Roland Fantom-Xa Owner's Manual page 177

42: GATE
Cuts the reverb's delay according to the volume of the sound sent
into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb's decay.
fig.MFX-42
L in
Gate
R in
Gate
Parameter Value
Threshold # 0–127
Mode GATE,
DUCK
Attack 0–127
Hold 0–127
Release 0–127
Balance # D100:0W–
D0:100W
Level 0–127
43: DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
fig.MFX-43a
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
When Feedback Mode is CROSS:
fig.MFX-43b
Balance D
L in
Delay
Feedback
Feedback
Delay
R in
Balance D
Parameter Value
Delay Left 0–1300 ms,
note
Delay Right
Phase Left NORMAL,
INVERSE
Phase Right
L out
R out
Explanation
Volume level at which the gate begins to
close
Type of gate
GATE: The gate will close when the
volume of the original sound decreas-
es, cutting the original sound.
DUCK (Ducking): The gate will close
when the volume of the original
sound increases, cutting the original
sound.
Adjusts the time it takes for the gate to
fully open after being triggered.
Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
Adjusts the time it takes the gate to fully
close after the hold time.
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Adjusts the time until the delay sound is
heard.
Phase of the delay sound
Parameter Value
Feedback NORMAL,
Mode CROSS
Feedback # -98– +98 %
HF Damp 200–8000 Hz,
BYPASS
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
44: LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
L in
Long Delay
Feedback
R in
Parameter Value
Delay Time 0–2600 ms, note
Phase NORMAL, INVERSE
Feedback # -98– +98%
HF Damp 200–8000 Hz,
BYPASS
Pan # L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
Adding Effects
Explanation
Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which sound
fed back to the effect is filtered out. If you
don't want to filter out any high frequen-
cies, set this parameter to BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
2-Band
L out
EQ
Pan L
Pan R
2-Band
R out
EQ
Explanation
Delay time from when the
original sound is heard to
when the delay sound is
heard
Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)
Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)
Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)
Panning of the delay sound
Amount of boost/cut for the
high-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the origi-
nal sound (D) and delay
sound (W)
Output volume
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