Roland JUNO-G Owner's Manual page 135

128 voice expandable synthesizer
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Parameter
Value
Polarity
INVERSE,
SYNCHRO
Resonance #
0–127
Cross
-98– +98 %
Feedback
Step Rate #
0.10–20.00 Hz, note
Mix #
0–127
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Level
0–127
13: MULTI STAGE PHASER
Extremely high settings of the phase difference produce a deep
phaser effect.
fig.MFX-13
L in
Multi Stage
Phaser
R in
Resonance
Parameter
Value
Mode
4-STAGE, 8-
STAGE,
12-STAGE, 16-
STAGE, 20-
STAGE, 24-STAGE
Manual #
0–127
Rate #
0.05–10.00 Hz, note
Depth
0–127
Resonance #
0–127
Mix #
0–127
Pan #
L64–63R
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Level
0–127
14: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the
sound is modulated.
fig.MFX-14
L in
Infinite Phaser
R in
Parameter
Value
Mode
1, 2, 3, 4
Speed #
-100– +100
Resonance #
0–127
Mix #
0–127
Pan #
L64–63R
Explanation
Selects whether the left and right
phase of the modulation will be
the same or the opposite.
INVERSE: The left and right
phase will be opposite. When
using a mono source, this
spreads the sound.
SYNCHRO: The left and right
phase will be the same. Select
this when inputting a stereo
source.
Amount of feedback
Adjusts the proportion of the
phaser sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Rate of the step-wise change in
the phaser effect
Level of the phase-shifted sound
Gain of the low range
Gain of the high range
Output Level
L out
Pan L
2-Band
EQ
Mix
Pan R
R out
Explanation
Number of phaser stages
Adjusts the basic frequency from
which the sound will be modu-
lated.
Frequency of modulation
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Stereo location of the output
sound
Gain of the low range
Gain of the high range
Output Level
L out
Pan L
2-Band EQ
Pan R
R out
Explanation
Higher values will produce a
deeper phaser effect.
Speed at which to raise or lower
the frequency at which the sound
is modulated
(+: upward / -: downward)
Amount of feedback
Volume of the phase-shifted
sound
Panning of the output sound
Parameter
Value
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Level
0–127
15: RING MODULATOR
This is an effect that applies amplitude modulation (AM) to the input
signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the effect.
fig.MFX-15
L in
Ring Mod
2-Band EQ
R in
Ring Mod
2-Band EQ
Parameter
Value
Frequency #
0–127
Sens #
0–127
Polarity
UP, DOWN
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
16: STEP RING MODULATOR
This is a ring modulator that uses a 16-step sequence to vary the
frequency at which modulation is applied.
fig.MFX-16
L in
Step Ring Mod
R in
Step Ring Mod
Parameter
Value
Step 01–16
0–127
Rate #
0.05–10.00 Hz, note
Attack #
0–127
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Balance #
D100:0W–
D0:100W
Level
0–127
Adding Effects
Explanation
Amount of boost/cut for the
low-frequency range
Amount of boost/cut for the
high-frequency range
Output volume
L out
R out
Explanation
Adjusts the frequency at which modula-
tion is applied.
Adjusts the amount of frequency modu-
lation applied.
Determines whether the frequency mod-
ulation moves towards higher frequen-
cies (UP) or lower frequencies (DOWN).
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
L out
2-Band EQ
R out
2-Band EQ
Explanation
Frequency of ring modulation at
each step
Rate at which the 16-step se-
quence will cycle
Speed at which the modulation
frequency changes between
steps
Amount of boost/cut for the
low-frequency range
Amount of boost/cut for the
high-frequency range
Volume balance of the original
sound (D) and effect sound (W)
Output volume
135

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