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Recording preparations
Connecting instruments/Making mono settings
Make settings for instruments such as high impedance guitars, line-input synths, the built-in
mics and mics that use phantom power as well as for stereo and mono input sources.
Connecting passive-type guitars
Connect the high impedance instrument to INPUT 1, and
the turn the Hi-Z switch ON.
Signal to INPUT 1
Connecting low-impedance instru-
ments (mono connections)
Connect low impedance instruments to any INPUT 1~8.
Signals to any INPUT 1~8
Using phantom power
Supply phantom power to the connected mic
NOTE
• Turn the PHANTOM switch ON to provide +48 V
power to INPUTS 3~8.
• In order to reduce battery consumption by the
use of phantom power, it can be turned off to
INPUTS 3, 4, 7 and 8, and the voltage can be
reduce to +24 V (Ref. P104).
• Use the fader that is in line with the INPUT jack.
The signal from INPUT 1 goes to track 1,9 or 17.
• To use tracks 9~16 or 17~24 press the 9~16Tr or
17~24Tr key to switch the fader assignment.
• Depending on the insert effect selection, the
output can change.
• Create one stereo file from two faders by using
the stereo link setting.
Assign INPUT 1~8 connections to
tracks 1~24
1
Connect instruments and mics.
INPUTS 1~8
2
Make settings for instruments,
built-in mics, stereo tracks, etc.
Hi-Z
PHANTOM
Stereo
Mono x 2
3
Select the bank of tracks.
Tracks
Tracks
1~8
9~16
4
Change the status of the connected inputs.
Press the status key of a track
1–2 times to turn its red light on.
When red, recording is possible
Set the tracks to receive inputs
Press the 1-8Tr, 9-16Tr or 17~24Tr key to set
the bank of tracks that will record the inputs.
INPUT
1~8Tr key active
9~16Tr key active 17~24Tr key active
1
1
2
2
3
3
4
4
5
5
6
6
7
7
8
8
☞
Ref: Stereo setting
MIC
Mono
Assign faders to
tracks 1~8, 9~16
or 17~24
Tracks
17~24
TRACK
9
17
10
18
11
19
12
20
13
21
14
22
15
23
16
24
P19
18
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