GREAT PLANES RealFlight 7 User Manual page 300

Chase-
The Chase mode positions the camera behind the aircraft. The camera will follow the
aircraft as it moves.
To magnify the view or zoom in on the selected item, press the [+] (plus) key on the
keyboard. Each time you press the [+] (plus) key or select the Zoom In menu item,
the zoom level increases incrementally. Alternatively, you may select the Zoom In
option from the View menu.
To decrease the magnification, or zoom away from the selected item, press the [-]
(minus) key on the keyboard. Each time you press the [-] (minus) key or select the
Zoom Out menu item, the zoom level decreases incrementally. Alternatively, you may
select the Zoom Out option from the View menu.
Onboard Cameras-
Depending on the aircraft, there may be additional cameras available on and around
the aircraft, looking at a variety of different directions and perspectives. For example,
the P-51 Mustang is equipped with three onboard cameras that include:
• Cockpit – This camera is placed inside the P-51 cockpit, looking forward,
much like sitting in a real aircraft.
"intelligence", moving and rotating based on the current aircraft motion or
movement.
• Rear – This camera angle is positioned slightly above the nose of the airplane,
looking rearward towards the cockpit and tail.
• Tail – Positioned at the top of the vertical stabilizer, this camera looks forward
towards the nose of the airplane.
• Wing – Positioned at the tip of the port-side wing, looking back at the cockpit.
For example, during normal flight, the cockpit camera will try to predict and
look in the direction the aircraft is likely to fly. If you were to fly a knife edge
maneuver, the camera will look down towards the ground.
During combat events, this camera will attempt to look at the player you have
targeted.
Onboard cameras can be added and modified much like other parts of the aircraft.
Refer to page 118 in Edit Current Aircraft section for more information on how to edit
RealFlight aircraft.
This camera also includes some
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