Zoom R24 Operation Manual page 125

Effect types and parameters 10
Parameters marked with allow values to be set in note units, using the song/pattern tempo as reference.
Table 1
The note durations for the setting values are shown below.
32nd note
16th note
Quarter note triplet
NOTE
• The note range actually available depends on the parameter.
• Depending on the combination of tempo setting and selected note symbol, the parameter variation range could be exceeded. In such a
case, the value is automatically halved (or set to 1/4 if the range is still exceeded).
Table 2
Setting
Frequency does not change.
Off
Frequency changes from minimum to maximum
Up
along with the controlling waveform.
Frequency changes from maximum to minimum
Down
along with the controlling waveform.
Frequency changes from patch setting to maximum
Hi
along with the controlling waveform.
Frequency changes from minimum to patch setting
Lo
along with the controlling waveform.
Table 3
Setting Explanation
Rising sawtooth wave
Up Saw
Up Fin Rising fin wave
DownSaw Falling sawtooth wave
DownFin Falling fin wave
Table 4
Setting Explanation
8th note
Quarter note
Half note
Dotted half note
8x Comp EQ algorithm
Module 1~8
Unit
HPF Freq HPF
Rack Comp
Comp Type
Limiter
EQ Type See the BASS algorithm for details.
Mastering algorithm
• COMP/Lo-Fi module
Type
Xover Lo
3Band Comp
Compressor that divides signal into 3 bands that can be compressed and mixed separately.
Lo-Fi For an explanation of the types and parameters, see the STEREO algorithm.
Parameter descriptions
Parameter
50Hz~16kHz
Xover Lo
50Hz~16kHz
Xover Hi
Sense Hi 0~24
0~24
Sense Mid
0~24
Sense Low
Off, −24~6
Mix High
Off, −24~6
Mix Mid
Off, −24~6
Mix Low
Dotted 16th note
8th note
Half note triplet
Explanation
Setting Explanation
Triangular wave
Tri
Squared triangular wave
TrixTri
Sine wave
Sine
Square wave
Square
Setting Explanation
1 measure
1 bar
2 measures
2 bars
3 bars 3 measures
4 measures
4 bars
Type
Xover Hi Sense Hi
Setting range
Dotted 8th note
Quarter note
Dotted quarter note
Table 5
Setting
1 semitone lower → original sound
1
Original sound → 1 semitone lower
2
3 Doubling → detune + original sound
Detune + original sound → doubling
4
Original sound → 1 octave higher
5
1 octave higher → original sound
6
Original sound → 2 octaves lower
7
2 octaves lower → original sound
8
1 octave higher + original sound → 1 octave lower +
9
original sound
Complete fifth down + original sound → complete
10
fourth up + original sound
Complete fourth up + original sound → complete fifth
11
down + original sound
0 Hz + original sound → 1 octave up
12
13 1 octave up → 0 Hz + original sound
0 Hz + original sound → 1 octave up + original sound
14
15 1 octave up + original sound → 0 Hz + original sound
16 1 octave up + original sound → 0 Hz + original sound
Setting range
80~240Hz
This filter cuts low frequencies and passes high-frequencies.
For an explanation of types and parameters, see CLEAN, DISTORTION,
ACO/BASS SIM algorithms.
Parameters
Mix High
Sense Mid Sense Low
Adjusts low-to-mid crossover frequency.
Adjusts mid-to-high crossover frequency.
Adjusts high range compressor sensitivity.
Adjusts mid range compressor sensitivity.
A djusts low range compressor sensitivity.
Adjusts high frequency range mix level.
Adjusts mid frequency range mix level.
Adjusts low frequency range mix level.
Delay, Analog Delay
and Echo can use
up to x8.
:
Reverse Delay can
use up to x4.
Explanation
Explanation
Sets the cut off frequency.
Mix Mid Mix Low
Explanation
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