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F116 Bel>Crs>Bel
Morph: Sweeps from flat to dissonance.
Freq. Tracking: Provides key tracking to fix dissonant partials.
Transform 2: Increases bell-like effect. Makes the sound brighter
and louder.
Comments: Low velocities on Transform 2 reveals a hint of bells
when Morphing. Higher Transform 2 values create a more bell-like
and dissonant sound.
F117 Chrs>Flng1
Morph: Sweeps to a flange effect.
Freq. Tracking: Provides key tracking to enhance flange effect.
Transform 2: Makes brighter, increases volume.
Comments: Degree of flanging effect depends on velocity.
F118 Chrs>Flng2
Morph: Sweeps to a flange effect.
Freq. Tracking: Provides key tracking to enhance flange effect.
Transform 2: Makes brighter, adds volume.
Comments: Velocity controls degree of flange effect.
F119 Ev/OdNtch.4
Morph: Sweeps from even notches at 200, 400, 800Hz, etc with an
overall low frequency cut-off to notches at 300, 600, 1200,
2400Hz, etc. effecting a warm to bright transition.
Freq. Tracking: Provides key tracking.
Transform 2: Not used.
F120 Odd/EvnNtch
Morph: Provides subtle modulation between odd octave intervals
starting at 75Hz and even octave intervals starting at 50Hz.
Freq. Tracking: Controls brightness.
Transform 2: Deepens the effect and adds volume.
F121 NotchPkSwp4
Morph: Sweeps from nasal to bright; vowel shifts from 'oh' to 'ee'.
Freq. Tracking: Controls brightness and tracks keyboard.
Transform 2: Not used.
F122 1.5/3KNBPR4
Morph: Morphs from thin and high to richer and deeper to a yet a
different timbre resonance; adds energy.
Freq. Tracking: Frequency Tracking thickens the spectral plot.
Transform 2: Not used.
Z-PLANE FILTER DESCRIPTIONS
Chapter 11: Reference Section
195
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