Yamaha SY22 Authorized Product Manual
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Yamaha SY22 Authorized Product Manual

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See also: Owner's Manual , Operating Manual
AUTHORIZED
PRODUCT MANUAL
MUSIC SYNTHESIZER

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Summary of Contents for Yamaha SY22

  • Page 1 AUTHORIZED PRODUCT MANUAL MUSIC SYNTHESIZER...
  • Page 2 MUSIC SYNTHESIZER...
  • Page 3 For even more expressive capability, the SY22 keyboard features both velocity sensitivity and after-touch response that can be assigned to a number of musical parameters. The more you play the SY22, the more you'll find that "vectors" will become an indispensable part of your musical repertoire.

  • Page 4: Table Of Contents

    CONTENTS PRECAUTIONS ............2 HOW TO USE THIS OPERATING MANUAL..............1 THE CONTROLS & CONNECTORS......3 TUTORIALS SECTION 1. SETTING UP YOUR SYSTEM......9 3. VECTORS............14 Voice Configurations..........14 Connections............. 9 Two Types of Vectors: Manual & Dynamic..14 Power-on Procedure..........9 Enjoy the Demos...........
  • Page 5 DECAY 2 (Level & Rate)........55 UTILITY RECALL..........75 RELEASE RATE..........56 UTILITY MIDI............79 LEVEL SCALING..........56 RATE SCALING........... 57 MIDI ON/OFF............81 BASIC RECEIVE CHANNEL......81 MULTI............... 59 TRANSMIT CHANNEL........81 NAME..............62 LOCAL CONTROL ON/OFF......82 EFFECT (Type & Depth)........62 MIDI PROGRAM CHANGE.......

  • Page 6: How To Use This Operating Manual

    Understanding and using manual and dynamic vectors. 4. INSTANT VOICE PROGRAMMING [Page 25] The fast way to create an unlimited range of new voices for the SY22. We recommend that you go through the tutorials in sequence while actually carrying out procedures on your SY22. Once you've gone through the entire TUTORIALS section in this way, you should be familiar enough with the SY22 to need only the REFERENCE section in future.
  • Page 7 If the power is left off continuously for longer periods, the contents of the internal memory may be lost. Be sure to turn the SY22 on for a short period at least once a month if you wish to retain data in the internal...
  • Page 8 [VECTOR CONTROL] VOLUME Control Adjusts the volume of the sound delivered via This is the key to SY22's remarkable vector the rear-panel OUTPUT and PHONES jack. synthesis system. The [VECTOR CONTROL] allows manual control of level or detune for 2 or 4 VECTOR PLAY [ON/OFF] and voice "elements"...
  • Page 9 SY22 edit modes. Either key can be comparison of the original and edited voice or pressed briefly for single stepping in the multi-play setup.
  • Page 10 Activates the SY22 built-in demonstration — a In the VOICE PLAY or MULTI PLAY mode, great way to hear what the SY22 can do after these keys — [1] through [8] — are used to you set up your system.
  • Page 11 DC cable firmly around the clip a few centimeters from the plug end. CAUTION! Do not attempt to use a different AC adaptor to power the SY22. The use of an incompatible adaptor may cause irreparable damage to the SY22, and might...

  • Page 14: Setting Up Your System

    1 . SETTING UP YOUR SYSTEM Connections The diagram below shows the basic connections in a setup using only the SY22 and a stereo sound system. CAUTION!!: Make sure that both the SY22 and your sound system are turned OFF when making connections.
  • Page 15 Enjoy the Demo The SY22 is programmed with a demonstration sequence that you might enjoy listening to after setting up your system. Take a short break and enjoy the demo: 1. Press the [DEMO] key. "Yes to Start" will appear on the LCD display.

  • Page 16: Selecting And Playing Voices

    Element MEMORY B(FM) STEREO OUTPUT Please note that the voices played by the SY22 can come from three different sources: the PRESET voice memory, the INTERNAL voice memory, or a CARD voice memory: PRESET The PRESET voice memory contains 64 pre-programmed voices in ROM (Read Only Memory) that cannot be overwritten or changed in any way.

