Korg D1600mkII Owner's Manual page 160

Cho/Fl
(Chorus/Flanger)
This effect gives a sense of pitch movement and depth to the
sound. Adjusting the delay time will change the effect signifi-
cantly.
DTime (Delay Time) ......0.0...50.0ms Sets the delay time
LFO (LFO Waveform) ..........TRI, SIN Selects LFO Waveform
*Speed (LFO Frequency) ..0.02...20.0 Sets the LFO speed
*Depth (Depth) .........................0...100 Sets the depth of LFO modula-
Fdback (Feedback)........ –100...+100 Sets the feedback amount
Trim (EQ Trim).........................0...100 Sets the EQ input level
LEQG (Pre LEQ Gain [dB]) –15...+15 Sets the gain of Low EQ
HEQG (Pre HEQ Gain [dB])–15...+15 Sets the gain of High EQ
Mode (Output Mode) .. Normal, Invert Selects the output mode for the
Mix (Wet/Dry)........ –Wet...–1:99, Dry,
1:99...Wet
:Output Mode
When this is set to "Invert," the phase will be inverted for the right
channel of the chorus/flanger to create a simulated stereo effect, pro-
ducing a more spacious feeling.
Treml
(Tremolo)
LFO (LFO Waveform) ..TRI, SIN, Vin-
tage,
Shape (LFO Shape) ...... –100...+100 Determines how much the LFO
*Speed (LFO Frequency [Hz]) ............
0.02...20.0
*Depth (Depth) .........................0...100 Sets the depth of LFO modula-
Mix (Wet/Dry).... Dry, 1:99...99:1, Wet Sets the balance between the
Phaser
LFO (LFO Waveform) ..........TRI, SIN Selects LFO Waveform
*Speed (LFO Frequency [Hz]) ............
0.02...20.0
Manual (Manual).....................0...100 Sets the frequency to which the
*Depth (Depth) .........................0...100 Sets the depth of LFO modula-
Reso (Resonance)......... –100...+100 Sets the resonance amount
Mix (Wet/Dry)........ –Wet...–1:99, Dry,
1:99...Wet
Delay
This effect generates a time-delayed copy of the input signal.
This effect is mono-in/stereo-out.
DTime (Delay Time)...........1...680ms Sets the delay time
Fdback (FeedBack) ....... –100...+100 Sets the feedback amount
HiDamp (High Damp) .............0...100 Sets the high-frequency attenua-
LoDamp (Low Damp) .............0...100 Sets the low-frequency attenua-
Mix (Wet/Dry).... Dry, 1:99...99:1, Wet Sets the balance between the
S.Dly
(Stereo Delay)
This is a variation of "Delay" that allows two channels of simul-
taneous input. The parameters are the same as for "Delay."
Pitch
(Pitch shifter)
This effect shifts the pitch of the input signal. You can choose
from three types: fast response, minimum tonal change, and a
setting between these two. Since a delay with feedback is also
152
tion
chorus/flanger
Sets the balance between the
effect and dry sounds
Selects LFO Waveform
Up, Down
waveform is changed
Sets the LFO speed
tion
effect and dry sounds
Sets the LFO speed
effect is applied
tion
Sets the phaser effect balance
tion of the feedback
tion of the feedback
effect and dry sounds
provided, you can create special effects in which the pitch pro-
gressively steps upward (or downward).
Mode (Mode) ..... Slow, Medium, Fast Switches Pitch Shifter mode
*Pitch (Pitch Shift [1/2tone]) –24...+24 Sets the pitch shift amount in
Fine (Fine [cent]).......... –100...+100c Sets the pitch shift amount in
DTime (Delay Time [msec]) ... 0...500 Sets the delay time
FbSel (Feedback Position Select)Pre,
Post
Fdback (Feedback) ........ –100...+100 Sets the feedback amount
HiDamp (High Damp [%]) ...... 0...100 Sets the damping amount in the
Mix (Wet/Dry) ....Dry, 1:99...99:1, Wet Sets the balance between the
: Mode
This switches the operating mode of the pitch shifter. "Slow" will
produce the least tonal change. "Fast" will provide the fastest
response. "Medium" is between these two. It is best to use "Fast"
when only a small amount of pitch shift is needed, and "Slow"
when you wish to shift the pitch by a large amount.
: Mode, Fine
If Cntrl is controlling Pitch and you change Modes or the Fine tun-
ing, you must once again use Cntrl to readjust the Max and Min
parameters.
: Feedback Position Select, : Feedback
When "Feedback Position Select" is set to "Pre," the output of the
pitch shifter will be once again sent back to the pitch shifter. This
means that if "Feedback" is raised, the pitch will continue stepping
up (or down) each time feedback is repeated.
If "Feedback Position Select" is set to "Post," the feedback will not
pass through the pitch shifter, so that raising "Feedback" will cause
the pitch-shifted sound to be repeated without further pitch change.
MicSim
(Mic Simulator)
The mic simulator is a modeling effect that can transform a
sound recorded on a conventional dynamic mic, giving it the
character of a sound that was recorded on an expensive con-
denser mic, special studio mic, or vintage mic.
InMic (Input Mic Type) . Vo.Dy, Mlt.Dy,
Line
OutMic (Output Mic Type) ...... Vnt.Dy,
Mlt.Cn,
Pc.Cn, Whale,
Vo.Cn, Vo.Tb,
BDr.Dy
Set (Setting) ........ Close, On, Off, Far Mic setting
Trim (Trim).............................. 0...100 Sets the adjustment level
: Input Mic Type
Vo.Dy A dynamic mic frequently used for vocals that brings the
sound to the forefront and is also resistant to popping and feedback.
Mlt.Dy A dynamic mic usable for a wide range of applications
including most instruments and vocals, with a crisp and well
defined character.
: Output Mic Type
Vnt.Dy A simulation of a vintage mic known for its warm and rich
tone, and is ideal for vocals.
Mlt.Cn A simulation of a general-purpose studio condenser mic
with a wide range from low to high that is ideal for most instru-
ments.
Pc.Cn A simulation of a small condenser mic for instruments. It
has a distinctive high range, and is ideal for drum overdubs and for
acoustic guitar.
Whale A simulation of a dynamic mic with clarity and a sense of
power. Ideal for drum sounds.
Vo.Cn A simulation of a standard studio condenser mic that is
ideal for vocals, acoustic instruments, and narrations.
Vo.Tb A simulation of a vintage tube mic that is ideal for vocals.
BDr.Dy A simulation of a fairly large dynamic mic that is ideal for
bass drum sounds etc. that include the sense of air pressure charac-
steps of a semitone
steps of one cent
Switches the feedback connec-
tion
high range
effect and dry sounds
Selects the mic that was used for
recording
Selects the mic to be simulated