The
Input
AGC
is
the
first
gain
control
stage
in
Omnia.9
following
Undo,
and
is
designed
to
be
used
as
a
slower-‐acting
leveler
ahead
of
the
Wideband
AGC1
and
multiband
compressor
sections
that
follow
i t.
It
i s
w orth
n oting
t hat
t raditional
p rocessors
o nly
a ct
u pon
a udio
a bove
a
p articular
t hreshold.
T hey
are
d riven
i nto
v arious
a mounts
o f
g ain
r eduction,
b ut
o nce
t he
a udio
f alls
b elow
t he
t hreshold,
t hey
"run
out
of
room"
or
"bottom
out,"
and
are
incapable
of
increasing
the
audio
any
further.
They
require
some
sort
of
make-‐up
gain
control
later
in
the
audio
chain.
The
compressors
in
Omnia.9
operate
a bove
A ND
b elow
t hreshold,
c ontrolling
t he
d ynamics
o ver
a
m uch
w ider
r ange.
The
Gate
Threshold
and
Freeze
Threshold
controls
work
together
to
determine
the
points
at
w hich
t he
r elease
r ate
o f
t he
I nput
A GC
s lows
b y
a
f actor
o f
3
( gate
t hreshold)
o r
f reezes
altogether
(freeze
threshold).
The
range
of
these
controls
is
-‐90dB
to
0dB.
Lower
settings
means
the
audio
must
drop
to
a
lower
level
before
the
release
speed
slows
or
freezes.
Higher
s ettings
m eans
t he
a udio
d oesn't
h ave
t o
d rop
a s
m uch
i n
l evel
b efore
t he
i nput
A GC
gain
s lows
d own
o r
s tops.
Using
higher
settings
when
employing
faster
Input
AGC
release
speeds
can
keep
the
audio
from
b eing
i ncreased
t oo
q uickly
o r
t oo
m uch
d uring
q uieter
p assages
o r
p auses.
The
Ratio
control
determines
how
much
the
output
audio
will
be
increased
or
decreased
in
relationship
to
the
input
audio
of
the
Input
AGC
section.
For
example,
a
ratio
of
3:1
means
for
every
3dB
of
change
in
the
level
of
the
input
audio,
the
output
will
be
changed
by
1dB.
Lower
(looser)
settings
provide
less
control
of
the
dynamics
in
this
section
but
provide
a
more
open
sound,
while
higher
(tighter)
settings
provide
more
control
at
the
expense
of
openness.
T he
r ange
o f
t his
c ontrol
i s
1 .0:1
t o
I nfinity:1
The
Maximum
Gain
control
works
in
conjunction
with
the
Ratio
control
to
determine
how
much
gain
is
available
below
threshold.
If
the
Input
AGC
Ratio
is
set
at
Infinty:1
and
the
Input
A GC
M aximum
G ain
i s
s et
t o
3 6dB,
t he
I nput
A GC
h as
3 6dB
o f
r ange
b elow
t hreshold.
At
a
r atio
o f
2 .0:1
a nd
t he
s ame
M aximum
g ain
s etting,
t he
r ange
i s
r educed
b y
h alf
t o
1 8dB.
The
scale
to
the
left
of
the
Input
AGC
meter
automatically
adjusts
as
needed
when
changes
are
m ade
t o
t he
I nput
A GC
M aximum
G ain
o r
t he
I nput
A GC
R atio
t o
a ccurately
r eflect
h ow
much
r ange
i s
a vailable
b elow
t hreshold.
The
Attack
control
determines
the
speed
with
which
the
Input
AGC
acts
to
reduce
audio
above
threshold.
Lower
settings
represent
slower
attack
speeds
and
allow
more
audio
to
pass
unprocessed
by
the
Input
AGC
into
subsequent
processing
stages.
Higher
settings
result
in
faster
attack
speeds
and
allow
less
unprocessed
audio
to
enter
subsequent
sections.
Because
all
of
Omnia.9's
processing
stages
are
to
some
extent
program-‐
dependent,
putting
actual
measures
of
time
on
these
controls
would
be
pointless,
and
so
the
numbers
on
the
various
Attack
and
Release
controls
throughout
are
simply
relative
numbers.
The
Release
control
determines
the
speed
with
which
the
Input
AGC
increases
audio
below
threshold.
Lower
settings
provide
slower
release
speeds,
while
higher
settings
result
in
faster
r elease
s peeds.
41