Korg EXB-MOSS Manual page 24

1–3b: Tone Generator
The Decay and Release that you specify here will
control the output level of the oscillator. In order for
these settings to have an effect, they must be set
longer than the decay and release of the EG which you
are using for the Amp.
Decay
Specifies the decay time of the tone generator.
Release
Specifies the release time of the tone generator.
1–3c: Overtone
Level
Specifies the volume of the higher overtones that are
produced when the tone generator vibrates.
Frequency
Specifies the frequency of the overtones.
Decay
Specifies the decay time of the overtone volume.
1–3d: Pickup
Location
Specifies the location of the pickup in relation to the
tone generator. With low settings, the pickup will be
placed in the center of the vertical vibration of the
tone generator, causing the second partial to be
emphasized and the fundamental to be less audible.
AMS (Alternate Modulation Source)
Selects a modulation source ( p.48 of this manual)
that will control "Location."
Intensity (Pickup Location AMS Intensity)
Specifies the depth and direction of the effect of "AMS."
1–3e: Low EQ
Makes settings for a Low EQ (shelving type) that will
adjust the output signal.
Frequency
Specifies the cutoff frequency of the Low EQ (shelving
type) that will be applied to the output signal.
Gain
Specifies the gain of the Low EQ.
Brass Model
This oscillator is a physical model which simulates lip-
reed instruments such as a trumpet or trombone.
By using key velocity or modulation wheel to modulate
the Pressure (the force of breath blown into the mouth-
piece) you can produce performance expressions that are
very similar to those of an actual lip-reed instrument.
[0...99]
The parameters are as follows: Inst Type determines the
model which simulates the bore length and shape of the
instrument, Breath Pressure indicates the force of breath
[0...99]
that is blown into the mouthpiece, Lip Character
produces the tonal changes that result from lip position or
tension, Bell Character produces the tonal changes that
result from the shape of the end of the bore, and Peaking
EQ performs a final tonal adjustment.
[0...99]
[0...99]
[0...99]
[0...99]
This oscillator allows you to choose from two types of pitch
bending: jump bending using a mode jump as on a trumpet
(by varying the bore length), and smooth bending produced
by sliding the length of the bore as on a trombone.
[Off...MIDI:CC#83]
1–3a
[–99...+99]
1–3b
1–3c
1–3d
1–3e
[0...49]
1–3a: Inst Type
[–18...+18]
Inst Type
Selects the instrument type which will determine the
bore length and shape of the simulated instrument.
Signal Flow
Strength
Brass Model Peaking EQ
Brass Model
Lip (Character)
Specify tonal change produced by lip position
Inst Type
Select a model which simulates
the bore length and shape of
various instruments
Pressure
Specify the force of breath that is blown into the mouthpiece
{
Noise
Specify the amount of breath noise
For some parameter settings, the pitch may not
change according to the notes that are played on
the keyboard. In some cases, high-pitched notes
may have a lower volume, or may not sound at all.
[Brass 1, Brass 2, Brass 3, Horn 1, Horn 2, Reed Brass]
Bell
Specify the shape
of the end of the bore
25