Lfo-I (Lfo Intensity) - Korg KROSS Parameter Manual

6–4: LFO-I (LFO Intensity)
LFO1, LFO2, and the Common LFO can all modulate Filter A and
B's cutoff frequencies. You can control the strength of each LFO's
modulation independently for each filter, in three different ways:
• Set an initial amount of LFO modulation, using the Intensity to
A and B parameters.
• Use JS-Y to scale the amount of the LFO.
• Use any AMS source to scale the amount the LFO.
You can use each of these methods for each of the three LFOs, and
do so separately for both Filter A and Filter B. The results are
added together to produce the total LFO effect.
OSC (Oscillator Select)
Select the oscillator (1 or 2) that you want to edit.
Note: Oscillator 2 can be selected if Oscillator Mode is set to
Double.
LFO1
Intensity to A
This controls the initial effect of LFO1 on Filter A's cutoff
frequency, before any JS-Y or AMS modulation.
Negative (–) settings will invert the phase of the LFO. You can
produce interesting effects by using the same LFO to modulate
two different parameters (such as Filter A and Filter B), but with
one set to a positive intensity, and the other set to a negative
intensity.
LFO modulation of Filter Cutoff
Low setting
Intensity to B
This controls the initial effect of the LFO on Filter B's cutoff
frequency, before any JS-Y or AMS modulation.
[1, 2]
[–99...+99]
High setting
[–99...+99]
6: P–FILTER 6–4: LFO-I (LFO Intensity)
JS–Y Intensity to A
This adjusts the depth by which the LFO will modulate the cutoff
frequency of filter A when CC#2 is received.
Note: The -Y direction of joystick control is called "JS-Y."
Although a joystick is a controller that's provided on many Korg
instruments, the KROSS is not equipped with a joystick.
Negative (–) settings will invert the phase of the LFO. You can
also use this to reduce the initial amount of the LFO, as set by
Intensity to A, above. For example:
1. Set Intensity to A to +50.
The LFO will now have a fairly strong effect on the filter cutoff.
2. Set JS-Y Intensity to A to –50.
Now, if you move the joystick down, the effect of the LFO will
fade away. When the joystick is all the way at the bottom of its
range, the LFO will be completely cancelled out.
JS–Y Intensity to B (LFO1)
This lets you use JS-Y to scale the amount of the LFO applied to
Filter B.
AMS (LFO1)
This selects any AMS modulation source to scale the amount of
the LFO applied to Filters A and B. The two filters share a single
AMS source, but with separate intensity settings.
For a list of AMS sources, please see "AMS (Alternate
Modulation Source) List" on page 292.
AMS Intensity to A (LFO1)
This controls the depth and direction of the LFO1 AMS
modulation for Filter A.
For example, if AMS is set to M.Wheel: #01, positive settings
mean that YS+Y will increase the amount of LFO1 applied to
Filter A.
AMS Intensity to B (LFO1)
This controls the depth and direction of the LFO1 AMS
modulation for Filter B.
LFO 2
The parameters for LFO2 are identical to those for LFO1. For
more information, please see the descriptions under LFO1, above.
Common LFO
The parameters for the Common LFO are identical to those for
LFO1. For more information, please see the descriptions under
LFO1, above.
Note that while LFO1 and LFO2 are separate for each voice, the
Common LFO is shared by all voices in the Program. This makes
it useful when you want all of the voices to have an identical LFO
effect.
[–99...+99]
[–99...+99]
[List of AMS Sources]
[–99...+99]
[–99...+99]
25