Roland Fantom-Xa Owner's Manual page 175

High - quality workstation synthesizer
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34: 2BAND STEP FLANGER
A step flanger that lets you apply an effect independently to the low-
frequency and high-frequency ranges.
fig.MFX-34
L in
High Band Step Flanger
Split
High Band Feedback
Low Band Step Flanger
Low Band Feedback
High Band Feedback
High Band Step Flanger
Low Band Feedback
Split
Low Band Step Flanger
R in
Parameter
Value
Split Freq
200–8000 Hz
Low Pre Delay
0.0–100.0 ms
Low Rate #
0.05–10.00 Hz, note
Low Depth
0–127
Low Phase
0–180 deg
Low
-98– +98%
Feedback #
Low Step
0.10–20.00 Hz, note
Rate #
High Pre Delay
0.0–100.0 ms
High Rate #
0.05–10.00 Hz, note
High Depth
0–127
High Phase
0–180 deg
High
-98– +98%
Feedback #
High Step
0.10–20.00 Hz, note
Rate #
Balance #
D100:0W–D0:100W
Level
0–127
L out
R out
Explanation
Frequency at which the low
and high ranges will be divid-
ed
Delay time from when the
original sound is heard to
when the low-range flanger
sound is heard
Rate at which the low-range
flanger sound is modulated
Modulation depth for the low-
range flanger sound
Spaciousness of the low-range
flanger sound
Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Rate at which the steps will
cycle for the low-range
flanger sound
Delay time from when the
original sound is heard to
when the high-range flanger
sound is heard
Rate at which the high-range
flanger sound is modulated
Modulation depth for the
high-range flanger sound
Spaciousness of the high-
range flanger sound
Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Rate at which the steps will
cycle for the high-range
flanger sound
Volume balance of the origi-
nal sound (D) and flanger
sound (W)
Output volume
35: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube
amplifiers.
fig.MFX-35
L in
Over
Amp
drive
Simulator
R in
Parameter
Value
Drive #
0–127
Amp Type
SMALL,
BUILT-IN,
2-STACK,
3-STACK
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Pan #
L64–63R
Level
0–127
36: DISTORTION
Produces a more intense distortion than Overdrive. The parameters
are the same as for "35: OVERDRIVE."
fig.MFX-36
L in
Amp
Distortion
Simulator
R in
37: VS OVERDRIVE
This is an overdrive that provides heavy distortion.
fig.MFX-37
L in
Amp
Overdrive
Simulator
R in
Parameter
Value
Drive #
0–127
Tone #
0–127
Amp Sw
OFF, ON
Amp Type
SMALL,
BUILT-IN,
2-STACK,
3-STACK
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Pan #
L64–63R
Level
0–127
38: VS DISTORTION
This is a distortion effect that provides heavy distortion. The
parameters are the same as for "37: VS OVERDRIVE."
fig.MFX-38
L in
Amp
Distortion
Simulator
R in
Adding Effects
L out
Pan L
2-Band
EQ
Pan R
R out
Explanation
Degree of distortion
Also changes the volume.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output Level
L out
Pan L
2-Band
EQ
Pan R
R out
L out
Pan L
2-Band
EQ
Pan R
R out
Explanation
Degree of distortion
Also changes the volume.
Sound quality of the Overdrive effect
Turns the Amp Simulator on/off.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output Level
L out
Pan L
2-Band
EQ
Pan R
R out
175

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