRST (Preset Group) House Kit Nu Technica Note No. TR909 Kick 3 SH32 Kick SH32 Kick JD EML 5th Urbn Sn Roll AnalogKick 6 TR909 Kick 2 Low Kick 2 TR909 Snr 6 PlasticKick3 TR909 Kick 5 Low Kick 1 TR909 PHH 2 TR707 Kick...
  • Page 237 PRST (Preset Group) Snare Menu 1 Snare Menu 2 Note No. Reg.Snr1 p ----- Reg.Snr1 mf ----- Reg.Snr1 f ----- Reg.Snr1 ff ----- Reg.Snr1 ----- Reg.Snr2 p ----- Reg.Snr2 f ----- Reg.Snr2 ff Grit Snr 1 Reg.Snr2 Grit Snr 2 Reg.Snr Flm Grit Snr 3 Amb.Snr1 p...
  • Page 238 Rhythm Set List PRST (Preset Group) Percussion Scrh&Voi&Wld Note No. ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- Finger Snap Scratch 1 Club FinSnap Scratch 2 Single Snap Scratch 3 Snap Scratch 4 Group Snap Scratch 5 Cowbell Scratch 6...
  • Page 239 GM (GM2 Group) (PC: 1) GM2 STANDARD GM2 ROOM Note No. High-Q High-Q Slap Slap ScratchPush ScratchPush ScratchPull ScratchPull Sticks Sticks SquareClick SquareClick Mtrnm.Click Mtrnm.Click Mtrnm. Bell Mtrnm. Bell Mix Kick Mix Kick Standard KK1 Standard KK1 Side Stick Side Stick Standard SN1 Standard SN1 909 HandClap...
  • Page 240 Rhythm Set List GM (GM2 Group) (PC: 41) GM2 BRUSH GM2 ORCHSTRA Note No. High-Q Close HiHat2 Slap Pedal HiHat2 ScratchPush Open HiHat2 ScratchPull Ride Cymbal Sticks Sticks SquareClick SquareClick Mtrnm.Click Mtrnm.Click Mtrnm. Bell Mtrnm. Bell Jazz Kick 2 Concert BD Jazz Kick 1 ConcertBD Mt Side Stick...

  • Page 241: Waveform List

    Waveform List Wave Name Wave Name 0001 Ac.Pno p A L 0091 3rd Perc Org 0002 Ac.Pno p A R 0092 Lo-Fi Organ 0003 Ac.Pno p B L 0093 Perc Organ 1 0004 Ac.Pno p B R 0094 Perc Organ 2 0005 Ac.Pno p C L 0095...
  • Page 242 Waveform List Wave Name Wave Name 0451 Vcs Pizz C 0541 JD Spark Vox 0452 VcsPizzRev A 0542 JD Cutters 0453 VcsPizzRev B 0543 SBF Hrd Ld 1 0454 VcsPizzRev C 0544 SBF Hrd Ld 2 0455 Unison Saw A 0545 JD EML 5th 0456...
  • Page 243 Wave Name Wave Name 0901 BmbCmp Snr 0991 Reg.H.Tom f 0902 MrchCmp Snr 0992 Reg.L.TomFlm 0903 Frenzy Snr 1 0993 Reg.M.TomFlm 0904 Frenzy Snr 2 0994 Reg.H.TomFlm 0905 Slap Snr 1 0995 Jazz Lo Tom 0906 Keen Snr 1 0996 Jazz Mid Tom 0907 Reggae Snr...

  • Page 244: Arpeggio Style List/Chord Form List

    Arpeggio Style List/Chord Form List Arpeggio Style List USER (User Group) PRST (Preset Group) Arpeggio Name Basic 1 Basic 2 Basic 3 Basic 4 2 Tone Up 3 Tone Up 4 Tone Up 2 Tone Down 3 Tone Down 4 Tone Down 4 Tone Up&Down Seq Pattern 1 Seq Pattern 2...

  • Page 245: Rhythm Group List

    * The sound data (Rhythm Group and Rhythm Set) with * mark to the head of their names use the Preset Samples. Therefore, in order to play these sound data, the Preset Samples need to be loaded to Fantom-Xa. PRST (Preset Group)

  • Page 246: Rhythm Pattern List

    Rhythm Pattern List Recommended Pattern Name Rhythm Set Pop 1-1 Pop 1-2 Pop 1-3 Pop 1-4 PRST:002 StandardKit2 Pop 1-5 (USER:001 StandardKit3) Pop 1-6 Pop 1-7 Pop 1-8 Pop 2-1 Pop 2-2 Pop 2-3 Pop 2-4 PRST:001 StandardKit1 Pop 2-5 Pop 2-6 Pop 2-7 Pop 2-8...
  • Page 247 * The sound data (Rhythm Pattern and Rhythm Set) with * mark to the head of their names use the Preset Samples. Therefore, in order to play these sound data, the Preset Samples need to be loaded to Fantom-Xa. BPM125...

  • Page 248: About Midi

    Example: Set the Fantom-Xa to send Channel 1 and Channel 2, then set sound module A to receive only Channel 1 and sound module B only Channel 2. With this setup, you can get an ensemble performance, with, for example, a guitar sound from sound module A and bass from sound module B.

