Roland RD-700GX Owner's Manual page 164

Effect/Parameter List
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.
MFX Control Threshold, Attack, Level
Parameter Value
Attack 0–127
Threshold 0–127
Post Gain 0– +18 dB
Low Gain -15– +15 dB
High Gain -15– +15 dB
Level 0–127
41: LIMITER
Compresses signals that exceed a specified volume level,
preventing distortion from occurring.
MFX Control Threshold, Release, Level
Parameter Value
Release 0–127
Threshold 0–127
1.5:1, 2:1, 4:1,
Ratio
100:1
Post Gain 0– +18 dB
Low Gain -15– +15 dB
High Gain -15– +15 dB
Level 0–127
42: GATE
Cuts the reverb's delay according to the volume of the sound
sent into the effect. Use this when you want to create an
artificial-sounding decrease in the reverb's decay.
MFX Control Threshold, Hold, Release, Attack, Balance
Parameter Value
Threshold 0–127
Mode GATE, DUCK
Attack 0–127
Hold 0–127
Release 0–127
D100:0W–
Balance
D0:100W
Level 0–127
164
Assignable Parameters
Description
Sets the speed at which compression
starts
Adjusts the volume at which
compression begins
Adjusts the output gain.
Gain of the low frequency range
Gain of the high frequency range
Output level
Assignable Parameters
Description
Adjusts the time after the signal
volume falls below the Threshold Level
until compression is no longer
applied.
Adjusts the volume at which
compression begins
Compression ratio
Adjusts the output gain.
Gain of the low frequency range
Gain of the high frequency range
Output level
Assignable Parameters
Description
Volume level at which the gate begins
to close
Type of gate
GATE: The gate will close when the
volume of the original sound
decreases, cutting the original sound.
DUCK (Ducking): The gate will close
when the volume of the original sound
increases, cutting the original sound.
Adjusts the time it takes for the gate to
fully open after being triggered.
Adjusts the time it takes for the gate to
start closing after the source sound
falls beneath the Threshold.
Adjusts the time it takes the gate to
fully close after the hold time.
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
43: DELAY
This is a stereo delay.
MFX Control Balance, Delay L, Delay R
Parameter Value
Delay L Mode ms, note
Delay L (ms) 1–1300 ms
Delay L ( ) note (*1)
Delay R Mode ms, note
Delay R (ms) 1–1300 ms
Delay R ( ) note (*1)
Phase Left
NORMAL,
INVERSE
Phase Right
NORMAL,
Feedback Mode
CROSS
Feedback -98– +98%
200–8000 Hz,
HF Damp
BYPASS
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
44: LONG DELAY
A delay that provides a long delay time.
MFX Control Balance, Delay, Pan
Parameter Value
Delay Mode ms, note
Delay (ms) 1–2600 ms
Delay ( ) note (*1)
NORMAL,
Phase
INVERSE
Feedback -98– +98%
200–8000 Hz,
HF Damp
BYPASS
Pan L64–63R
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Phase of the delay sound
Selects the way in which delay sound
is fed back into the effect.
Adjusts the amount of the delay sound
that's fed back into the effect.
Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when the original
sound is heard to when the delay
sound is heard (Hz)
Delay time from when the original
sound is heard to when the delay
sound is heard (note)
Phase of the delay (NORMAL: non-
inverted, INVERSE: inverted)
Proportion of the delay sound that is to
be returned to the input (negative
values invert the phase)
Frequency at which the high-frequency
content of the delayed sound will be
cut (BYPASS: no cut)
Panning of the delay sound
Amount of boost/cut for the high-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and delay sound (W)
Output volume