  • Page 17: Memory, And Voice

    (REFERENCE SECTION, page 70). The CARD voice memory is represented on the display by the letter "C". Note: No warning is given on the SY22 displays when a memory card backup battery is about to fail. See your memory card owner's manual for details.

  • Page 18: Overlapping Voice Selection

    Check all connections carefully. Overlapping Voice The SY22 has been designed to allow overlapping voice selection. That is, if you Selection select a new voice while holding notes on the keyboard (or by using a sustain footswitch), the held notes will continue playing the previous voice while subsequently played notes will use the new voice.
  • Page 19 VECTOR CONTROL For the sake of clarity, we'll represent the SY22 vector control by a simple graph like the one shown to the right for the rest of the tutorial. The "A," "B," "C," and "D" markings around the [VECTOR CONTROL] correspond to the voice elements.
  • Page 20 Manual Vector Control Manual vector control while playing can be accomplished by turning the vector play mode on — press the VECTOR PLAY [ON/OFF] key so that either the [LEVEL] or [DETUNE] indicator lights, and then select either level or detune control by pressing the VECTOR PLAY [LEVEL/DETUNE] key.
  • Page 21 VECTOR CONTROL LEVEL OR PITCH CHANGE MOTION TIME An Exercise The best way to discover what vector control can do for you is to listen and experiment. Here's a list of the preset voices including the configuration of each (2 or 4-element) and the names of the waveforms assigned to each element. PRESET VOICE Performance Note Genesis Yes/No...
  • Page 22 Matrix22 Yes/Yes 039 Vn.Ens. Rev Hall Big orchestra with sweeping brass. 121 Move 4 038 Strings 122 Move 5 Arpegi8 Yes/Yes 044 Itopia Rev Metal Play broken chords (arpeggios) and hold down each 061 Bass 8 note of the arpeggio. The late envelope will echo what 038 Strings you play.
  • Page 23 FrHom No/No 013FrHorn Rev Hall French Horn ensemble 236 Wave22-2 After-touch vibrato. BrasSect No/No 009 Trumpet Early Ref Pop brass section. 016 Brass 3 Switch on VECTOR PLAY LEVEL, turn VECTOR 011 Trombone CONTROL for various brass color. 017 Brass 4 No/Yes 082 Tb.Body Rev Hall...
  • Page 24 Bell Wah Yes/No 044 Itopia Rev Hall Percussive bell with cornig up choir. 143 SFX 1 Best with long notes. 043 Choir After-touch choir volume 071 Vibes 2 Inca Yes/Yes 070 Bottle PanRef 093 Lead 3 015SynBrass 239Wave23-2 Voyager No/No Rev Plate 044 Itopia Choir with "sizzle."...
  • Page 25 Voice number P88 provides a complete drum kit plus a range of valuable percussion sounds. The voice is set up so that each key on the keyboard pro- duces a different drum sound, as shown in the list below. The Dr.Kit voice can be used on its own, or as a source of drums and percussion in a multi-play setup (REFERENCE section, page 59).

  • Page 26: Voice Vector

    1. The first step is to enter the VOICE VECTOR edit mode, which we do by pressing the [EDIT/UTILITY] key and then the [VOICE VECTOR] key (REFERENCE SECTION, page 36). EDIT/UTILITY COMMON VECTOR COMPARE VOICE Please note that although the display directs you to the "Edit or Utility" switches after pressing the [EDIT/UTILITY] key, this refers to the VOICE, ELEMENT, MULTI, and UTILITY key groups located at the upper right- hand comer of the control panel.
  • Page 27 SY22's INTERNAL memory locations. There is, however, a slight catch. If you simply go ahead and attempt to store the voice at this point the SY22 will inform you that the internal memory is protected with a "Memory Protected" display, preventing the store operation.
  • Page 28 VOICE PLAY mode. The STORE Key As we've just seen, the SY22 automatically gives you the option to store a voice you've just edited when you switch back to the VOICE play mode. You can also activate the store function to store the currently selected voice to a different INTERNAL or CARD memory location by pressing the [STORE] key while in the VOICE play mode.
  • Page 29 If you want really fine control, however, the SY22 offers a number of level and detune vector edit- ing functions that allow the position and length of each vector step to be pre- cisely programmed as required.

