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Z-PLANE FILTER DESCRIPTIONS
180
F009
Flange 6R.4
This is a variation of filter 008, Flange 6.4. It is a bit more resonant-
sounding, due in part to higher 'Q' settings. Sweeping the Morph axis can
produce the syllable 'yi'.
Morph: Sweep filter frequency bands up and together when modulated
in a positive direction.
Freq. Tracking: Sweep filter frequency bands up and together when
modulated in a positive direction.
Transform 2: Not used.
F010
Flanger 7.4
A series of harmonically related notches is moved from the lower-midrange
to the upper-midrange as this filter is moved along the Frequency Tracking
axis. Morphing brings in the flanging effect
Morph: Use this to sweep the notches.
Freq. Tracking: Use this to tune the notches.
Transform 2: Not used.
F011
BriteFlnge.4
A series of notches, tuned in octaves, are swept upward and finally converge
at 19.5kHz as this filter is pushed up along the Morph axis. A small bump at
about 15kHz is introduced to maintain brightness when Morph is at
completely offset.
Morph: Increasing this value sweeps the filter notches upward and
together.
Freq. Tracking: Increasing this raises the lowpass filter cutoff point.
Transform 2: Not used.
F012
Flng>Flng1
Morph: Sweeps from flange 1 to flange 2
Freq. Tracking: Provides key tracking to maintain spectrum.
Transform 2: Provides volume and brightness control with velocity
and/or key position
Comments: Key tracking enhances the depth of the flange. Try adding
velocity to Frequency Tracking for more "Fun".
F013
0>Flng2
Morph: Reveals flat to flange filter
Freq. Tracking: Provides key tracking to maintain spectrum
Transform 2: Adds volume, different flange
Comments: Nice for introducing a subtle flange to a pure sound.
Velocity has a natural effect increasing flange depth, volume and
brightness.
UltraProteus Operation Manual
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