Omnia .9 Installation And Operation Manual page 49

Stereo fm-hd-streaming audio processor
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The  Input  AGC  is  the  first  gain  control  stage  in  Omnia.9  following  Undo,  and  is  designed  to  be  used  
as   a   slower-­‐acting   leveler   ahead   of   the   Wideband   AGC1   and   multiband   compressor   sections   that  
follow   i t.      
It   i s   w orth   n oting   t hat   t raditional   p rocessors   o nly   a ct   u pon   a udio   a bove   a   p articular   t hreshold.     T hey  
are   d riven   i nto   v arious   a mounts   o f   g ain   r eduction,   b ut   o nce   t he   a udio   f alls   b elow   t he   t hreshold,   t hey  
"run   out   of   room"   or   "bottom   out,"   and   are   incapable   of   increasing   the   audio   any   further.     They  
require   some   sort   of   make-­‐up   gain   control   later   in   the   audio   chain.     The   compressors   in   Omnia.9  
operate   a bove   A ND   b elow   t hreshold,   c ontrolling   t he   d ynamics   o ver   a   m uch   w ider   r ange.  
The  Gate  Threshold  and  Freeze  Threshold  controls  work  together  to  determine  the  points  
at   w hich   t he   r elease   r ate   o f   t he   I nput   A GC   s lows   b y   a   f actor   o f   3     ( gate   t hreshold)   o r   f reezes  
altogether  (freeze  threshold).    The  range  of  these  controls  is  -­‐90dB  to  0dB.    Lower  settings  
means   the   audio   must   drop   to   a   lower   level   before   the   release   speed   slows   or   freezes.    
Higher   s ettings   m eans   t he   a udio   d oesn't   h ave   t o   d rop   a s   m uch   i n   l evel   b efore   t he   i nput   A GC  
gain   s lows   d own   o r   s tops.      
Using  higher  settings  when  employing  faster  Input  AGC   release  speeds  can  keep  the  audio  
from   b eing   i ncreased   t oo   q uickly   o r   t oo   m uch   d uring   q uieter   p assages   o r   p auses.  
 
The  Ratio  control  determines  how  much  the  output  audio  will  be  increased  or  decreased  in  
relationship  to  the  input  audio  of  the  Input  AGC  section.    For  example,  a  ratio  of  3:1  means  
for  every  3dB  of  change  in  the  level  of  the  input  audio,  the  output  will  be  changed  by  1dB.    
Lower   (looser)   settings   provide   less   control   of   the   dynamics   in   this   section   but   provide   a  
more   open   sound,   while   higher   (tighter)   settings   provide   more   control   at   the   expense   of  
openness.     T he   r ange   o f   t his   c ontrol   i s   1 .0:1   t o   I nfinity:1  
 
The  Maximum  Gain  control  works  in  conjunction  with  the  Ratio  control  to  determine  how  
much   gain   is   available   below   threshold.     If   the   Input   AGC   Ratio   is   set   at   Infinty:1   and   the  
Input   A GC   M aximum   G ain   i s   s et   t o   3 6dB,   t he   I nput   A GC   h as   3 6dB   o f   r ange   b elow   t hreshold.      
At   a   r atio   o f   2 .0:1   a nd   t he   s ame   M aximum   g ain   s etting,   t he   r ange   i s   r educed   b y   h alf   t o   1 8dB.    
The  scale  to  the  left  of  the  Input  AGC  meter  automatically  adjusts  as  needed  when  changes  
are   m ade   t o   t he   I nput   A GC   M aximum   G ain   o r   t he   I nput   A GC   R atio   t o   a ccurately   r eflect   h ow  
much   r ange   i s   a vailable   b elow   t hreshold.  
 
The   Attack   control   determines   the   speed   with   which   the   Input   AGC   acts   to   reduce   audio  
above   threshold.     Lower   settings   represent   slower   attack   speeds   and   allow   more   audio   to  
pass   unprocessed   by   the   Input   AGC   into   subsequent   processing   stages.     Higher   settings  
result   in   faster   attack   speeds   and   allow   less   unprocessed   audio   to   enter   subsequent  
sections.     Because   all   of   Omnia.9's   processing   stages   are   to   some   extent   program-­‐
dependent,   putting   actual   measures   of   time   on   these   controls   would   be   pointless,   and   so  
the   numbers   on   the   various   Attack   and   Release   controls   throughout   are   simply   relative  
numbers.  
 
The  Release  control  determines  the  speed  with  which  the  Input  AGC  increases  audio  below  
threshold.     Lower   settings   provide   slower   release   speeds,   while   higher   settings   result   in  
faster   r elease   s peeds.  
 
 
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