  • Page 30: Pitch Bend

    4. INSTANT VOICE PROGRAMMING Although the SY22 allows you to program voices in considerable detail, in this section we'll present a simple way to create an unlimited range of new and use- ful voices. Detailed parameters for programming individual elements are available in the ELEMENT TONE and ELEMENT ENVELOPE edit modes described in the REFERENCE SECTION, beginning on pages 41 and 51, respectively.

  • Page 31: Conclusion

    "Y/N?" parameter. 6. Now, each time you press the [+1/YES] key the SY22 will randomly assign different waveforms to the four elements in what used to be the Fanfare voice.
  • Page 32 VOICE COMMON...
  • Page 33 VOICE COMMON...

  • Page 34: Voice Common

    VOICE COMMON VOICE COMMON The VOICE COMMON mode provides access to a range of parameters that affect the selected voice as a whole. Detailed programming of individual elements is provided by the ELEMENT TONE and ELEMENT ENVELOPE edit modes. NAME CONFIGURATION EFFECT (Type &...
  • Page 35 VOICE COMMON Selecting the VOICE COMMON Edit Mode Selecting the VOICE COMMON Edit Mode From the VOICE or MULTI mode: Functions The various VOICE COMMON edit mode func- EDIT/UTILITY tions can be selected in sequence by pressing the [VOICE COMMON] key, or by using the [-1/NO] and [+1/YES] keys when the cursor COMPARE is located immediately before the function...
  • Page 36 VOICE COMMON Procedure: Use the cursor keys to place the underline cursor under the character to be changed. Use the [-1/NO] and [+1/YES] keys to select the desired character. Continue Summary: Assigns a name of up to 8 characters to until the entire voice name has been pro- the current voice.
  • Page 37 VOICE COMMON Settings: Effect type: Depth: 0...7 Rev Hall (Reverb Hall) Procedure: Use the cursor keys to Rev Room (Reverb Room) Rev Plate (Reverb Plate) place the underline cursor under the effect type Rev Club (Reverb Club) or depth parameter. Use the [-1/NO] and Rev Metal (Reverb Metal) Delay 1...
  • Page 38 VOICE COMMON When after touch is assigned to amplitude or pitch modulation, LFO modulation can only be applied via after touch. The Pit parameter allows keyboard after touch to Summary: Assigns keyboard after-touch to ampli- be used for note bending. The greater the key tude modulation, pitch modulation, pitch control, pressure the greater the amount of pitch bend.
  • Page 39 VOICE COMMON Please note that the AR parameter will have no Refer to: ELEMENT ENVELOPE section page effect on elements in which the INITIAL LEVEL 53-57. parameter (page 54) is set to 99. * This range may be more limited in some cases. An exclamation mark (!) will appear after the range value when the limit is reached.

  • Page 40: Voice Vector

    VOICE VECTOR VOICE VECTOR The VOICE VECTOR edit mode allows recording and fine editing of dynamic level and detune vectors. LEVEL SPEED (Vector Rate) LEVEL RECORD LEVEL EDIT (Step, X-axis, Y-axis & Time) DETUNE SPEED (Vector Rate) DETUNE RECORD DETUNE EDIT (Step, X-axis, Y-axis & Time)
  • Page 41 VOICE VECTOR Selecting the VOICE VECTOR Edit Mode Selecting the VOICE VECTOR Edit Mode From the VOICE or MULTI mode: Functions The various VOICE VECTOR edit mode func- EDIT/UTILITY tions can be selected in sequence by pressing the [VOICE VECTOR] key, or by using the COMPARE [-1/NO] and [+1/YES] keys when the cursor is located immediately before the function...
  • Page 42 VOICE VECTOR path followed by the vector control. This function sets the initial time between each step. The Time parameter in the LEVEL EDIT function, described later, allows the length of individual Summary: Sets the time between level vector steps to be edited. The vector rate parameter steps.
  • Page 43 VOICE VECTOR Time Details: Step 1 is the first step recorded and step 50 is the last. Experience will give you a feel for relating specific points in a dynamic vector to the corresponding steps. Refer to: Tutorial, page 21-24. Summary: Multiplies the vector rate setting of the current level vector step only.
  • Page 44 VOICE VECTOR Details: Each automatic vector sweep is composed of up to 50 "steps," corresponding to equally- spaced points along the path followed by the vector control. This function sets the initial time Summary: Sets the time between detune vector between each step.
  • Page 45 VOICE VECTOR Time X-axis & Y-axis Summary: These parameters define the position of Summary: Multiplies the vector rate setting of the the currently selected step on the X and Y axes current detune vector step only. Also allows of the detune vector control range. vectors to be looped or ended at the current step.

