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Z-PLANE FILTER DESCRIPTIONS
210
F174
Vel2-Wind
Morph: Fixes soft "Start-point".
Freq. Tracking: Provides key tracking to balance keyboard brightness.
Transform 2: Controls brightness and volume.
Comments: Velocity cube. Use morph to establish soft start point. Good
for wind instruments as more morph gives a "hollower" soft sound.
F175
Harmo
Morph: Changes from "peaky" lowpass response to smooth lowpass.
Freq. Tracking: Provides key tracking to balance keyboard brightness.
Transform 2: Controls volume, brightness and dissonance.
Comments: Cube construction - Use the Aux. Envelope to provide
attack transient which then fades off to rear frames.
F176
Start>EndA
Morph: Complex peak at 80Hz to a very gentle lowpass response.
Freq. Tracking: Provides key tracking to balance keyboard brightness.
Transform 2: Brighter, more volume, more harmonics.
Comments: Cube construction - Use the Aux. Envelope to provide attack
transient which then fades off to rear frames. Softer version than
"HarmoEP". Volume changes for sensitivity are maintained in the
cube.
F177
Start>EndB
Morph: Flat response to gentle lowpass.
Freq. Tracking: Key tracking to balance keyboard brightness.
Transform 2: Controls volume, brightness and harmonic content.
Comments: Same model as Start>EndA but more bright and dissonant.
F178
MovingPick1
Morph: Tight<>Hollow
Freq. Tracking: Provides key tracking to balance keyboard brightness.
Transform 2: Controls brightness and volume.
Comments: Uses Morph to simulate acoustic versus electric type
response to velocity: plucking closer or further from the bridge of a
guitar for example.
F179
MovingPick2
A variation on "MovingPick1" to simulate different pick positions, for
example. Morph moves closer to neck, further from bridge.
UltraProteus Operation Manual
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