Distortion; T-Scream; Lofi Compress; Bit Crusher - Roland TM-6 PRO Data List

TRIGGER SETUP
Parameter Value
Tone 0–127
Amp Sw
OFF, ON
SMALL, BUILT-IN,
Amp Type
2-STACK, 3-STACK
Low Gain
-15–+15dB
High Gain -15–+15dB
Pan L64–63R
Level 0–127

DISTORTION

This is a distortion effect that provides heavy distortion. The
parameters are the same as for "OVERDRIVE. "

T-SCREAM

This models the analog overdrive of the past.
It adds a nice amount of overtones without dirtying the sound.
Parameter Value

Distortion(#)

0–127
Tone 0–127
Level
0–127

LOFI COMPRESS

This is an effect that intentionally degrades the sound quality for
creative purposes.
Parameter Value
Pre Filter Type 1–6
LoFi Type 1–9
Post Filter Type OFF, LPF, HPF
PostFltr Cutoff 200–8000Hz
Low Gain -15–+15dB
High Gain -15–+15dB
D100:0W–
Balance(#)
D0:100W
Level 0–127
30
Explanation
Tone quality of the Overdrive effect
Turns the Amp Simulator on/off.
Type of guitar amp
SMALL:
small amp
BUILT-IN:
single-unit type amp
2-STACK: large double stack amp
3-STACK:
large triple stack amp
Gain of the low range
Gain of the high range
Stereo location of the output sound
Output Level
Explanation
Degree of distortion
Also changes the volume.
Sound quality of the Overdrive effect
Output level
Explanation
Selects the type of filter applied to
the sound before it passes through
the Lo-Fi effect.
1: Compressor off
2–6: Compressor on
Degrades the tone character. The
tone character grows poorer as this
value is increased.
Selects the type of filter applied to
the sound after it passes through the
Lo-Fi effect.
OFF: no filter is used
LPF:
cuts the frequency range above
the Cutoff
HPF:
cuts the frequency range below
the Cutoff
Basic frequency of the Post Filter
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level

BIT CRUSHER

This creates a lo-fi sound.
Parameter Value
Sample Rate(#) 0–127
Bit Down 0–20
Filter(#) 0–127
Low Gain -15–+15dB
High Gain
-15–+15dB
Level 0–127

SPEAKER SIM

Simulates the speaker type and microphone settings used to record
the speaker sound.
Parameter Value
SMALL 1, 2,
MIDDLE,
JC-120,
BUILT-IN 1–5,
SP Type(#)
BG STACK 1, 2,
MS STACK 1, 2,
METAL STACK,
2-STACK, 3-STACK
Mic Setting
1–3
Mic Level 0–127
Direct Level 0–127
Level 0–127

GUITAR AMP SIM

This is an effect that simulates the sound of a guitar amplifier.
Parameter Value
Amp Sw
OFF, ON
JC-120, CLEAN
TWIN, MATCH
DRIVE,
BG LEAD,
MS1959I,
MS1959II,
MS1959I+II,
Amp Type(#)
SLDN LEAD,
METAL 5150,
METAL LEAD,
OD-1,
OD-2 TURBO,
DISTORTION,
FUZZ
Amp Volume 0–127
Amp Master 0–127
LOW, MIDDLE,
Amp Gain
HIGH
Amp Bass
0–127
Amp Middle
0–127
Amp Treble 0–127
Amp Presence 0–127
Amp Bright OFF, ON
Speaker Sw OFF, ON
Explanation
Adjusts the sample rate.
Adjusts the bit depth.
Adjusts the filter depth.
Gain of the low frequency range
Gain of the high frequency range
Output level
Explanation
Type of speaker
Adjusts the location of the
microphone that is recording the
sound of the speaker.
This can be adjusted in three steps,
with the microphone becoming
more distant in the order of 1, 2,
and 3.
Volume of the microphone
Volume of the direct sound (the
sound with the speaker turned off )
Output level
Explanation
Turns the amp switch on/off.
Type of guitar amp
Volume and amount of distortion of
the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble
frequency range
* Middle cannot be set if "MATCH
DRIVE" is selected as the Pre Amp
Type.
Tone for the ultra-high frequency
range
Specifies the bright on/off setting.
Turns the speaker simulator on/off