  • Page 46: Element Tone

    ELEMENT TONE ELEMENT TONE The ELEMENT TONE edit mode allows editing many of the most important sound-deter- mining parameters of each individual element — A and B in a 2-element voice; A, B, C and D in a 4-element voice. WAVE TYPE ELEMENT COPY FREQUENCY SHIFT...
  • Page 47 ELEMENT TONE Selecting the ELEMENT TONE Edit Mode character, that element is OFF. The ability to From the VOICE or MULTI mode: turn elements on or off while editing makes it easier to hear the effect of parameter changes on EDIT/UTILITY a single element.
  • Page 48 Elements B and D (FM): 0 ... 255 AWM element (A or C) or an FM element (C or D). The SY22 has 128 preset AWM waves (0 cursor keys to Procedure: Use the ...
  • Page 49 ELEMENT TONE FM VOICE LIST Category Name Category Name Category Name Category Name Piano E.Piano1 Syn.S Sus.1 Pluck Guitar 4 SFX 5 E.Piano2 Sus.2 Guitar 5 SFX 6 E.Piano3 Sus.3 Guitar 6 SFX 7 E.Piano4 Guitar 7 Sus.4 OSC1 Sin 16' E.Piano5 Guitar 8 Sus.5...
  • Page 50 Details: In this display the source, bank and num- ber parameters are shown in the standard SY22 Settings: Source: I, C, P voice number format. "P12," for example, is Bank: 1 ...
  • Page 51 ELEMENT TONE [+1/YES] keys to select the desired volume level. Details: A setting of "0" produces no sound while Summary: Adjusts the volume of the selected a setting of "99" produces maximum volume. element. The ability to independently adjust the volume of each element makes it simple to set up the Settings: 0...
  • Page 52 ELEMENT TONE +2 Broader change between medium and hard "-" Settings have the same effect, but the sound level decreases rather than increasing velocity. +3 Smooth change all the way from soft to hard with increased key velocity. A graphic display to velocity.
  • Page 53 ELEMENT TONE AM (Amplitude Modulation Depth) Details: A "0" setting produces no modulation while a setting of "31" produces maximum modulation. Pitch modulation produces a periodic pitch variation, thereby creating a vibrato effect. Please note that the PM parameter of the WHEEL and/or AFTER TOUCH function in the Summary: Determines the maximum amount of VOICE COMMON edit mode must be set to...
  • Page 54 ELEMENT TONE Dly (Delay) Procedure: Use the cursor keys to select the Rate parameter. Use the [-1/NO] and [+1/YES] keys to set the desired LFO fade-in rate. Details: "0" is the fastest rate, causing the LFO to Summary: Sets the delay time between the begin- start operation at full depth immediately.

