Low Boost; Enhancer; Ring Modulator; Pitch Shifter - Roland TM-6 PRO Data List

Parameter Value
SMALL 1, 2,
MIDDLE,
JC-120,
BUILT-IN 1–5,
Spkr Type
BG STACK 1, 2,
MS STACK 1, 2,
METAL STACK,
2-STACK, 3-STACK
Mic Setting 1–3
Mic Level 0–127
Direct Level 0–127
Pan L64–63R
Level 0–127

LOW BOOST

Boosts the volume of the lower range, creating powerful lows.
Parameter Value
Boost Frequency 50–125Hz
Boost Gain(#) 0–+12dB
WIDE, MID,
Boost Width
NARROW
Low Gain -15–+15dB
High Gain -15–+15dB
Level 0–127

ENHANCER

Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
Parameter Value
Sens 0–127
Mix(#)
0–127
Low Gain -15–+15dB
High Gain -15–+15dB
Level 0–127

RING MODULATOR

This is an effect that applies amplitude modulation (AM) to the
input signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the effect.
Parameter Value
Frequency(#) 0–127
Sens 0–127
Polarity
UP, DOWN
Low Gain -15–+15dB
High Gain
-15–+15dB
D100:0W–
Balance
D0:100W
Level 0–127
Explanation
Type of speaker
Adjusts the location of the
microphone that's capturing the
sound of the speaker.
This can be adjusted in three steps,
from 1 to 3, with the microphone
becoming more distant as the value
increases.
Volume of the microphone
Volume of the direct sound (the
sound with the speaker turned off )
Stereo location of the output
Output level
Explanation
Basic frequency at which the lower
range will be boosted
Amount by which the lower range
will be boosted
Width of the lower range that will be
boosted
Gain of the low frequency range
Gain of the high frequency range
Output level
Explanation
Sensitivity of the enhancer
Level of the overtones generated by
the enhancer
Gain of the low range
Gain of the high range
Output level
Explanation
Adjusts the frequency at which
modulation is applied.
Adjusts the amount of frequency
modulation applied.
Direction in which the frequency
modulation will move
UP: Towards higher frequencies
DOWN: Towards lower frequencies
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level

PITCH SHIFTER

A stereo pitch shifter.
Parameter Value
Coarse(#) -24–+12 semi
Fine(#) -100–+100 cent
Tempo Sync OFF, ON
Delay Time 1–1300ms, note
Feedback
-98–+98%
Low Gain
-15–+15dB
High Gain -15–+15dB
D100:0W–
Balance
D0:100W
Level 0–127

AUTO PAN

Cyclically modulates the stereo location of the sound.
Parameter Value
TRI, SQR, SIN,
SAW1, SAW2, TRP
Mod Wave
SAW1
R
L
Tempo Sync
OFF, ON
0.05–10.00Hz,
Rate(#)
note
Depth
0–127
Low Gain -15–+15dB
High Gain -15–+15dB
Level
0–127
TRIGGER SETUP
Explanation
Adjusts the pitch of the pitch shifted
sound in semitone steps.
Adjusts the pitch of the pitch shifted
sound in 2-cent steps.
Specifies whether the delay time
value of the delay is specified as a
note value (ON) or not (OFF).
Adjusts the delay time from the
direct sound until the pitch shifted
sound is heard.
Adjusts the proportion of the pitch
shifted sound that is fed back into
the effect. Negative "-" settings will
invert the phase.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
Explanation
Modulation wave
TRI:
Triangle wave
SQR: Square wave
SIN: Sine wave
SAW1:
Sawtooth wave (upward)
SAW2: Sawtooth wave (downward)
TRP: Trapezoidal wave
SAW2
R
L
Specifies whether the rate of
modulation applied to the effect is
specified as a note value (ON) or not
(OFF).
Frequency of the change
Depth to which the effect is applied
Gain of the low range
Gain of the high range
Output level
31