Roland JUNO-G Owner's Manual page 146

128 voice expandable synthesizer
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Adding Effects
52: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound will be
positioned 90 degrees left and 90 degrees right.
fig.MFX-52
L
3D Delay L
3D Delay C
Feedback
3D Delay R
R
Parameter
Value
Delay Left
0–2600 ms, note
Delay Right
Delay Center
Center
-98– +98 %
Feedback #
HF Damp
200–8000 Hz, BYPASS
Left Level
0–127
Right Level
Center Level
Output Mode
SPEAKER, PHONES
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–D0:100W
Level
0–127
53: TIME CTRL DELAY
A stereo delay in which the delay time can be varied smoothly.
fig.MFX-53
L in
Time Ctrl Delay
Feedback
Feedback
Time Ctrl Delay
R in
Parameter
Value
Delay Time #
0–1300 ms, note
Acceleration
0–15
Feedback #
-98– +98 %
146
2-Band
L out
EQ
Level
2-Band
R out
EQ
Explanation
Adjusts the delay time from
the direct sound until the de-
lay sound is heard.
Adjusts the proportion of the
delay sound that is fed back
into the effect. Negative (-)
settings will invert the phase.
Adjusts the frequency above
which sound fed back to the
effect will be cut. If you do not
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
Output level of the delay
sound
Adjusts the method that will
be used to hear the sound that
is output to the OUTPUT
jacks. The optimal 3D effect
will be achieved if you select
SPEAKER when using speak-
ers, or PHONES when using
headphones.
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the effect
sound (W)
Output Level
2-Band EQ
L out
Pan L
Pan R
2-Band EQ
R out
Explanation
Adjusts the time until the delay
is heard.
Adjusts the time over which the
Delay Time changes from the
current setting to a specified new
setting.
The rate of change for the Delay
Time directly affects the rate of
pitch change.
Adjusts the amount of the delay
that's fed back into the effect.
Negative (-) settings invert the
phase.
Parameter
Value
HF Damp
200–8000 Hz,
BYPASS
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
54: LONG TIME CTRL DELAY
A delay in which the delay time can be varied smoothly, and
allowing an extended delay to be produced.
fig.MFX-54
L in
Time Control Delay
Feedback
R in
Parameter
Value
Delay Time #
0–2600 ms,
note
Acceleration
0–15
Feedback #
-98– +98 %
HF Damp
200–8000 Hz,
BYPASS
Pan #
L64–63R
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
fig.MFX-55
L in
Direct Level
Tape Echo
R in
Direct Level
Parameter
Value
Mode
S, M, L,
S+M, S+L,
M+L,
S+M+L
Repeat Rate #
0–127
Intensity #
0–127
Bass
-15– +15 dB
Explanation
Adjusts the frequency above
which sound fed back to the ef-
fect is filtered out. If you do not
want to filter out any high fre-
quencies, set this parameter to
BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the di-
rect sound (D) and the delay
sound (W)
Output level
2-Band
L out
EQ
Balance D
Balance W
Balance W
2-Band
R out
EQ
Balance D
Explanation
Adjusts the time until the delay is heard.
Adjusts the time over which the Delay
Time changes from the current setting to
a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch
change.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-) set-
tings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Stereo location of the delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
L out
Echo Level
Echo Level
R out
Explanation
Combination of playback heads to use
Select from three different heads with
different delay times.
S: short M: middle L: long
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Amount of delay repeats
Boost/cut for the lower range of the echo
sound

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