  • Page 55: Element Envelope

    ELEMENT ENVELOPE ELEMENT ENVELOPE The ELEMENT ENVELOPE edit mode allows detailed programming of the amplitude envelopes for each element in the selected voice. TYPE ENVELOPE COPY DELAY (Delay Rate & ON/OFF) INITIAL LEVEL ATTACK (Level & Rate) DECAY 1 (Level & Rate) DECAY 2 (Level &...
  • Page 56 ELEMENT ENVELOPE character, that element is OFF. The ability to Selecting the ELEMENT ENVELOPE Edit Mode turn elements on or off while editing makes it From the VOICE or MULTI mode: easier to hear the effect of parameter changes on EDIT/UTILITY a single element.
  • Page 57 ELEMENT ENVELOPE Summary: Selects a user or preset amplitude enve- lope for the selected element. Settings: PRESET, PIANO, GUITAR, PLUCK, BRASS, STRINGS, ORGAN, USER Procedure: Use the [ ] key to move the cursor to the lower display line. Use the [-1/NO] and [+1/YES] keys to select the desired envelope.
  • Page 58 ELEMENT ENVELOPE Press the [ ] cursor key one more time and the "Are you sure?" display will appear. Press [+1/YES] to execute the copy operation or Summary: Copies envelope parameters from a [-1/NO] to cancel. "»Completed!!«" will selected element to the current element. appear briefly when the copy operation has finished.
  • Page 59 ELEMENT ENVELOPE Details: Refer to the INITIAL LEVEL function for a complete envelope diagram. A rate setting of "0" produces the slowest attack, and a setting of "99" produces the Summary: Sets the rate and peak level of the attack fastest attack.
  • Page 60 ELEMENT ENVELOPE A level setting of "0" produces the lowest The decay 2 level parameter also sets the hold level at which the note is sustained until decay level, while a setting of "99" produces the released. highest level. Details: Refer to the INITIAL LEVEL function for a complete envelope diagram.
  • Page 61 ELEMENT ENVELOPE Summary: Determines how the overall rate of the amplitude envelope for the current element changes across the range of the keyboard. Settings: 1 ... 8 Procedure: Use the [ ] cursor key to move the cur- sor to the lower display line. Use the [-1/NO] and [+1/YES] keys to set the desired rate scal- ing curve.
  • Page 62 ELEMENT ENVELOPE...

  • Page 63: Multi

    MIDI sequence recorder or other controller. If a number of these channel/voice "parts" are assigned to the MIDI transmit channel of the SY22, they can all be played simultaneously from the SY22 keyboard. Individual characteristics of each voice, such as...
  • Page 64 This allows you to create up to 16 original that the SY22 is set to transmit on (TRANSMIT CHANNEL parameter, page 81), those parts "orchestras" with different combinations of can all be played simultaneously via the SY22 voices that can be recalled whenever needed.
  • Page 65 — "1" through "8." A dot will appear to the right of the part number as soon as any parameter has been edited. SY22 PRESET MULTI Performance Note Comments Multi Name Type...

  • Page 66: Effect (Type & Depth)

    MULTI Procedure: Use the [ ] and [ ] cursor keys to place the underline cursor under the character to be changed. Use the [-1/NO] and [+1/YES] keys to select the desired character. Continue Summary: Assigns a name of up to 8 characters to until the entire multi-play name has been the current multi-play setup.

  • Page 67: Voice Number

    MULTI Details: In this display the source, bank, and num- Settings: Source: I, C, P ber parameters are shown in the standard SY22 Bank: 1 ... 8 voice number format. "P12," for example, is Number: 1 ... 8 preset bank 1, number 2; "I35" is internal bank Procedure: Press the [NUMBER/MULTI PART 3, number 5, etc.

  • Page 68: Detune

    MULTI Details: The Detune function allows different parts in a multi-play setup to be slightly detuned in relation to each other, thereby "thickening" the overall sound. Summary: Allows slight upward or downward pitch Detuning occurs in 3 or 4-cent steps. Since 100 adjustment of the selected multi-play part.

  • Page 69: Note Shift

    MULTI Settings: -24 ...0...+24. The Note Shift function can be used to transpose a voice to its most useful range, or to create Procedure: Press the [NUMBER/MULTI PART harmony (intervals) between different parts in a SELECT] key corresponding to the desired multi-play setup.

