Effects Parameters - Yamaha CL1 Reference Manual

Title Type
Delay+Rev DELAY+REV Delay and reverb in parallel
DelayRev DELAYREV Delay and reverb in series
DistDelay DISTDELAY Distortion and delay in series
Multi Filter MULTI FILTER 3-band parallel filter (24 dB/octave)
Freeze FREEZE Simple sampler
Distortion DISTORTION Distortion
Amp Simulate AMP SIMULATE Guitar amp simulation
This compressor emulates the characteristics of an analog compressor that has
Comp276 COMP276
become a sought-after classic in recording studios.
Comp276S COMP276S This is a stereo model of COMP276.
This compressor emulates the characteristics of a compressor/limiter of the latter
Comp260 COMP260
1970s that has become a sought-after classic for live SR.
Comp260S COMP260S This is a stereo model of the COMP260.
This equalizer emulates the characteristics of an analog equalizer of the 1970s. It
Equalizer601 EQUALIZER601
can be used to obtain a sense of drive.
This is a tape saturation effect that emulates the tape compression produced by
OpenDeck OPENDECK
two open-reel tape recorders: a recording deck and a reproduction deck.
M.Band Dyna. M.BAND DYNA. Multi-band dynamics processor
M.Band Comp M.BAND COMP Multi-band compressor
Description
233

Effects Parameters

■ REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algorithm. Delivers dense and rich reverberation,
smooth decay, and provides a spaciousness and depth that enhances the original sound. Choose from
three types depending on your location and needs; REV-X HALL, REV-X ROOM, and REV-X PLATE.
Parameter Range
*1
REV TIME Reverb time
0.28–27.94 s
INI. DLY 0.0–120.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–1.4 Low-frequency reverb time ratio
LO.FREQ 22.0 Hz–18.0 kHz Frequency point for LO.RATIO setting
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
ROOM SIZE 0–28 Size of room
DECAY 0–53 Gate closing speed
HPF THRU, 22.0 Hz–8.00 kHz High-pass filter cutoff frequency
1.00 kHz–18.0 kHz,
LPF Low-pass filter cutoff frequency
THRU
*1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ
depending on the effect type and ROOM SIZE setting.
■ REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
Parameter Range
REV TIME 0.3–99.0 s Reverb time
INI. DLY 0.0–500.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
E/R DLY 0.0–100.0 ms Delay between early reflections and reverb
Balance of early reflections and reverb
E/R BAL. 0–100%
(0% = all reverb, 100% = all early reflections)
HPF THRU, 21.2 Hz–8.00 kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz, THRU Low-pass filter cutoff frequency
GATE LVL OFF, –60 to 0 dB Level at which gate kicks in
ATTACK 0–120 ms Gate opening speed
*1
HOLD Gate open time
*2
DECAY Gate closing speed
*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
Appendices
Description
Description
Reference Manual