Effects Parameters - Yamaha M7CL Owner's Manual

Digital mixing console version 3
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■ REVERB HALL, REVERB ROOM, REVERB STAGE,
REVERB PLATE
One input, two output hall, room, stage, and plate reverb
simulations, all with gates.
Parameter
Range
REV TIME
0.3–99.0 s
INI. DLY
0.0–500.0 ms
HI. RATIO
0.1–1.0
LO. RATIO
0.1–2.4
DIFF.
0–10
DENSITY
0–100%
E/R DLY
0.0–100.0 ms
E/R BAL.
0–100%
HPF
THRU, 21.2 Hz–8.00 kHz
LPF
50.0 Hz–16.0 kHz, THRU
GATE LVL
OFF, –60 to 0 dB
ATTACK
0–120 ms
HOLD
*1
*2
DECAY
*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
■ EARLY REF.
One input, two output early reflections.
Parameter
Range
S-Hall, L-Hall, Random,
TYPE
Revers, Plate, Spring
ROOMSIZE 0.1–20.0
LIVENESS
0–10
INI. DLY
0.0–500.0 ms
DIFF.
0–10
DENSITY
0–100%
ER NUM.
1–19
FB GAIN
–99 to +99%
HI. RATIO
0.1–1.0
HPF
THRU, 21.2 Hz–8.00 kHz
LPF
50.0 Hz–16.0 kHz, THRU

Effects Parameters

Description
Reverb time
Initial delay before reverb
begins
High-frequency reverb time
ratio
Low-frequency reverb time
ratio
Reverb diffusion (left–right
reverb spread)
Reverb density
Delay between early reflec-
tions and reverb
Balance of early reflections
and reverb
(0% = all reverb, 100% = all
early reflections)
High-pass filter cutoff fre-
quency
Low-pass filter cutoff fre-
quency
Level at which gate kicks in
Gate opening speed
Gate open time
Gate closing speed
Description
Type of early reflection sim-
ulation
Reflection spacing
Early reflections decay char-
acteristics (0 = dead, 10 =
live)
Initial delay before reverb
begins
Reflection diffusion (left–
right reflection spread)
Reflection density
Number of early reflections
Feedback gain
High-frequency feedback
ratio
High-pass filter cutoff fre-
quency
Low-pass filter cutoff fre-
quency
■ GATE REVERB, REVERSE GATE
One input, two output early reflections with gate, and early
reflections with reverse gate.
Parameter
Range
TYPE
Type-A, Type-B
Type of early reflection simulation
ROOMSIZE 0.1–20.0
Reflection spacing
Early reflections decay characteris-
LIVENESS
0–10
tics (0 = dead, 10 = live)
INI. DLY
0.0–500.0 ms
Initial delay before reverb begins
Reflection diffusion (left–right
DIFF.
0–10
reflection spread)
DENSITY
0–100%
Reflection density
HI. RATIO
0.1–1.0
High-frequency feedback ratio
ER NUM.
1–19
Number of early reflections
FB GAIN
–99 to +99%
Feedback gain
THRU, 21.2 Hz–
HPF
High-pass filter cutoff frequency
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
■ MONO DELAY
One input, one output basic repeat delay.
Parameter
Range
DELAY
0.0–2730.0 ms
Delay time
Feedback gain (plus values for
FB. GAIN
–99 to +99%
normal-phase feedback, minus
values for reverse-phase feedback)
HI. RATIO
0.1–1.0
High-frequency feedback ratio
THRU, 21.2 Hz–
HPF
High-pass filter cutoff frequency
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
SYNC
OFF/ON
Tempo parameter sync on/off
Used in conjunction with TEMPO
*1
NOTE
to determine DELAY
*1.
(Max. value depends on tempo setting)
■ STEREO DELAY
Two input, two output basic stereo delay.
Parameter
Range
DELAY L
0.0–1350.0 ms
Left channel delay time
DELAY R
0.0–1350.0 ms
Right channel delay time
Left channel feedback (plus values
FB. G L
–99 to +99%
for normal-phase feedback, minus
values for reverse-phase feedback)
Right channel feedback (plus val-
ues for normal-phase feedback,
FB. G R
–99 to +99%
minus values for reverse-phase
feedback)
HI. RATIO
0.1–1.0
High-frequency feedback ratio
THRU, 21.2 Hz–
HPF
High-pass filter cutoff frequency
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
Low-pass filter cutoff frequency
THRU
SYNC
OFF/ON
Tempo parameter sync on/off
Used in conjunction with TEMPO
*1
NOTE L
to determine left channel DELAY
Used in conjunction with TEMPO
NOTE R
*1
to determine right channel DELAY
*1.
(Maximum value depends on the tempo setting)
Effects Parameters
Description
Description
Description
253
M7CL Owner's Manual

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