Yamaha SY55 Product Manual page 89

15: Panned Reflections
Room Size: 0.5 ... 3.2
Sets the separation between reflections.
Higher values produce greater separation
between reflections, and therefore the effect
of a bigger room.
FB Gain:0% ...99%
Determines the amount of feedback returned
to the input of the effect processor. Higher
values produce a greater number of reflec-
tions.
Direction: L R ,R
Determines the direction of the pan sweep.
16: Early Reflections
17: Gate Reverb
18: Reverse Gate
Room Size: 0.5 ... 3.2
Sets the separation between reflections.
Higher values produce greater separation
between reflections, and therefore the effect
of a bigger room.
LPF: 1.25 ... 12 kilohertz, Thru
Rolls off (attenuates) the high-frequency
content of the signal above the set frequency.
The LPF is OFF when set to THRU.
Delay: 0.1 ... 50 milliseconds
Sets the delay time before the early reflec-
tion sound begins.
19: Feedback Early Reflections
20: Feedback Gate
2 1: Feedback Reverse Gate
Room Size: 0.5 ... 3.2
Sets the separation between reflections.
Higher values produce greater separation
between reflections, and therefore the effect
of a bigger room.
LPF: 1.25 ... 12 kilohertz, Thru
Rolls off (attenuates) the high-frequency
content of the signal above the set frequency.
The LPF is OFF when set to THRU.
FB Gain: 0% ... 99%
Determines the amount of feedback returned
to the input of the effect processor. Higher
values produce a greater number of rereflec-
tions.
L
22: Delay 1 & Reverb
24: Tunnel
Time: 0.3 ... 10 seconds
Sets the amount of time it takes for the reverb
sound to decay to an inaudible level.
Delay: 0.1 ... 152 milliseconds
Sets the delay time.
FB Gain: 0% ... 99%
Determines the amount of feedback returned
to the input of the effect processor. Higher
values produce a a greater number of delay
repeats.
23: Delay 2 & Reverb
Time: 0.3 ... 10 seconds
Sets the amount of time it takes for the reverb
sound to decay to an inaudible level.
Lch Delay: 0.1 ... 152 milliseconds
Sets the delay of the left channel.
Rch Delay: 0.1 ... 152 milliseconds
Sets the delay of the right channel.
25: Tone Controls
Low:-12...+12 dB
Sets the amount of boost or cut applied to
the low frequencies. A setting of "0" pro-
duces no boost or cut. Minus values produce
cut and plus values produce boost.
Mid: -12 ... +12 dB
Sets the amount of boost or cut applied to
mid-band frequencies. A setting of "0" pro-
duces no boost or cut. Minus values produce
cut and plus values produce boost.
High:-12...+12 dB
Sets the amount of boost or cut applied to
the high frequencies. A setting of "0" pro-
duces no boost or cut. Minus values produce
cut and plus values produce boost.
26: Delay 1 & Tone 1
27: Delay 2 & Tone 1
29: Delay 1 & Tone 2
30: Delay 2 & Tone 2
Brilliance: 0 ... 12
Determines the brilliance of the sound.
Higher values produces a more brilliant,
"sharper" sound.
Delay: 0.1 ... 300 milliseconds
Sets the delay time.
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