  • Page 70: Utility Setup

    UTILITY SETUP UTILITY SETUP The UTILITY SETUP mode provides access to a range of basic utility functions that are essential for general operation of the SY22.
  • Page 71 UTILITY SETUP Selecting the UTILITY SETUP Mode Selecting the UTILITY SETUP Mode Functions From the VOICE or MULTI mode: The various UTILITY SETUP mode functions can be selected in sequence by pressing the [UTILITY SETUP] key, or by using the [-1/NO] and [+1/YES] keys when the cursor ( )is located immediately before the function name on the upper display line.
  • Page 72 100 cents equals one semitone, the overall tun- ing range is approximately one semitone — i.e. plus or minus a quarter tone. Plus settings tune Summary: Tunes the overall pitch of the SY22 over upward from normal pitch, and minus settings approximately a 100-cent range.
  • Page 73 Summary: Formats MCD64 or MCD32 Memory Exercise caution when saving data to a memory Cards so that they can be used by the SY22 to card — the previous card data will be erased and save and load voice and multi-play data.
  • Page 74 UTILITY SETUP appear on the lower line of the display. Press the [+1/YES] to initialize or [-1/NO] to cancel the initialize operation. "»Completed!!«" will appear briefly when Summary: Initializes all parameters of the current the initialization is finished. voice. Details: When Voice Initialize is executed, the Settings: None.
  • Page 75 Details: When multi-play Initialize is executed, the Settings: None. multi-play setup parameters are initialized to the following values: Procedure: After selecting the "INIT. MULTI" display, press the [ ] key. Are you sure? will SY22 MULTI INITIAL Initial Rev Hall P12 DXIegend P37 RokOrgan P45 BrasSect...

  • Page 76: Master Tune

    UTILITY SETUP SY22 System Parameter SETUP MASTER TUNE TRANSPOSE CARD BANK MIDI MIDI BASIC Rcv.CH TRANSMIT CH LOCAL PROG.CHANGE CTRL.CHANGE AFTER TOUCH PITCH BEND EXCLUSIVE Details: When INT memory protection is "on," the internal memory is protected and voice store operations to the internal memory cannot be carried out.
  • Page 77 UTILITY SETUP...

  • Page 78: Utility Recall

    UTILITY RECALL UTILITY RECALL The UTILITY RECALL mode accesses the VOICE or MULTI recall function, depending on whether the VOICE or MULTI play mode is selected when the RECALL function is called. RECALL makes it possible to recover a voice or multi-play setup that has been "lost" through failure to store the voice or multi-play setup prior to selecting a different voice or multi-play setup.
  • Page 79 UTILITY RECALL Selecting the UTILITY RECALL Mode From another edit or utility mode simply press From the VOICE or MULTI mode: [UTILITY RECALL]. A "U" will appear on the LED display to indi- cate that a utility mode has been selected...
  • Page 80 Summary: Recalls the last voice or multi-play setup the time the edit mode was exited. edited from the SY22 edit buffer memory. Settings: None Procedure: The "RECALL VOICE" function is selected if called from the VOICE play mode, while "RECALL MULTI"...
  • Page 81 UTILITY RECALL...

