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Effect patch list 2
30
Every BG
31
EVH1959
32
BrianDrv
33
RitchStd
34
Carlos
35
PeteHW
36
JW Talk
37
Kstone
38
RR Mtl
39
SV LEAD
40
Monster
FatMs
41
SlowFlg
42
43
DmgFuzz
Recti Wah
44
45-49
Empty
Aco/Bass SIM algorithm
Patch name
No.
0
Ensemble
1
Delay LD
2
Chorus
3
FineTune
4
Air Aco
5
Standard
6
CompBass
WarmBass
7
Flanging
8
Auto Wah
9
10-19
Empty
Bass algorithm
Patch name
No.
SVT
0
BASSMAN
1
HARTKE
2
3
SUPER-B
SANS-A
4
5
TUBE PRE
6
Attack
Wah-Solo
7
8
Talk&Cry
9
Melody
SlapJazz
10
11
Destroy
12
Tremolo
13
SoftSlow
14
Limiter
15
X'over
16
CleanWah
17
Exciter
18
ClubBass
DriveWah
19
20-29
Empty
Mic algorithm
Patch name
No.
0
Rec Comp
1
RoomAmbi
VocalDly
2
3
Rock
127
Buddy Guy's blues sound is dry and overdriven and adds color to any blues lick
Early Eddie Van Halen sound
Brian May drive sound recreated using "Z Neos"
Sound that Deep Purple's Ritchie Blackmore used recording "Machine Head"
Smooth sound used by Carlos Santana in album recording recreated using "BG Crunch"
Pete Townshend crunch sound using Hiwatt with clean amp turned all the way up for a powerful tone
Recreation of the talkbox sound used by Joe Walsh in his "Rocky Mountain Way" solo
Keith Richards's classic intro sound can be heard in The Rolling Stones' "Satisfaction"
80's Metal sound with distinctive midrange based on the Metal Zone
Stack sound that boldly cuts through the midrange is good for huge guitar solos
Weird tone that mixes a heavy sound with a doubling an octave down
Drive sound with detuning added to thicken the sound is great for power chords and backing parts
Jet sound combining "Slow Attack" with flanger
Psychedelic tone that adds "Ring Modulator" to fuzz sound that cuts fiercely through low frequencies
Bold high gain sound with auto-wah and a short delay added
Gorgeous sound with deep ensemble effect.
Lively acoustic guitar sound for lead playing.
Chorus sound suitable for everything from rhythm guitar to lead guitar.
Detuning creates sonic depth.
Air sound makes it sound like recording with a mic.
Standard bass sound with many uses.
Bass sound comes alive with compressor and exciter.
Bass sound with warm and round feeling.
Flanging sound covers a lot of ground from 16-beat phrases to melody playing.
Funky bass sound that makes good use of auto wah-
Royal rock sound great for finger-picking and flatpicking.
Vintage rock sound for any occasion.
Hartke simulation with all the glitz and glitter.
Great for guitar unison and solo play.
Edgy sound with a strong core that is a good match for flatpicking.
All-round tube sound.
Compression sound effective for slap and flatpick playing.
Solo sound with distortion and a touch of wah. Pitch shift is the secret ingredient.
Typical special effect that makes a crying sound like a talking modulator.
Chorus sound for melody, solo, chord and harmonic playing.
Basic slap sound in the jazz bass style.
Smashing sound mixing distortion, pitch shifting and ring modulation.
Great match for moody bass lines and chord playing.
Melody or solo play tone that is great for fretless bass.
Limiter evens out the sound when using a pick.
Flanger sound for picking, typical of the crossover genre.
Auto wah sound that has many uses.
All-around sound with a fresh and transparent character.
Sound that simulates the ambience of a small club and is suitable for walking bas lines.
Auto wah sound with variable drive that follows picking dynamics.
Conventional preamp and compression sound for recording.
Simulates the ambience of a radio station studio.
Delay effect that works best with wet vocals. .
Heavy compression sound for rock vocals
Description
Description
Description
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