Roland RD-700GX Owner's Manual page 161

Parameter Value
OFF,
Filter Type LPF,
HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate Mode Hz, note
Rate (Hz) 0.05–10.00 Hz
Rate ( ) note (*1)
Depth 0–127
Phase 0–180 deg
SPEAKER,
Output Mode
PHONES
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
30: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees right.
MFX Control Depth, Rate, Feedback, Balance
Parameter Value
OFF,
Filter Type LPF,
HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate Mode Hz, note
Rate (Hz) 0.05–10.00 Hz
Rate ( ) note (*1)
Depth 0–127
Phase 0–180 deg
Feedback -98– +98%
SPEAKER,
Output Mode
PHONES
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
Description
Type of filter
OFF: No filter is used
LPF: Cuts the frequency range above
the Cutoff Freq
HPF: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from the direct
sound until the chorus sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Modulation depth of the chorus effect
Spatial spread of the sound
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAKER
when using speakers, or PHONES
when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the chorus sound (W)
Output Level
Assignable Parameters
Description
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAKER
when using speakers, or PHONES
when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
31: 3D S.FLANGR (3D STEP FLANGER)
This applies a 3D effect to the step flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees
right.
MFX Control StepRate, Depth, Feedback, Balance
Parameter Value
OFF,
Filter Type LPF,
HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate Mode Hz, note
Rate (Hz) 0.05–10.00 Hz
Rate ( ) note (*1)
Depth 0–127
Phase 0–180 deg
Feedback -98– +98%
Step Rate Mode Hz, note
StepRate(Hz) 0.10–20.00 Hz
Step Rate ( ) note (*1)
SPEAKER,
Output Mode
PHONES
Low Gain -15– +15 dB
High Gain -15– +15 dB
D100:0W–
Balance
D0:100W
Level 0–127
32: 2BND CHORUS (2BAND CHORUS)
A chorus effect that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
MFX Control Low Depth, High Depth, Low Rate, HighRate, Balance
Parameter Value
Split Freq 200–8000 Hz
Low Pre Delay 0.0–100.0 ms
Low Rate Mode Hz, note
Low Rate(Hz) 0.05–10.00 Hz
Low Rate ( ) note (*1)
Low Depth 0–127
Low Phase 0–180 deg
Effect/Parameter List
Assignable Parameters
Description
Type of filter
OFF: No filter is used
LPF: Cuts the frequency range above
the Cutoff Freq
HPF: Cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
When this is set to "note," the effect is
synchronized with the tempo.
Rate (period) of pitch change (Hz)
Rate (period) of pitch change (note)
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAKER
when using speakers, or PHONES
when using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the flanger sound (W)
Output Level
Assignable Parameters
Description
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-range
chorus sound is heard
When this is set to "note," the effect is
synchronized with the tempo.
Rate at which the low-range chorus
sound is modulated (Hz)
Rate at which the low-range chorus
sound is modulated (note)
Modulation depth for the low-range
chorus sound
Spaciousness of the low-range chorus
sound
161