  • Page 82: Utility Midi

    UTILITY MIDI UTILITY MIDI The UTILITY MIDI mode provides access to all of the SY22's MIDI control functions.
  • Page 83 UTILITY MIDI Selecting the UTILITY MIDI Mode From the VOICE or MULTI mode: Selecting the UTILITY MIDI Mode Functions The various UTILITY MIDI mode functions can be selected in sequence by pressing the [UTILITY MIDI] key, or by using the [-1/NO] and [+1/YES] keys when the cursor ( )is located immediately before the function name on the upper display line.
  • Page 84 [+1/YES] keys are used to select the desired MIDI channel or the omni mode. Details: When the SY22 is to receive data from an Summary: Sets the SY22 MIDI receive channel to external MIDI device such as a sequencer, make any channel between 1 and 16, or the "omni"...
  • Page 85 ] cursor key to move the program change number will also be transmitted cursor to the lower display line. The [-1/NO] by the SY22 when one of its voices are selected. and [+1/YES] keys are used to select the The "individual" mode allows individual voice desired MIDI program change mode.
  • Page 86 Procedure: Use the [ ] cursor key to move the modulation, pitch, volume and other functions cursor to the lower display line. The [-1/NO] will be ignored by the SY22 when received, and and [+1/YES] keys are used to turn control the SY22 will not transmit any control change change reception/transmission on or off.
  • Page 87 SY22 to another. If the MIDI OUT of the transmitting SY22 is connected to the MIDI IN of the receiv- Summary: Initiates MIDI bulk transmission of all ing SY22 via a MIDI cable, the receiving unit voice and multi-play data.
  • Page 88 APPENDIX...
  • Page 89 APPENDIX Connectors: DC 10V-12V IN; PHONES; OUTPUT K e y b o a r d : 61 keys, initial and after-touch R & L/MONO, FOOT VOLUME, SUSTAIN. response. MIDI Connectors: Tone Generator Systems: AWM (Advanced IN, OUT, THRU. Wave Memory) & FM (Frequency Modulation). Power requirements: Internal Memory: DC10-12V, 500mA...
  • Page 90 ERROR MESSAGES Things do go wrong from time to time, and people do make mistakes. When an error occurs, the SY22 will usually display a message that describes the type of error so you can easily take steps to rectify the problem. The follow- ing are quick summaries of the SY22 error displays.

  • Page 91: Basic Receive Channel

    -1/NO and +1/YES Keys After Touch Sensitivity 33,47 3,13,30,36,42,52,61,68, 80 Copy Frequency Shift Tone Velocity Sensitivity After Touch Volume Amplitude Modulation Level Control Pitch Modulation Pitch Control Amplitude Modulation FM Synthesis AWM (Advanced Wave Memory) Foot Volume Jack Keyboard Bank Select & Edit/Utility Mode Keys 4,12-13 Card Slot 6,12,69...
  • Page 92 Transmit Channel Modulation Wheel 3, 32,48,49, 83 Store Key 4,23 Multi Key & Indicator 3,60-61 Sustain Jack Multi Play Mode 59-61 Detune Effect Type & Depth Initialize Transpose MIDI Receive Channel Tutorial Section, What's In the Name Note Limit Note Shift Recall 75-77 Vector...
  • Page 93 APPENDIX O DATA FORMAT (1) MIDI reception conditions (2) MIDI transmission conditions...
  • Page 94 APPENDIX (3) Channel Messages 3.1 Note On/Off VOICE Transmission: Note range = C1($24)~C6($60) Velocity range = 0~$7F (0: note off) $9n, note, $00 for note off and $8n is not transmitted. Reception: Note range = C-2($00)~G8($7F) Velocity range = 0~$7F MULTI Control Change MODULATION WHEEL and VECTOR CONTROL is possible...
  • Page 95 Item 4.1. Reception: Format: The received data is saved in the voice edit buffer. %11110000 Status %01000011 Yamaha Format: %0010nnnn n-Receive channel % 0 1 1 1 1 1 1 0 %11110000 Status...

  • Page 96: Midi Implementation Chart

    YAMAHA [ Digital synthesizer ] Date : 1/07 1 9 9 0 Model SY22 MIDI Implementation Chart Version : 1 . 0 Transmitted Recognized Remarks Function Basic Default 1-16 1-16 memorized Channel Changed 1-16 1-16 Default 1 , 3 memorized...
  • Page 97 14. When not in use, always turn your Yamaha Digital 6. WARNING — Do NOT place objects on the power Musical Instrument equipment "OFF". The power...

  • Page 98: Special Message Section

    This series of Yamaha professional music equipment uses frequencies that appear in the radio frequency range and if installed in the imme- diate proximity of some types of audio or video devices (within three meters), interference may occur. This series of Yamaha professional music equipment has been type tested and found to comply with the specifications set for a class B computing device in accordance with those specifications listed in subpart J of part 15 of the FCC rules.
  • Page 99 SERVICE This product is supported by YAMAHA's worldwide network of factory trained and qualified dealer service personnel. In the event of a problem, contact your nearest YAMAHA dealer.
  • Page 100 YAMAHA...
  • Page 101 YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue, P.O. Box 6600, Buena Park, CA 90622-6600...

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