Pan Delay; 3Tap Delay; Chorus; Sdd-320 - Roland TM-6 PRO Data List

Trigger module
Hide thumbs Also See for TM-6 PRO:
Table of Contents

Advertisement

Parameter
Value
Delay 1 Pan,
L64–63R
Delay 2 Pan
Delay 1 Level,
0–127
Delay 2 Level
Low Gain
-15–+15dB
High Gain
-15–+15dB
D100:0W–
Balance
D0:100W
Level
0–127

PAN DELAY

Produces a delay sound that alternates between left and right.
Parameter
Value
Tempo Sync
OFF, ON
Delay Time(#)
1–2600ms, note
Delay Feedback
-98–+98%
200–8000Hz,
Delay HF Damp
BYPASS
Delay 1 Pan,
L64–63R
Delay 2 Pan
Delay 1 Level,
0–127
Delay 2 Level
Low Gain
-15–+15dB
High Gain
-15–+15dB
D100:0W–
Balance
D0:100W
Level
0–127

3TAP DELAY

Produces three delay sounds; center, left and right.
Parameter
Value
Tempo Sync Left,
OFF, ON
Right, Center
Dly L, R, Ctr
1–2600ms, note
Time(#)
Center Feedback -98–+98%
200–8000Hz,
HF Damp
BYPASS
Left, Right,
0–127
Center Level
Low Gain
-15–+15dB
High Gain
-15–+15dB
D100:0W–
Balance
D0:100W
Level
0–127
Explanation
Stereo location of the tap delay
sounds
Volume of the tap delay sounds
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Explanation
Specifies whether the delay time of
the left/right delay sound is specified
as a note value (ON) or not (OFF).
Adjusts the delay time from the
direct sound until the delay sound
is heard.
Adjusts the amount of the delay
sound that's fed back into the effect.
Negative "-" settings will invert the
phase.
Adjusts the frequency above which
sound fed back to the effect is
filtered out. If you don't want to filter
out any high frequencies, set this
parameter to BYPASS.
Stereo location of the delay sounds
Volume of the delay sounds
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Explanation
Specifies whether the delay time
value of the left/right/center delay
sound is specified as a note value
(ON) or not (OFF).
Adjusts the time until the delay
sound is heard.
Adjusts the amount of the delay
sound that's fed back into the effect.
Negative "-" settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is
filtered out. If you do not want to
filter out any high frequencies, set
this parameter to BYPASS.
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level

CHORUS

This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000Hz
Pre Delay
0.0–100.0ms
Tempo Sync
OFF, ON
0.05–10.00Hz,
Rate(#)
note
Depth(#)
0–127
Phase
0–180deg
Low Gain
-15–+15dB
High Gain
-15–+15dB
D100:0W–
Balance(#)
D0:100W
Level
0–127

SDD-320

This models Roland's DIMENSION D (SDD-320). It provides a clear
chorus sound.
Parameter
Value
1, 2, 3, 4, 1+4, 2+4,
Mode(#)
3+4
Low Gain
-15–+15dB
High Gain
-15–+15dB
Level
0–127

FLANGER

This is a stereo flanger (The LFO has the same phase for left and
right.). It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.
Parameter
Value
Filter Type
OFF, LPF, HPF
Cutoff Freq
200–8000Hz
Pre Delay
0.0–100.0ms
Tempo Sync
OFF, ON
0.05–10.00Hz,
Rate(#)
note
Depth
0–127
Phase
0–180deg
Feedback
-98–+98%
Low Gain
-15–+15dB
High Gain
-15–+15dB
TRIGGER SETUP
Explanation
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff Freq
HPF:
cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from the
direct sound until the chorus sound
is heard.
Specifies whether the modulation
rate is specified as a note value (ON)
or not (OFF).
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the chorus sound (W)
Output level
Explanation
Switches the mode.
Gain of the low range
Gain of the high range
Output level
Explanation
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff Freq
HPF:
cuts the frequency range below
the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
Specifies whether the modulation
rate is specified as a note value (ON)
or not (OFF).
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative "-" settings will invert the
phase.
Gain of the low range
Gain of the high range
27

Hide quick links:

Advertisement

Table of Contents
loading

Table of Contents