Roland RD-700GX Owner's Manual page 168

Effect/Parameter List
Parameter Value
200–8000 Hz,
HF Damp
BYPASS
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
54: LONG TC DLY
(LONG TIME CTRL DELAY)
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
MFX Control Balance, Delay
Parameter Value
Delay Mode ms, note
Delay (ms) 1–2600 ms
Delay ( ) note (*1)
Acceleration 0–15
Feedback -98– +98%
200–8000 Hz,
HF Damp
BYPASS
Pan L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound.
This simulates the tape echo section of a Roland RE-201 Space
Echo.
MFX Control Echo Level, Repeat Rate, Mode
Parameter Value
S, M, L, S+M,
Mode S+L, M+L,
S+M+L
Repeat Rate 0–127
Intensity 0–127
Bass -15– +15 dB
Treble -15– +15 dB
168
Description
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay is
heard. (Hz)
Adjusts the time until the delay is
heard. (note)
Adjusts the time over which the Delay
Time changes from the current setting
to a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch
change.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-)
settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Stereo location of the delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Assignable Parameters
Description
Combination of playback heads to use
Select from three different heads with
different delay times.
S: short M: middle L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the
echo sound
Boost/cut for the upper range of the
echo sound
Parameter Value
Head S Pan
Head M Pan L64–63R
Head L Pan
Tape Distortion 0–5
W/F Rate 0–127
W/F Depth 0–127
Echo Level 0–127
Direct Level 0–127
Level 0–127
56: LOFI NOISE
In addition to a lo-fi effect, this adds various types of noise
such as white noise and disc noise.
Balance, Hum Noise Level, Disc Noise Level, Noise Level,
MFX Control
LoFi Type
Parameter Value
LoFi Type 1–9
Post Fltr Type OFF, LPF, HPF
Post F-Cutoff 200–8000 Hz
Noise Type WHITE, PINK
200–8000 Hz,
Noise LPF
BYPASS
Noise Level 0–127
Disc Noise Type LP, EP, SP, RND
200–8000 Hz,
DiscNoise LPF
BYPASS
Disc Noise Level 0–127
Hum Noise
50 Hz, 60 Hz
Type
200–8000 Hz,
Hum Noise LPF
BYPASS
Hum Noise
0–127
Level
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
Description
Independent panning for the short,
middle, and long playback heads
Amount of tape-dependent distortion
to be added
This simulates the slight tonal changes
that can be detected by signal-
analysis equipment. Increasing this
value will increase the distortion.
Speed of wow/flutter (complex
variation in pitch caused by tape wear
and rotational irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output level
Assignable Parameters
Description
Degrades the sound quality. The
sound quality grows poorer as this
value is increased.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff
HPF: cuts the frequency range below
the Cutoff
Center frequency of the filter
Switch between white noise and pink
noise.
Center frequency of the low pass filter
applied to the white/pink noise
(BYPASS: no cut)
Volume of the white/pink noise
Type of record noise
The frequency at which the noise is
heard depends on the selected type.
Adjusts the cutoff frequency of the low
pass filter applied to the record noise.
If you don't want to filter out any high
frequencies, set this parameter to
BYPASS.
Volume of the record noise
Frequency of the hum noise
Center frequency of the low pass filter
applied to the hum noise (BYPASS: no
cut)
Volume of the hum noise
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level