E-Mu MORPHEUS Operation Manual page 206

Z-PLANE FILTER DESCRIPTIONS
F123 Swingshift
Morph: Try setting Transform 2 to 255 for brighter morph. Modu-
lates from low-frequency cut-off to series of peaks at 349Hz,
494Hz, 698Hz, 988Hz etc.
Freq. Tracking: Tracks filter with keyboard.
Transform 2: Adds depth, volume.
F124 500up.4
Poles and zeros alternate, spaced at 500Hz intervals. Increasing
Morph Offset boosts the peaks slightly, and greatly deepens the
notches, producing an effect similar to band-pass filtering. This
effect is further accentuated by increasing the Frequency Tracking
value, as well as tuning the entire filter higher.
Morph: Increases depth of notches.
Freq. Tracking: Tunes the filter.
Transform 2: Not used.
F125 C1Harmonic5oct.8R
Morph: Try setting Transform 2 to maximum. Controls resonance.
Freq. Tracking: Controls resonance.
Transform 2: Tunes the filter.
F126 Odd>Even
Morph: Changes from odds to even harmonics.
Freq. Tracking: Provides key tracking to maintain spectrum.
Transform 2: Controls brightness and volume.
Comments: Odd harmonics are replaced by evens. Can give an
impression a raising one octave.
F127 0>Shp1
Morph: Changes from flat to shape.
Freq. Tracking: Provides key tracking to maintain spectrum.
Transform 2: Controls brightness and volume.
Comments: Imposes a vowel like shape on a pure sound. (Can be
useful for morphing in and out using two samples.)
F128 0>Shp2
Morph: Changes from flat to shape.
Freq. Tracking: Provides key tracking to maintain spectrum.
Transform 2: Controls brightness and volume.
Comments: More vowel like changes than 0>Shape1.
196 Morpheus Operation Manual