Delay (Bpm) - E-Mu ProteusX Operation Manual

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Delay (BPM)

The BPM Delay is similar to the Stereo Delay except that the delay time is synchronized
to the master (MIDI) clock in note divisions. This allows you to easily set up synchro-
nized echoes to your beats. Because the left and right channels are completely
independent, you can set up different synchro-sonic patterns on each side. The four
modes are the same as the stereo delay.
Delay Mode:
Discrete stereo
The left and right
channels are kept
totally separate.
Parameter
Description
Left Delay
Sets the length of the delay for the left channel in milliseconds.
Division
Range: 4/1 note to 1/64 dotted-note
Right Delay
Sets the length of the delay for the right channel in milliseconds.
Division
Range: 4/1 note to 1/64 dotted-note
Mode
Changes the signal routing of the delay. The four modes are:
Discrete stereo - signal paths remain completely separate.
Ping Pong, stereo - The feedback paths feed the opposite channel.
Ping Pong, mono L->R - The effected signal is summed to mono,
then fed down the left channel whose feedback path feeds the right
channel. The right channel feedback path feeds the left channel.
Ping Pong, mono R->L - This is the same as the previous algorithm
except that the L-R channels are reversed.
Feedback
Sets the amount of delayed signal that will be recirculated through
both delay lines. Range: 0% to 100%
HF Damping
High Frequency Damping cuts the high frequency content in the
feedback paths. This causes the echoes to decay naturally away
Modulation Parameters
Wet/Dry Mix
Left Delay Division (Changes the division by a power of 2, up or down.)
Right Delay Division (Changes the division by a power of 2, up or down.)
Feedback
E-MU Systems
R Delay Division
Right
In
HF
Damp
HF Damp
HF
Damp
Left
In
L Delay Division
Right
Delay
Right
Out
Feedback
Left
Out
Left
Delay
7 - Effects
Effects Descriptions
See
page 120
for full
E
descriptions and
diagrams. The BPM
Tempo Chart on
page 83
shows the number of
master tempo clock
pulses for each division.
123

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