  • Page 249: Midi Implementation Chart

    (Sound Generator Section) Model Fantom-Xa Function... MIDI Implementation Chart Basic Default Channel Changed Default Mode Messages Altered Note Number : True Voice Note On Velocity Note Off After Key’s Touch Channel’s Pitch Bend 0, 32 6, 38 Control Change 1–31, 64–95...

  • Page 250: Sequencer Section

    MIDI Implementation Chart (Sequencer Section) Model Fantom-Xa Function... Basic Default Channel Changed Default Mode Messages Altered Note Number : True Voice Note On Velocity Note Off After Key’s Touch Channel’s Pitch Bend 0–119 Control Change Program : True Number Change...

  • Page 251: Specifications

    Specifications Fantom-Xa: Synthesizer Keyboard (Conforms to General MIDI 2 System) Keyboard 61 keys (with velocity) Sound Generator Section Maximum Polyphony 128 voices (shared with the sampling section) Parts 16 parts Wave Memory 64 M bytes (16-bit linear equivalent) Waveforms 1,228...

  • Page 252: Rhythm Pattern

    It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor.

  • Page 253: Index

    Index Symbols .MID ... 24 .SVQ ... 24, 204, 207 .WAV ... 105, 204, 207 Numerics 2BAND CHORUS ... 174 2BAND FLANGER ... 174 2BAND STEP FLANGER ... 175 2VOICE PITCH SHIFTER ... 183 3D CHORUS ... 173 3D DELAY ... 180 3D Effects ...
  • Page 254 Index Color Cb Ctrl ... 213 Color Cr Ctrl ... 213 COMBINE ... 111 Compare Function Patch ... 36 Rhythm Set ... 56 COMPRESSOR ... 176 Compressor ... 102 Connection Amp and Speaker System ... 15 Continuous Hold Pedal ... 85, 195 Contrast ...
  • Page 255 F-Env Level 0–4 Patch ... 46 Rhythm Set ... 63 F-Env T1 V-Sens Patch ... 46 Rhythm Set ... 63 F-Env T4 V-Sens Patch ... 46 Rhythm Set ... 63 F-Env Time 1–4 Patch ... 46 Rhythm Set ... 63 F-Env Time KF ...
  • Page 256 Index LAYER ... 26 Layer ... 69 LCD Contrast ... 16, 193 Legato ... 76 Legato Retrigger ... 41 Legato Switch Patch ... 41 Performance ... 76 Level Auto Chop ... 111 Solo Synth ... 81, 202 Level V-Curve Patch ... 47 Rhythm Set ...
  • Page 257 PHASER ... 168 PHONOGRAPH ... 182 PITCH SHIFTER ... 183 REVERB ... 184 REVERSE DELAY ... 179 RING MODULATOR ... 169 ROTARY ... 170 SERIAL DELAY ... 178 SHUFFLE DELAY ... 180 SLICER ... 170 SPACE-D ... 172 SPEAKER SIMULATOR ... 167 SPECTRUM ...
  • Page 258 Index Sample ... 112 Pad Common Velo ... 117 Pad Control Mode ... 82 Pad Exchange ... 118 Pad Number ... 117 D Beam ... 82 Pad Patch Rx/Tx Channel ... 197 Pad Setting ... 117 Pad Trigger ... 82 Pad Velocity D Beam ...
  • Page 259 Rand Pitch Depth ... 44 Random Pan Depth ... 64 Patch ... 48 Range Solo Synth ... 81, 202 Range High ... 102 Range Low ... 102 Range Max D Beam ... 82, 201 Range Min D Beam ... 82, 201 Rate ...
  • Page 260 Index Sens ... 102, 162 Sequencer ... 23 Sequencer Section ... 19 SERIAL DELAY ... 178 Shift Clock ... 142 SHUFFLE DELAY ... 180 Shuffle Quantize ... 126 Shuffle Resolution ... 126 Simultaneous Polyphony ... 21 Skip Back Sampling ... 103 Skip Back Time ...
  • Page 261 Tone Fine Tune Patch ... 44 Rhythm Set ... 60 Tone Level Patch ... 47 Rhythm Set ... 64 Tone Mix Velo Control ... 42 Tone Out Assign Patch ... 54 Rhythm Set ... 65 Tone Out Level Patch ... 54 Rhythm Set ...
  • Page 262 Index Wave No. L (Mono) Patch ... 43 Rhythm Set ... 59 Wave No. R Patch ... 43 Rhythm Set ... 59 Wave Pan ... 61 Wave Rnd Pan Sw ... 61 Wave Tempo Sync Patch ... 43 Rhythm Set ... 59 WG ...

  • Page 263: Declaration Of Conformity

    Model Name : Fantom-Xa Type of Equipment : Synthesizer Keyboard Responsible Party : Roland Corporation U.S. Address : 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 Telephone : (323) 890-3700 This product complies with the requirements of European Directive 89/336/EEC.
  • Page 264 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA PHILIPPINES G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue EGYPT Makati, Metro Manila 1200, Al Fanny Trading Office...

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