Korg M50-88 Parameter Manual page 404

Appendices
Foot switch (CC#82) [Bn, 52, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit
this message with vv=127 [7F] for ON, and vv=00 [00] for
OFF.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track ("Enable Foot
Switch" Combi/Seq 5–2–1(2)c).
Sostenuto (CC#66) [Bn, 42, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit
this message with vv=127 [7F] for ON, and vv=00 [00] for
OFF, and the sostenuto effect will be turned on/off. When
this message is received, the result will be the same as when
the controller is operated (OFF for vv=63 [3F] or below, and
ON for vv=64 [40] or above).
Soft pedal (CC#67) [Bn, 43, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit,
and the soft pedal effect will be turned on. When this
message is received, the result will be the same as when the
controller is operated.
When "Foot controller (CC#04)"–"Soft pedal (CC#67)" are
operated on the M50, the specified alternate modulation or
dynamic modulation etc. will be controlled. When these
messages are received, the result will be the same as if the
controller had been operated. For "SW1 modulation
(CC#80)"–"Soft pedal (CC#67)," vv of 63 [3F] or less will be
OFF, and 64 [3F] or greater will be ON.
Controlling via the controllers of a connected
MIDI instrument such as the M3
Ribbon Controller (CC#16) [Bn, 10, vv]
When a control change is received from the ribbon controller
or other assigned controller of a MIDI instrument (such as
the M3), the specified effect (e.g., alternate modulation or
dynamic modulation) will be applied.
• In Combination or Sequencer modes, transmission and
reception can be turned on/off for each timbre/track.
("Enable Ribbon CC#16" on page 104, page 161)
Controller (CC#85, 86, 87, 88)
When the VALUE slider of MIDI instruments such as the
M3, or a control change assigned to a controller is received,
the specified alternate modulation or dynamic modulation
effect will be applied.
Controlling Program tone & envelope
shapes
CC#70–79 control specific parameters of a program.
For details on the program parameters that correspond to
each control change, and how the M50 will respond in each
mode when these are received, refer to "M50 and MIDI
CCs" on page 388.
Filter cutoff (CC#74) [Bn, 4A, vv]
Resonance level (CC#71) [Bn, 47, vv]
Filter EG intensity (CC#79) [Bn, 4F, vv]
Release time (CC#72) [Bn, 48, vv]
These messages are transmitted when you operate the
control surface Realtime Control B knobs 1–4. (They can also
be set as Realtime Control knob 1-B – 4-B functions.)
396
Sustain level (CC#70) [Bn, 46, vv]
Attack time (CC#73) [Bn, 49, vv]
Decay time (CC#75) [Bn, 4B, vv]
LFO 1 speed (CC#76) [Bn, 4C, vv]
LFO 1 depth (pitch) (CC#77) [Bn, 4D, vv]
LFO 1 delay (CC#78) [Bn, 4E, vv]
These messages are transmitted when assign the above CC#
to the control surface Realtime Control B knobs 1–4 function.
When you operate these, the corresponding program
parameters will be controlled, and the sound and envelope
will change. When these messages are received, the result
will be the same as when the controller is operated. (When
the message has a value vv=64 [40], the setting will have the
value that was set by the program parameter.)
• In Combination and Sequencer modes, transmission/
reception can be turned on/off independently for each
timbre/track (Enable Realtime Controls Knob 1–A...4–
B Combi 5–1–5(6/7/8)).
Note: In Program mode, the corresponding program
parameters will be temporarily edited by these messages.
You can Write the program to save the modified state
(except for certain parameters). The Write operation can also
be performed by a MIDI System Exclusive Program Write
Request message, in addition to the usual method of using
the M50's switches. When you write the data, the values of
the corresponding program parameters will be rewritten.
Note: The results of receiving these messages will depend
on the instrument. The operation may be different when a
device other than the M50 is connected.
Control the arpeggiator
If you assign the following CC#s to knob and switch of
arpeggiator, the specified CC# will be transmitted when you
operate the M50, and the M50 itself will be controlled
simultaneously. When these messages are received, the
result will be the same as if you operated the M50 itself.
The CC# settings for the knobs and switches are made in the
Global P2– MIDI CC# Assign page. However, you can edit
these settings if you need to assign MIDI control change
messages to the controllers, such as when you want to
record the control surface ARP knob, ARP ON/OFF switch
operations on the internal sequencer or an external MIDI
sequencer, or to control the arpeggiator from an external
MIDI device. If Global P1: MIDI ARP Controllers MIDI Out
is set to Control Change, MIDI control change messages will
be transmitted. (See "ARP Controllers MIDI Out" on
page 223)
Each knob and switch can be assigned any MIDI control
change CC#00–CC#119, or a desired MIDI note number.
However, you will normally use the default settings that are
assigned when you execute the menu command Reset
Controller MIDI Assign with CC Default. For more
information, please see "Reset Controller MIDI Assign" on
page 254.
The operations described below are for these CC Default
settings. Transmitted when the corresponding M50
controller is transmitted. When this is received, the same
effect will apply as when the M50's controller is operated.
ARP ON/OFF (CC#14) [Bn, 0E, vv]
Corresponds to the ARP ON/OFF switch. It will transmit
vv=127[7F] when On, and vv=127[7F] when Off.
KNOB1 – ARP GATE (CC#22) [Bn, 16, vv]
KNOB2 – ARP VELOCITY (CC#23) [Bn, 17, vv]
KNOB3 – ARP LENGTH (CC#24) [Bn, 18, vv]
KNOB4 – ARP OCTAVE (CC#25) [Bn, 19, vv]
Corresponds to knobs 1–4 when the control surface is set to
ARP.