Sbf-325; Phaser A; Phaser B; Reverb - Roland TM-6 PRO Data List

TRIGGER SETUP
Parameter Value
D100:0W–
Balance
D0:100W
Level 0–127

SBF-325

This effect reproduces Roland's SBF-325 analog flanger. It provides
three types of flanging effect (which adds a metallic resonance to
the original sound) and a chorus-type effect.
Parameter Value
Mode FL1, FL2, FL3, CHO
Tempo Sync OFF, ON
Rate(#) 0.02–5.00Hz, note
Depth 0–127
Manual 0–127
Feedback 0–127
CH-R Mod Phase NORM, INV
CH-L Phase NORM, INV
CH-R Phase NORM, INV
Level
0–127

PHASER A

A phase-shifted sound is added to the original sound and
modulated.
Parameter Value
4-STAGE, 8-STAGE,
Mode
12-STAGE
Manual 0–127
Tempo Sync OFF, ON
0.05–10.00Hz,
Rate(#)
note
Depth 0–127
INVERSE,
Polarity
SYNCHRO
Resonance 0–127
28
Explanation
Volume balance between the direct
sound (D) and the flanger sound (W)
Output level
Explanation
Types of flanging effect
FL1: A typical mono flanger
FL2: A stereo flanger that preserves
the stereo positioning of the original
sound
FL3: A cross-mix flanger that
produces a more intense effect
CHO: A chorus effect
Specifies whether the modulation
rate of the flanger sound is specified
as a note value (ON) or not (OFF).
Rate at which the flanger sound is
modulated
Depth to which the flanger sound is
modulated
Center frequency at which the
flanger effect is applied
Amount by which the flanging effect
is boosted
* If Mode is CHO, this setting is
ignored.
Phase of the right channel
modulation: Typically, you will leave
this at Normal (NORM). If you specify
Inverted (INV), the modulation
(upward/downward movement) of
the right channel is inverted.
Phase when mixing the flanging
sound with the original sound
NORM: normal phase
INV:
inverse phase
Output level
Explanation
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
Specifies whether the modulation
rate is specified as a note value (ON)
or not (OFF).
Frequency of modulation
Depth of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE:
The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO: The left and right phase
will be the same. Select this when
inputting a stereo source.
Amount of feedback
Parameter Value
Cross Feedback -98–+98%
Mix 0–127
Low Gain
-15–+15dB
High Gain -15–+15dB
Level 0–127

PHASER B

This simulates a different analog phaser than Phaser A.
Parameter Value
Speed(#) 0–100
Depth
0–127
Low Gain -15–+15dB
High Gain -15–+15dB
Level 0–127

REVERB

Adds reverberation to the direct sound, simulating an acoustic
space.
Parameter Value
ROOM1, ROOM2,
STAGE1, STAGE2,
Type
HALL1, HALL2,
DELAY, PAN DELAY
Pre Delay 0.0–100msec
Time(#) 0–127
200–8000Hz,
HF Damp
BYPASS
Low Gain
-15–+15dB
High Gain -15–+15dB
D100:0W–
Balance
D0:100W
Level
0–127

LONG REVERB

This is a very rich sounding reverb with a choice of character.
Parameter Value
Depth 0–127
Time(#) 0–127
16–15000Hz,
Pre LPF
BYPASS
BYPASS,
Pre HPF
16–15000Hz
Peaking Freq
200–8000Hz
Peaking Gain -15–+15dB
Peaking Q 0.5–8.0
16–15000Hz,
HF Damp
BYPASS
BYPASS,
LF Damp
16–15000Hz
Explanation
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative "-" settings will invert the
phase.
Volume of the phase-shifted sound
Gain of the low range
Gain of the high range
Output level
Explanation
Frequency of modulation
Depth of modulation
Gain of the low range
Gain of the high range
Output level
Explanation
Type of reverb
Adjusts the delay time from the
direct sound until the reverb sound
is heard.
Time length of reverberation
Adjusts the frequency above which
the reverberant sound will be cut
(BYPASS: no cut).
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the reverb sound (W)
Output level
Explanation
Depth of the effect
Time length of reverberation
Frequency of the filter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound
Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound
Bandwidth of the filter that boosts or
cuts the specified frequency region
of the input sound
Frequency at which the high-
frequency content of the resonant
sound will be cut (BYPASS: no cut)
Frequency at which the low-
frequency content of the resonant
sound will be cut (BYPASS: no cut)