Roland JUNO-G Owner's Manual page 145

49: MULTI TAP DELAY
This effect provides four delays. Each of the Delay Time parameters
can be set to a note length based on the selected tempo. You can also
set the panning and level of each delay sound.
fig.MFX-49
L in
Feed Delay 1
back
Delay 3
Multi Tap Delay
Delay 4
Delay 2
R in
Parameter Value
Delay 1–4 0–2600 ms,
Time note
Delay 1 -98– +98 %
Feedback #
HF Damp 200–8000 Hz,
BYPASS
Delay 1–4 L64–63R
Pan
Delay 1–4 0–127
Level
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the
input sound. A tap delay is connected immediately after the reverse
delay.
fig.MFX-50
L in
Feedback
Rev
Rev. Delay
R in
Parameter Value
Threshold 0–127
Rev Delay 0–1300 ms, note
Time
Rev Delay -98– +98%
Feedback #
Rev Delay HF 200–8000 Hz,
Damp BYPASS
Rev Delay Pan L64–63R
Rev Delay 0–127
Level
Delay 1 – 3 0–1300 ms, note
Time
Balance D
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Balance D
Explanation
Adjusts the time until Delays 1–4 are
heard.
Adjusts the amount of the delay sound
that's fed back into the effect. Negative
(-) settings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
the high frequencies, set this parameter
to BYPASS.
Stereo location of Delays 1–4
Output level of Delays 1–4
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
2-Band
EQ
D1
Delay
D2
D3
2-Band
EQ
Explanation
Volume at which the reverse
delay will begin to be applied
Delay time from when sound
is input into the reverse delay
until the delay sound is heard
Proportion of the delay sound
that is to be returned to the in-
put of the reverse delay (nega-
tive values invert the phase)
Frequency at which the high-
frequency content of the re-
verse-delayed sound will be
cut (BYPASS: no cut)
Panning of the reverse delay
sound
Volume of the reverse delay
sound
Delay time from when sound
is input into the tap delay un-
til the delay sound is heard
Parameter
Delay 3 Feed-
back #
Delay HF
Damp
Delay 1 Pan',
'Delay 2 Pan
Delay 1 Level',
'Delay 2 Level
Low Gain
High Gain
Balance #
Level
51: SHUFFLE DELAY
Adds a shuffle to the delay sound, giving the sound a bouncy delay
effect with a swing feel.
fig.MFX-51
L in
Feedback
Delay
R in
Parameter Value
Delay Time # 0–2600 ms,
note
Shuffle 0–100 %
Rate #
Acceleration 0–15
Feedback # -98– +98 %
L out
HF Damp 200–8000 Hz,
BYPASS
R out
Pan A/B L64–63R
Level A/B 0–127
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
Adding Effects
Value Explanation
-98– +98% Proportion of the delay sound
that is to be returned to the in-
put of the tap delay (negative
values invert the phase)
200–8000 Hz, BY- Frequency at which the low-
PASS frequency content of the tap
delay sound will be cut (BY-
PASS: no cut)
L64–63R Panning of the tap delay
sounds
0–127 Volume of the tap delay
sounds
-15– +15 dB Amount of boost/cut for the
low-frequency range
-15– +15 dB Amount of boost/cut for the
high-frequency range
D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay
sound (W)
0–127 Output volume
A
Delay A
B
Delay B
Explanation
Adjusts the time until the delay sound is
heard.
Adjusts the ratio (as a percentage) of the
time that elapses before Delay B sounds
relative to the time that elapses before the
Delay A sounds.
When set to 100%, the delay times are
the same.
Adjusts the time over which the Delay
Time changes from the current setting to
its specified new setting.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-) set-
tings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
BYPASS.
Stereo location of Delay A/B
Volume of delay A/B
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the effect sound (W)
Output level
2-Band
L out
EQ
2-Band
R out
EQ
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