Roland RD-700GX Owner's Manual page 167

Roland rd-700gx: user guide
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Parameter
Value
Delay2 Mode
ms, note
Delay2 (ms)
1–1300 ms
Delay2 (
)
note (*1)
Delay3 Mode
ms, note
Delay3 (ms)
1–1300 ms
Delay3 (
)
note (*1)
Delay3
-98– +98%
Feedback
200–8000 Hz,
Delay HF Damp
BYPASS
Delay1 Pan
L64–63R
Delay2 Pan
Delay1 Level
0–127
Delay2 Level
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
D100:0W–
Balance
D0:100W
Level
0–127
51: SHUFFLE DLY (SHUFFLE DELAY)
Adds a shuffle to the delay sound, giving the sound a bouncy
delay effect with a swing feel.
MFX Control
Balance, Delay, Shuffle Rate
Parameter
Value
Delay Mode
ms, note
Delay (ms)
1–2600 ms
Delay (
)
note (*1)
Shuffle Rate
0–100%
Acceleration
0–15
Feedback
-98– +98%
200–8000 Hz,
HF Damp
BYPASS
Pan A
L64–63R
Pan B
Level A
0–127
Level B
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
D100:0W–
Balance
D0:100W
Level
0–127
Description
Settings of the Delay 2
The parameters are the same as for
the Delay 1.
Settings of the Delay 3
The parameters are the same as for
the Delay 1.
Proportion of the delay sound that is to
be returned to the input of the tap
delay (negative values invert the
phase)
Frequency at which the low-frequency
content of the tap delay sound will be
cut (BYPASS: no cut)
Panning of the tap delay sounds
Volume of the tap delay sounds
Amount of boost/cut for the low-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and delay sound (W)
Output volume
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Adjusts the ratio (as a percentage) of
the time that elapses before Delay B
sounds relative to the time that elapses
before the Delay A sounds.
When set to 100%, the delay times
are the same.
Adjusts the time over which the Delay
Time changes from the current setting
to its specified new setting.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-)
settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Stereo location of Delay A/B
Volume of delay A/B
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
52: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound
will be positioned 90 degrees left and 90 degrees right.
MFX Control
Balance, Delay C, Delay L, Delay R
Parameter
Value
Delay L Mode
ms, note
Delay L (ms)
1–2600 ms
Delay L (
)
note (*1)
Delay R Mode
ms, note
Delay R (ms)
1–2600 ms
Delay R (
)
note (*1)
Delay C Mode
ms, note
Delay C (ms)
1–2600 ms
Delay C (
)
note (*1)
Center
-98– +98%
Feedback
200–8000 Hz,
HF Damp
BYPASS
Left Level
Right Level
0–127
Center Level
SPEAKER,
Output Mode
PHONES
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
D100:0W–
Balance
D0:100W
Level
0–127
53: T-CTRL DLY(TIME CTRL DELAY)
A stereo delay in which the delay time can be varied smoothly.
MFX Control
Balance, Delay
Parameter
Value
Delay Mode
ms, note
Delay (ms)
1–1300 ms
Delay (
)
note (*1)
Acceleration
0–15
Feedback
-98– +98%
Effect/Parameter List
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the direct
sound until the delay sound is heard.
(Hz)
Adjusts the delay time from the direct
sound until the delay sound is heard.
(note)
Settings of the Delay R
The parameters are the same as for
the Delay 1.
Settings of the Delay C
The parameters are the same as for
the Delay 1.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the frequency above which
sound fed back to the effect will be
cut. If you do not want to cut the high
frequencies, set this parameter to
BYPASS.
Output level of the delay sound
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAKER
when using speakers, or PHONES
when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
Assignable Parameters
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay is
heard. (Hz)
Adjusts the time until the delay is
heard. (note)
Adjusts the time over which the Delay
Time changes from the current setting
to a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch
change.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-)
settings invert the phase.
167

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