Roland Fantom-Xa Owner's Manual page 178

Adding Effects
45: SERIAL DELAY
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to produce
complex delay sounds.
fig.MFX-45
L in
Delay 1
Feedback 1
R in
Parameter Value
Delay1 Time 0–1300 ms, note
Delay1 -98– +98%
Feedback #
Delay1 HF 200–8000 Hz,
Damp BYPASS
Delay2 Time 0–1300 ms, note
Delay2 -98– +98%
Feedback #
Delay2 HF 200–8000 Hz,
Damp BYPASS
Pan # L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
46: MODULATION DELAY
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
fig.MFX-46a
Balance D
L in
Delay
Modulation
Feedback
Feedback
Delay Modulation
R in
Balance D
When Feedback Mode is CROSS:
178
L out
Pan L
Delay 2
Pan R
Feedback 2
R out
Explanation
Delay time from when sound
is input to delay 1 until the de-
lay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of delay 1 (negative values
invert the phase)
Frequency at which the high-
frequency content of the de-
layed sound of delay 1 will be
cut (BYPASS: no cut)
Delay time from when sound
is input to delay 2 until the de-
lay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of delay 2 (negative values
invert the phase)
Frequency at which the high-
frequency content of the de-
layed sound of delay 2 will be
cut (BYPASS: no cut)
Panning of the delay sound
Amount of boost/cut for the
low-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the origi-
nal sound (D) and delay
sound (W)
Output volume
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
fig.MFX-46b
Balance D
L in
Delay Modulation
Feedback
Feedback
Delay Modulation
R in
Balance D
Parameter Value
Delay Left 0–1300 ms,
note
Delay Right
Feedback NORMAL,
Mode CROSS
Feedback # -98– +98 %
HF Damp 200–8000 Hz,
BYPASS
Rate # 0.05–10.00 Hz,
note
Depth 0–127
Phase 0-180 deg
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
47: 3TAP PAN DELAY
Produces three delay sounds; center, left and right.
fig.MFX-47
L in
Left Tap
Triple Tap Delay
Feedback
Right Tap
R in
Parameter Value
Delay Left/ 0–2600 ms,
Right/Center note
Center -98– +98 %
Feedback #
HF Damp 200–8000 Hz,
BYPASS
Left/Right/ 0–127
Center Level
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Adjusts the time until the delay sound
is heard.
Selects the way in which delay sound is
fed back into the effect (See the figures
above.)
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Balance D
2-Band
L out
EQ
Balance W
Center Tap
Balance W
2-Band
R out
EQ
Balance D
Explanation
Adjusts the time until the delay sound
is heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level